Month: December 2018

A review on Pakistani TV Drama Serial ‘Bashar Momin’ (2012). The Production House is A&B Entertainment while its Distributor is Geo Entertainment.

 

 

 

+ Crew

• Directed by Syed Ali Raza Usama
• Cinematography by Farhan Golden & Adnan Bukhari
• Written by Zanjabeel Asim
• Edited by Faizan Ghori & Waqas Karim
• Produced by Asif Raza Mir & Babar Javed

 

+ Note

Bashar Momin aired on Geo Entertainment from 14^th March till 8^th November 2012. It consists of total 32 episodes. This drama serial focuses on jealousy, love, hatred, romance and suspicion in the relationships.

It is considered as the most expensive TV drama ever made in Pakistan.

 

 

+ Main Cast

1) Faisal Qureshi as Bashar

2) Ushna Shah as Rudaba

3) Sami Khan as Buland Bakhtyar

4) Yasir Mazher as Adil

 

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+ Supportive Cast

5) Maheen Rizvi as Sahira

6) Sundus Tariq as Tayaba

7) Noman Ejaz as Zafar (Special Appearance)

8) Fazal Hussain as Bashar (Young)

 

 
+ Plot

After a sudden unfortunate event, Rudaba starts living with her brother’s family where his hot tempered, wealthy brother-in-law, Bashar Momin often visits. For his sisters’ happiness, he would go at any length to make sure they get what they want.

 

 

+ High Points

i – Faisal Qureshi performance as ‘Bashar Momin’ is… so AMAZING! God! I was so much focused, convinced in his character that for a moment I literally forgot this actor’s actual name. His performances are usually comical and hilarious whether Live on stage or on screen that one would wonder that is he the same actor who is playing the role as ‘Bashar Momin’? Faisal you have out did yourself. This performance is absolutely be cherished as ‘Unforgettable’! Truly amazed by your performance!

The background to the character Bashar Momin is that it is inspired by iconic characters of ‘Tony Montana’ (Scarface – 1983 film) and ‘Michael Corleone’ (Godfather 1 & 2 – 1972 & 1974 films) both played by legendary actor Al Pacino.

Bashar Momin is the anti-hero / tragic villain of this drama series. I cannot even imagine that Faisal would the one who pull this off, able to perform (as intended) to this well written character. Faisal, your performance has been one of the most memorable. Impressive, Most Impressive!

ii – The performances by the main cast as well as the supportive is so POWERFUL! Remarkable performances have uplifted this drama serial in much greater height. Honorable mentions: Faisal Qureshi, Ushna Shah, Yasir Mazher and Maheen Rizvi.

iii – There were three most intense scenes which were greatly shot and directed. One of them is when Bashar and Adil have talk on Rudaba’s marriage while in the presence of Rudaba & Saira in the hall. Second most intense scene is Bashar shouts at his sister Saira to talk with respect to his wife when they all are sitting and dinning in his house. And thirdly, the most intense scene is when Bashar has a fight with Buland at Rudaba’s home. These scenes were so electrifying and STRONGLY performed. Thumbs Up!

iv – The Costume Design, Makeup & Hair-styling, Art Direction were superbly done. You can see its result. Spectacular!

v – The cinematography with artificial lighting is achieved in highly manner. I can see the kind of effort is poured in to make the scene more glamour and attractive for the viewers.

vi – If the script is well written, the performances were given even better. The viewers would be lost in the strong performances that the effort behind the script and its wonderful story would be overshadowed by it. Instead the praises would be shifted to performances than to the script itself.

vii – The character shift of Bashar was well handled and performed. The writer did a wonderful job how his character be shown and reflected on screen. Bravo!

viii – If the director wanted, he could have ended this drama series with 31st as the last episode. But no! No, he did not. He and writer had a proper, well finished ending to this great drama series. The finale was OUTSTANDING!

ix – This is a wonderful drama series produced by our Pakistani TV industry. The team behind this drama series, you guys did an awesome job in executing it especially the writer and the director. The producers have effectively used their heavy investments in this TV drama. ‘Bashar Momin’ character has become an iconic figure in media. Why the viewers should be left to watch most of the Pakistani high-class films with lead actors such as Shaan Shahid or Fahad Mustafa. Why not Faisal Qureshi in lead roles? Why restrict yourself with just TV industry? You are a superb actor. You should create more awareness, by being part of international critically acclaimed limelight films. I always had respect for Faisal Qureshi; an actor, who make us laugh. But now, after watching this drama … you are no longer known to me as just ‘Faisal Qureshi’. Now you would always be remembered, highly respected as Bashar Momin. An actor who is now included in the ranks of elite class actors.

