Theatre Plays

Mr. Khan’s Review on Beech Bahar ki Raat ka Sapna (2020)

A review on Pakistani Comedy-Drama theatre play, Beech Bahar ki Raat ka Sapna (2020). It was performed at Laughter Theatre Festival 2020, NAPA.

 

 

+ Crew

  • Directed by Syed Meesam Naqvi
  • Written (Adapted) by Khalid Ahmad
  • Production Design by Sunita Bawani
  • Choreography by Bazelah Mustufa
  • Costume Design by Erum Bashir

 

 
+ Note

Beech Bahar ki Raat ka Sapna is an adapted play, originally written by William Shakespeare as A Midsummer Night Dream in 1595-6. Mischief, magical transformations, mistaken identities, and love tangles abound in this fantastical, dream-like world.

Syed Meesam Naqvi is one of the stalwarts of NAPA Repertory Theatre Company. He is a faculty member of NAPA & Arts Council. Meesam has directed plays such as Mujrim Ya Mulzim, Apartment 746, Raagni, Jungle Main Mangal Bazar and many more.

This play was the last out of the three plays which was performed in this festival.

 

 

 
+ Main Cast

  1. Saad Zameer as Tabrez and Gulfaam
  2. Marya Saad as Razmita and Gulnaar
  3. Raheel Siddiqui as Sikandar
  4. Zain Nazar as Taimoor
  5. Fajir Sheikh as Harmia
  6. Naureen Mumtaz as Aleena

 

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+ Supporting Cast

  1. Hammad Khan as Puck
  2. Hammad Siddique as Painda Pansari
  3. Syed Muhammad Jameel as Peter Babu
  4. Kaleem Ghouri as Murli Lohaar
  5. Tanveer Gill as Mohan Kumar
  6. Aqeel Ahmed as Rangbaz Rangraiz
  7. Vajdaan Shah as Dilbar Tailor Master

 

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+ Minor Cast

  1. Sarmad Khan as Aajiz
  2. Daniyal as Faizan
  3. Najma Kifayat as Pari #1
  4. Aleena as Pari #2
  5. Hira as Pari #3
  6. N/A as Pari #4

 

 

 

 

+ Plot
A feuding fairy king and queen, cross paths with four young lovers and a rustic theatre troupe rehearsing a play in an enchanted forest.

 

 

+ High Points
i – A salute to Meesam’s direction for bringing this Shakespeare’s one of the most popular play to our local theatre world in a very splendid way. Only a great director, with such skills could have capture this achievement.

ii – A very interesting, well-versed adaptation and storytelling by our respected writer, Khalid Ahmed sb.

iii – Hammad Siddique has given a very comical and unforgettable performance as Painda Pansari. Over the years, his acting technique and the kind of roles that he should portray has significantly improved. His character’s transformation from desperate, aggressive actor to donkey-humanoid being was very professionally handled and performed on-stage. Two thumbs up!

iv – Most of the humorous scenes were of the ‘mechanical’ team or amateur performers. It consists of a group of six people, including their director. Every performer plays a comic-relief character who could identify himself with a unique attribute.

v – Saad Fareedi as Tabrez / Gulfaam has surprised us all in playing the king of the fairies. Finally, I must say… Saad has played an interesting and unusually different character to remember him by.

vi – I am very pleased with Hammad Khan’s performance as Puck. Once again, he has able to win the audience hearts with his great experience in playing comical characters as the script demands it to be.

vii – The entire cast gave a praise-worthy performance.

viii – Surprisingly, a terrific job on its costume designing. Good surprises on super natural characters’ clothing. Splendid work!

ix – The makeup & hair-styling of the characters, is certainly to admire.  

x – The chemistry between Sikander and Harmia was well-put and inspiring to enough.

xi – Nice job behind the control of the lighting; able to bring different moods into the play in timely fashion.

 

 

 

+ Low Points
i – I would seriously advise you to always arrange a professional choreographer for such big budget plays.

ii – The production design is mildly positive but not something to be proud of. The changing of the background set (with required props) in different scenarios, would have boasted this play’s overall grade.

iii – A couple of songs with musical performances between the play’s acts or different beats, is another way to improve this play’s quality.

 

 

 

+ Overall
Meesam’s Beech Bahar ki Raat ka Sapna gave his heart out to make this play a memorable one.

 
Rate: 4.25 out of 5 stars

 

Theatre Plays

Mr. Khan’s Review on Wapsi (2020)

A review on Pakistani Comedy-Horror theatre play, Wapsi aka Return (2020). It was performed at Laughter Theatre Festival 2020, NAPA.

 

 

+ Crew

  • Written (Adapted) & Directed by Naz

 

 

 
+ Note

Wapsi is originally written by Noel Coward as Blithe Spirit in 1941 and a film adaptation by the same name in 1945, starring Rex Harrison.

The director has graduated from NAPA in 2016 and since been active in their theatrical activities both as in actor and direction.

This was the second out of the three plays to be performed in this festival.