 

 

+ Low Points

i – The over use of artificial lighting in almost every scene (at least 70%) made the viewer being very annoyed by it. The usage of artificial lighting according to the situation, mood of the scene and certain locations allow us to use it very effectively. However, instead of keeping it limited… we have over abundance usage of it which goes against its favor. It seems that the cinematographer was very inspired after watching classic sci-fi film of Ridley Scott’s ‘Blade Runner’ (1982).

ii – Whenever we see the actors dinning out or being at a cafe, such as Bashar happens to do it twice while we see Buland once alone (USA), there are absolutely no people in the background / its surroundings. It is extremely rare to see the waiter even. Only in Nauman Ejaz’s scene we can see multiple waiters (but here it was mandatory for the waiters to interact with the actor) yet hardly any or no extras used who are also dining out at the same restaurant.

iii – The usage of smoke machine is used unnecessarily in those scenes which made ‘no head or tails’. Its usage was shown in the rooms, hall… even in broad day light protest (normal weather). Rather it should be used where it is required only or used according to the theme / nature of the script such as if we have a dream sequence, super natural based scene, weather conditions deteriorated, etc. If you are going to use smoke machine just to look ‘Cool’ in front of the camera, then we both know where you stand in the terms of understanding the nature of the scene and the level of being a ‘Skilled’ person.

iv – The character of Sami Khan as ‘Buland’ showed as the guy who can be easily manipulated and lied to. He was fooled not just once or twice but at least ‘four’ different times. Then, whenever he made an appearance, the viewer would say ‘Oh, the fool is here; which lies would he believe now’?

Secondly though he is shown as good looking, completed his education from USA and works at World Bank (USA) — but it seems that he is left with only two women in his life to marry with. Either it is Rudaba or Tayaba. So, if he cannot marry one of them then its compulsory for him to marry the other. The question is why he cannot find a good wife abroad instead to choose a wife out of these two females?

v – Since the character of Bashar is shown as hot tempered, sometimes unpredictable. The usage of his gun that he keeps in the interior pocket of his coat should be shown used (at least sometimes) instead of just pointing gun at the people who furiously bugs him. Whenever, we see him takes out his gun, we viewers are like ‘Oh, he is just threatening. He would not use it’ because he never does.

vi – Adil being hospitalized, the condition of him being as well dressed, well combed, as if already knew that he might be hospitalized soon so better to get ready for it.

vii – There were no emotional expressions or tolerance shown on the actor Fazal Hussain (young Bashar)’s face when he is talking personally with his mother at the restaurant. I do understand that the writer wanted to show that his mother is now dead to him. But still his tolerance towards his mother should be shown even if it is only slightly.

viii – Hina Khwaja Bayat seemed much older in looks than Nauman Ejaz. If you decided to use her as his lover then the makeover of Nauman should look much older than her. Not the other way around.

ix – When the police raids Bashar & his sister’s home, the scene of the interrogation is so FAKE. I mean, is this how interrogation is done here in Pakistan. No one is comparing it with abroad (well organized & mannered type) interrogation but anyone watches the scene how it is showed in ‘Bashar Momin’ is so dramatic … tsk, tsk.

Also, we see hardly any lights switched on, while they are still in their homes as the police & investigators are asking quick, hard questions. Did the police decided to cut off their power lights before entering their homes and ask questions in dark, pale blue moon lighted rooms?

x – The performances by the investigators, is SO POOR as if it’s a non-linear episode which is included in this ‘Bashar Momin’ series. Although the investigators are standing in Saira’s home and other investigators are sitting in Bashar’s home while the person is in between them, yet we see they are literally pointing their fingers continuously to the victim while accusing them of being accomplice or directing involved in a crime. There is no need to literally point fingers at the victim at who happens to be sitting / standing just next to you.

xi – Furthermore, to make this scene as really ‘INTENSE’, the cinematography is done with lots of zoom in and out, many times slider / dolly track is used on fast pace. However, instead of looking well shot, the cinematography seemed to be shot in a hurry while taking a ride on the swings or on a bicycle with a very rough broken road.

xii – When the press starts asking questions from the closed ones of Bashar, they (press) are so well mannered that they literally wait for the person to finish their sentence or answer before the next question could be asked without any interruptions from their side.

 

+ Overall

Bashir Momin is one of the best TV dramas that Pakistani industry has ever produced!

 

Rate: 4.25 out of 5 stars

 

A review on Pakistani TV Drama Serial, ‘Sang-e-Mar Mar’ [Marble] (2017). The Production House is MD Productions whereas its Title Song is sung by Rahat Fateh Ali Khan.

 

 

+ Crew

• Directed by Saife Hassan
• Cinematography by Khizer Idress
• Written by Mustafa Afridi
• Edited by Saad Bin Jawed
• Produced by Momina Duraid

 

 

+ Note
Sang-e-Mar Mar aired on Hum TV from 1^st Sep 2016 – 17^th Mar 2017. It consists of total 28 episodes. The entire production was shot in the Swat District, mainly in the village of Ronyal and its outskirts.

 

 

+ Main Cast

1. Noman Ijaz as Gulistan Khan
2. Sania Saeed as Shameem
3. Mikaal Zulfiqar as Aurang
4. Kubra Khan as Shireen
5. Paras Masroor as Torah
6. Uzma Hassan as Shehrbano / Baano
7. Omair Rana as Safiullah
8. Kaif Ghaznavi as Pari
9. Tipu Sharif as Saif Ur Rehman

 

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+ Supportive Cast

1. Najiba Faiz as Gulalai
2. Sharmeen Ali as Palwasha
3. Beenish Raja as Durkhanay
4. Agha Mustafa Hassan as Goher
5. Suhaee Abro as Rakshi / Torah’s & Palwasha’s Mother
6. Qazi Wajid as Baran Khan / Gulistan Khan’s Father
7. Hassan Noman as Bulbul
8. Abdullah Khan as Baru Kaka (Driver)
9. Noman Ali Siraj as Nasir Khan Jan

 

 

+ Plot

It focuses on Gulistan Khan, a cruel man who rules his family with an iron will and exercises significant influence in the area where he resides.

 

 

+ High Points
i – First of all, I would like to give a standing ovation to respected Noman Ijaz for his outstanding performance as Gulistan Khan. He gave his heart out to play the role of proud, strict father, husband and interest earning business man. This role was essential for the actor to be performed to its core or else all other roles would not have mattered to this TV drama series in such a way if this key role was not up to the mark. A very wise decision was made by giving this lead role to such a great actor, Noman Ijaz.

ii – Uzma Hassan is the actress who played the role of a sadistic, stubborn, jealous character as Banno. Her incredible hatred for Torah Khan for being different to her white complexion family and impure to their Pashto roots, to never let her husband even touch her for affection… showed the viewers, what happens hatred overcomes a person. Not only she could ever live a life of peace, she made sure that no one else had lived with it either — even if they are her blood siblings. Banno’s character was one of the most interestingly written, performed as effective as the as the script demanded it to be and the public, fans alike would always remember you in this iconic character that you played so AMAZINGLY! Bravo!

iii – Paras Masroor is no doubt a brilliant actor who played out his character as fiercely and cunningly on-screen. The writer is very intelligent to keep his best part for the finale. Torah Khan is a mixture of devilish yet sympathetic character who I at many times felt emphatic with his long hatred and anger for Gulistan Khan for not only snatched off Torah’s most beloved one from him but also the fact that Gulistan was never truly nice or respectable to Torah Khan as he was to his family members or even to Shireen.

However for his evil schemes, I understood well to what the writer wanted to show. Once the blood is spilled for any reason, it’s unstoppable. This is what made Torah Khan into, a blood thirsty man. His suppressed anger and undying long hatred is finally been revealed which make this scene as the most memorable one to watch.

Paras Masroor truly deserved the award for the Best Actor in Supporting Role in Sange Mar Mar. I would love to see your upcoming projects as well. Other Honorable Mentions: Sania Saeed, Kaif Ghaznavi, Beenish Raja and rest of the cast.

iv – Saife Hassan did an excellent job in its direction which made this TV drama series even more exciting to watch. I am already huge fan of his acting skills and this time he has surprised me with his debut direction. Truly, a great job!

v – Not only the story is very well written, its each and every episode is very intriguing to watch including the cliffhangers which really kept us viewers at the edge of our seats. For every character, their backstory is splendidly thought over. Impressive work!
vi – Even the subplots were very fascinating to watch.

vii – Loved the Bengali role (of being the mother of Torah Khan & Palwasha) played out by a beautiful actress, Suhaee Abro. She is a terrific actress and danced with such grace.

viii – Nice comic relief clumsy character, Sange-Mar-Mar had of Bulbul performed by Hassan Noman.

ix – I loved the concept and its premise which was focused on the lives of Northern areas (Pashto; Pathan) people, who stayed away from the city and their law & order.

 

 

+ Low Points

i – There were way too many flashbacks suddenly appearing, which confused its viewers of either being in the past or in the present or shown as an imaginative / daydreaming scenario?
ii – I have no issue with having an ambiguous end, in fact sometimes it works better than answering all questions; as long as it does not leave the audience disappointed or unsatisfied with it. But it did.

The major question remains, what was the final outcome of Shireen and Banno? Did they ever make peace with each other? Did they ever found peace & happiness in their respected lives?

The viewers may forgive the writer for ignoring Banno but not Shireen. From the very first episode we are looking at Shireen’s life which in later episodes takes an unjust turn when she is distrusted by her own brother and forced to marry in a decision. Then we know how much suffering she has to go through including unable to fulfill her one lost dream that she wanted to have since her childhood… My question still remains the same, why she was not given justice in the end?

Some people might defend this by claiming that this is how real life is, unjust … unfair. However, these people should also know that those projects which are based on true stories / events don’t carry 100% honesty. At least 20 to 30% story is fictionalized to give more a dramatic look than what actually happened in real life. This is a known fact which is taught to every writer. One cannot control his/her real life naturally but he/she could control the events that happen in a fictionalized one.

This TV drama series was not just about taking revenge or show the downfall of a once proud man who controlled other people lives as his say… although this was the main plot but the other subplots also included the unjust life of Shireen, perhaps her sacrifices for others will one day be paid off by giving her a satisfying reward in the end? Regrettably, this one MAJOR question left unanswered in the end.

 

 

+ Overall
Sang-e-Mar Mar is truly an Exceptional work ever produced from our Pakistani TV drama industry… a work of Art! One of the most impressive and finest!

 

 

Rate: 4.50 out of 5 stars

A review on Pakistani Classic TV Rom-drama series, ‘Bandhan’ (1996) aka [Relation]. The Production House is PTV Productions whereas its Distributor is PTV Channel.

 

 

+ Crew

• Directed & Produced by Tariq Mairaj
• Written (Adapted) by Mansha Yaad
• Production Assisted by Ghulam Rasool Brohi
• Editing & Mixing by Naeem Anwer

 

 

+ Note
Bandhan was aired on PTV in 1996 and consists of total 13 episodes. It is based on two novels ‘Laggan’ and ‘But Shikan’, written by Bushra Rehman. It is the last drama of her for PTV. It was a block buster drama from PTV Islamabad center.

This TV drama was considered lucky for many associated persons from director, writer to cast members. Leading cast members Nauman Masood, Nadia Khan, Farah Sadia and Iqbal Hussain were all in the early stages of their acting careers. The success of Bandhan provided fame to its entire cast.

 

 

+ Main Cast

1. Nauman Masood as Afaq
2. Nadia Khan as Farzana Ferri
3. Iqbal Hussain as Bobby
4. Farah Sadia/Hussain as Bilaves
5. Naseem Qureshi as Ferri’s Dad
6. Ayesha Yaseen / Aaisha Khan as Ferri’s Mom

 

 

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+ Supportive Cast

1. N/A as Perri / Kid
2. N/A as Anjum / Afaq’s secretary
3. N/A as Taufeeq / Bilaves’s friend
4. N/A as Khadim Hussain / Servant #1
5. N/A as Deen Muhammad / Mute lady’s father
6. N/A as Ranu / Mute Lady
7. N/A as Sultan / Servant #2

 

 

+ Plot

Farzana Ferri belongs to wealthy family and is the spoon-fed, sole daughter of her parents. Her father wants her to be independent and settle down to a nice chap. One day, Afaq, Ferri’s boss sends marriage proposal to her home. Surprising to her father, Ferri gladly accepts it.

 

 

 

+ High Points

i – Nauman Masood’s performance is quite good and interesting to watch.

ii – Nadia Khan as Ferri played well as spoiled brat who eventually learns from mistakes and patience she earned during the time of marriage alone with her husband. Other Honorable Mentions: Naseem Qureshi, Farah Sadia/Hussain and Iqbal Hussain.

iii – Its screenplay is the key point for this drama series.

iv – The misfit relationship between the married couple.

iv – Visually it was splendid to see its nice ending.

 

 

 

+ Low Points

i – Such a cute, romantic, lovely story of <B-O-R-I-N-G!> two bought up differently by their parents.

ii – After the feud between the two, the rest of episodes were such a struggle as if to fulfill the achievement of total 13 episodes.

iii – The subplots of Ranu and her marriage while Bilaves and her relationship with Perri were just average to watch.

iv – What’s the point of keeping the kid’s and Nadia Khan’s names almost identical (Perri & Ferri)? Short of names?

 

 

+ Overall
Bandhan is a TV series of lackluster affair with a very short story to tell.

 

 

Rate: 2.50 out of 5 stars

 

A review on Pakistani TV Drama Serial, ‘Shaam Dhaley’ (2016) aka [Late Evening]. Its Production House is A & B Productions while its Distributor is Geo Entertainment.

 

 

+ Crew

• Directed by Nadia Afgan
• Cinematography by Khizer Idress
• Written by Shumaila Zaidi and Abeer Mahar
• Music by Faraz Butt
• Created & Produced by Babar Javed

 

 

+ Note
Shaam Dhaley aired on Geo Entertainment from 24^th Apr 2016 – 03^rd Sep 2016. It consists of total 22 episodes. Nadia Afgan is the director as well as did a small supporting role of a lawyer of Alina.

 
+ Main Cast
1) Marjan Fatima as Alina

2) Wajiha Khan Durani as Mariam

3) Mehreen Bari as Shanzay

4) Fiza Ali as Saima

5) Haris Waheed as Faizan

 
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+ Supportive Cast
6) Aqeel Nasir Khan as Majid

7) Shah Fahad as Adil

8) Parveen Malik as Sultana (Ammi)

9) Usman Peerzada as Daud (Abu)

10) Taimoor Khan as Khizer

 

 

+ Plot
Alina is the eldest daughter of the other two siblings with no brothers. After the sudden death of her father, she has to deal with harsh reality of the society and to manage her family in such crisis. One day, she meets a step brother whom her family never knew.

 
+ High Points

i – Haris Waheed as Faizan performed superbly. I was taken aback by his performance due to the fact that have not seen him in many TV serials or heard of him as such. He acted very maturely and sensibly in Shaam Dhaley. After watching his performance, I come to realize that the team behind TV drama serial Maan Maayal had wasted his talent completely by giving such a minor role. Haris Waheed is a very talented actor where he should be given really good opportunities in the market.

ii – Marjan Fatima as Alina performed very sound and was pleased to see her in lead role. Her character is very well written and she did the job up to the mark. Other Honorable Mentions: Shah Fahad and Fiza Ali.

iii – The main ingredient to make this TV drama serial into a memorable one is that its screenplay is magnificently written. I am really amazed by the writers’ craft and the quality of dialogues was given to the performers.

iv – The plot is interesting to watch where the protagonist belongs to high class social status and needs to face such difficult crisis where the fate has some special plans for her and her family. The story progresses with every new episode while the interest level of the viewers had increased parallel side by side. The character shift of almost every main & supporting star has been splendidly done.

v – An interesting and enigmatic character of ‘Majid’ was written. He was a neutral character, something rare for the viewers. Aqeel Nasir Khan played his part brilliantly and perhaps is always known as Majid (iconic character) to the viewers.

vi – The shocking element in last few episodes, of who actually expires instead was a good move.

 

 

+ Low Points
i – As the story slowly unfolds, it’s possible that the viewers might lose their interest and switch to some other TV drama.

ii – The harassment of Alina by Majid in office premises is only stopped by Alina’s immediate boss while the other office colleagues or visitors just completely ignore what is happening in front of them.

iii – The finale was good though but not great as one expected it to be. It falls short of the expectations.

 

+ Overall
Although Shaam Dhaley is executed very nicely and the performance by the cast is stunning, but what actually stands out the most is the fascinating screenplay written by Shumaila Zaidi and Abeer Mahar.

Rate: 3.25 out of 5 stars

A review on Pakistani TV Drama Series, ‘Durr-e-Shehwar’ (2012). Its Production is Six Sigma Entertainment and Distribution is done by Hum TV.

 

 

+ Crew

1. Directed by Haissam Hussain
2. Written by Umera Ahmed
3. Produced by Momina Duraid

 

 

+ Note

Durr-e-Shehwar aired on Hum TV from 10^th Mar 2012 – 16^th Jun 2012. In total it consists of 15 episodes. The location for the shoot was Karachi; Pakistan.

This drama has also been broadcast in India by Zindagi under the title Dhoop Chhaon, premiering on 21^st October 2014.

 

 

 

+ Main Cast

1. Sanam Baloch as Durr-e-Shehwar (young)
2. Samina Peerzada as Durr-e-Shehwar (old)
3. Mikaal Zulfiqar as Mansoor (young)
4. Qavi Khan as Mansoor (old)
5. Nadia Jamil as Shandana
6. Noman Ejaz as Haider
7. Sophia Syed as Sophia

 

 

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+ Supportive Cast

1. Umer Naru as Saud (Mansoor’s brother)
2. Muhammad Ahmed as Sami (Durr-e-Shehwar’s father)
3. Saba Faisal as Safia (Mansoor’s mother)
4. Kiran Haq as Fazeelat (Mansoor’s sister)
5. Maya Ali as Mahnoor Sami (Durr-e-Shehwar’s sister)
6. Shazde Sheikh as Hafsa (Mansoor’s sister)
7. Sonia Khan as N/A

 

 

 

+ Plot

Durr-e-Shehwar’s daughter, Shandana and her husband, Mansoor’s nephew, Haider have been married to each other for the last eight years. But recently there has been a breach in their relationship due to which Shandana decides to spend some time at her maternal home in Murree along with her young daughter, Sophia.

 

 

 

+ High Points

i – Mikaal Zulfiqar as Mansoor (young) gave a very convincing performance on-screen. A strong headed, quick tempered yet loves his wife dearly was the perfect combination that Mikaal had able to portray as.

ii – Sanam Baloch as Durr-e-Shehwar (young) has impress the viewers with her loveable character belonging to upper social class. Other Honorable Mentions: Qavi Khan, Nauman Ejaz and Nadia Jamil.

iii – Solid performances by almost everyone from the cast.

iv – I am very pleased to see the total number of episodes were only 15.

v – The main plot is interesting to watch, where the past story of how Durr-e-Shehwar had able to tackle in facing and adjusting herself into a middle-class, in-laws with a very a shrewd mother-in-law to deal with.

 

 

 

+ Low Points

i – We as viewers have already watched many TV dramas where the daughter-in-law has to face and has to deal with a cunning, mother-in-law and be acceptable within the same family.

ii – The story is shown from the wife’s POV; thus, it was hard to watch this TV series with that much of interest.

iii – There are hardly any subplots other than the one of Durr-e-Shehwar’s daughter’s marriage is on the brinks and a neighbor whose husband is abusive. But that too is shown very briefly.

iv – The drama is quite slow and would take a lot of time to gain interest. By the time I did, this TV series was already over.

v – I am not a fan of Samina Peerzada’s type of roles and her performances. The real issue here is that she usually takes a typical, type cast roles on and on, where she has to cry all the time. Why can’t she just play a comic or fun filled roles for?

 

 

 

 

+ Overall
Durr-e-Shehwar may have captured the complexity of real-life social issues, but its unconditional typical story of ‘Saas-Bahu’ conflicts, slow paced drama with very limited episodes has failed to impress the viewers.

 

 

 

Rate: 2.50 out of 5 stars

 

A review on Pakistani Classic TV Drama Series, ‘Dasht’ aka Desert (1993). Its Production and Distribution is done by NTM.

 

 

+ Crew

1. Directed & Produced by Abid Ali and F.H. Qureshi
2. Written by Munnu Bhai
3. Music by Wajid Ali Nashad
4. Opening Theme ‘Dasht’ by Ameer Ali Nashad

 

 

+ Note

Dasht aired on NTM from 5^th Feb 1993 – 2^nd Jul 1993. In total it consists of 22 episodes. The location for the shoot was entirely in Balochistan; Pakistan. It is Abid Ali’s first self-produced and self-directed drama serial which became a hit project of its time and this happened to be the first ever private production in Pakistan. It is a tale of unrequited love and parental opposition while the culture, thinking and issues of tribes in Balochistan served as sidelines of Shahtaaj and Balaaj story of two youngsters from rival tribes who fall in love. The plot was a modern-day take on classic tragic romance stories such as Layla and Majnun, Heer Ranjha and Romeo and Juliet.

It is unique as it was the first time in Pakistani television history a series of songs were used which is well received by audiences. It proudly displays Baloch traditions, was memorable in terms of its dialogues, performances, cinematography and songs. The Balochi attire, jewelry and the dressing style Balochi Chaddar & Bughti Shalwar became a trend.

Dasht is critically acclaim and a major commercial success, Atiqa Odho and Nauman Ejaz on-screen pair to stardom. The audiences loved the chemistry between Atiqa Odho and Nauman Ejaz, who later worked together in several successful dramas including Nijaat (1993), Talaash (Telefilm 1994), Arzoo Jeenay Ki Tu Nahin (2014), Khan (2017). This drama also launched the successful debut carrier of Asad Malik.

 

 

 

+ Main Cast

1. Atiqa Odho as Shahtaaj
2. Nauman Ejaz as Balaaj
3. Ayub Khoso as Guwaraam
4. Abid Ali as Shams Shah
5. Nena as Hani
6. Fazila Qazi as Sajjal
7. Asad Malik as Bebarg

 

 

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+ Supportive Cast

1. Noor Mohammad Lashari as Sardar Nadir Jumbail
2. Rasheed Naz as Sardar Zakaullah Mehdi
3. Sabiha Khanum as Dai Mah
4. Zahid Saleem as Nuro
5. Robina Arshi as Sakeena
6. Nayyer Ejaz as Third Clan Chief’s Son

 

 

 

+ Plot

There has been a long quarrel between the three warring tribes in rural Balochistan; Pakistan. Shahtaaj & Balaaj happens to fall in love with each other although belong to different clans. Despite being surrounded by violence all their lives, both are gentle souls with a love of music and poetry. Fearing that these two tribes be more powerful once united because of this love marriage, the third tribe would make sure that this remains an on-going dispute.

 

 

+ High Points

i – Even today, it is still very rare to see good budget TV series with strong and well-known actors to portray Balochistan, their tribes, way of living, customs and cultural dresses.

ii – Although, the entire cast gave a very satisfying performance. But I believe, Nauman Ejaz’s performance was the best one.

iii – A long list of casts, consisting of strong star power, such as Nauman Ejaz, Atiqa Odho, Ayub Khoso, Abid Ali, Fazila Qazi, Asad Malik, Rasheed Naz and Nayyer Ejaz.

iv – The chemistry between Nauman Ejaz and Atiqa Odho is a memorable on-screen couple to watch.

v – The combined efforts behind the cinematography and inclusion of songs, gave a strong go-ahead for the viewers to watch.

 

 

 

+ Low Points

i – The level of interest had a great downfall, when we lose a main character in the midway of the series. After that, it almost un-replaceable to find a better or similar character in its place. Even after re-watching this TV drama with more attention this time, I still had this issue where I had to force myself to watch the rest of the remaining series.

ii – The viewers wanted to see the details on the love triangle of Balaaj, Shahtaaj and Guwaraam but was missing. The love between Balaaj and Shahtaaj happens almost immediately as to love at first sight. The problem is of the character development and understanding between the two was greatly lacked.

iii – Though, the number of subplots were around 4 – 5 in total but the compiling ones were only 1 – 2.

iv – In peaceful times, Balaaj is most often been found playing his cultural musical instrument under a tree. As a son of one of the tribal chief’s, I am sure that he must have many other interesting things to do than that.

 

 

 

+ Overall

Dasht has able to pull off with great chemistry, effective technical aspects, solid performances but most importantly, an insight into cultural customs & their on-going long personal disputes.

 

 

Rate: 3.25 out of 5 stars