 

 

 
+ Full Cast

  1. Shumaila Taj as Khanum Batool
  2. Syed Arsalan as Mansoor
  3. Najma Kifayat as Areeba
  4. Erum Bashir as Naureen
  5. Faizan Chawla as Dr. Adil
  6. Safia Bhalaisha as Mrs. Adil
  7. Mahjabeen Rehman as Reshma

 

 

 

 

+ Plot

Mansoor is a writer who wants to research on spirits for his next novel. Along with his wife, Areeba, he invites a local spirit medium Khanum Batool to hold a seance at their house. Khanum unwittingly brings back the ghost of Mansoor’ first wife, Naureen, to haunt him. Appearing only to Mansoor, Naureen causes havoc between the married couple.

 

 

 

 

+ High Points

i – A praiseworthy direction by Naz. Her directorial plays are often complex and very well presented. She has given a very satisfying result to this comic-horror play.

ii – The performances by the entire cast was good and well-balanced.

iii – Interesting characters of the play were of Shumaila as Khanum Batool, a spiritual medium and Erum, who performed as Mansoor’s late first wife. Their scenes were the most exciting ones to watch.

iv – A nice adaptation to Noel’s play. The humor level and a number of its punchlines bought the audience a good laughter.

v – The play comes to a proper end with a good effort behind its stage management. Fine job!

 

 

 

+ Low Points
i – This would not be the first time that I have complained of Naz’s plays’ production design. Kindly give heed to it. The sofa covers looked dreadful, as if bought from a cheap, second-hand materials bazaar. The stage design itself was okay but give utter importance to their props. A more detailed set design is recommended; plus avoid using 2 chairs with a round small table. This is something which almost every new comer decides to use it in their play’s set design.

Your play already has four characters who needs the usage of the chairs for their performances. Better to use actual four chairs with a bigger table from next performance onwards.

ii – The costume design is mildly sound but could have been better. Also, make your male stars to wear simple black colored socks. Anything performed and appeared on-stage is the final presentation of your play that would be noted.

 

 
+ Overall
Wapsi is a seamlessly assembled comedy with lasting appeal.

 

 
Rate: 3.25 out of 5 stars

 

TV series

Mr. Khan’s Review on Saat Mulaqatein (2019)

A review on Pakistani Drama TV-web series, Saat Mulaqatein (2019). Its Production House is Nashpati Prime and its Distributor is Binjee.

 

 

+ Crew

  • Written & Directed by Kashif Nisar
  • Narration by Hamza Firdous
  • Created & Produced by Qaiser Ali

 

 

 

+ Note

Saat Mulaqatein aired on Nashpati Prime in the fall of 2019. In total it consists of 09 episodes. This web series is a project of Nashpati Prime on YouTube and Binjee, is its digital platform.

The issues the couple faces individually in life are of betrayal, guilt, self-esteem and trust issues.They both feel that because of other, they are unable to succeed in life. By being separated, they feel the value of one another.

Nashpati Prime is a hybrid online video platform containing web series, cooking shows, travelogues, talk shows, skits, stand-up comedy and animations. It is a subsidiary of QLinks Productions, Pakistan

 

 

 

 

+ Full Cast

  1. Nauman Ejaz as Husband / Noman
  2. Zara Tareen as Wife
  3. Hamza Firdous as Writer

 

 

 

 

+ Plot

It is about a couple who go their separate ways on their 15th wedding anniversary.

 

 

 

+ High Points

i – Wonderful performances by both the lead stars. This is one the main reason you would love to watch this limited web-series.

ii – Kashif Nisar wrote a good script for the performers to give them an uplift to their dialogue delivery to make Saat Mulaqatein a memorable series.

iii – It is easy to say that the first 5 episodes were more interesting than the last few ones.

iv – Having short duration to each episode, is another plus point to appreciate it.

 

 

 

 

+ Low Points

i – All is going well, until the last few episodes including its finale were just not up to one’s expectations.

ii – By giving more emphasis towards its production design, would have benefited this web-series.

iii – The final outcome is unfortunately very predictable.

 

 

 

+ Overall
Saat Mulaqatein benefits from solid performances and interestingly written screenplay.

 

 

 

Rate: 3.50 out of 5 stars

 

Theatre Plays

Mr. Khan’s Review on Good Luck Darling (2020)

A review on Pakistani Slapstick-Comedy theatre play, Good Luck Darling (2020). It was performed at Laughter Theatre Festival 2020, NAPA.

 

 

+ Crew

  • Directed by Farhan Alam
  • Written by Athar Shah Khan

 

 

 

+ Note

Good Luck Darling is a rollicking farce by famed writer, poet and comedian, Athar Shah Khan. Farhan Alam Siddiqui has made over thirty stage appearances in both dramatic and comedic plays presented by NRT. Along with acting and directing he now runs his own production house known as TKF Entertainment.

This was the first out of three plays to be performed in this festival.

 

 

 

+ Full Cast

  1. Aqeel Ahmed as Seth Razzak
  2. Hammad Khan as Gola
  3. Fraz Chottani as Jumma
  4. Kashif Hussain as Badshah
  5. Bazelah Mustufa as Seema
  6. Samhan Ghazi as Sikandar
  7. Sarmad Khan as Khawaja

 

 

 

 

+ Plot
Seth Razzak’s fortune is stuck in his daughter and son-in-law’s joint back account – which they can’t access now that they’re divorced. Chased by debtors, Razzak badly needs this money. Will his daughter and estranged son-in-law remarry and get him his money back?

 

 

 

+ High Points
i – I believe that it was a good effort by Farhan to handle this play’s direction. He himself is a terrific comic actor who often plays lead roles. The challenge he accepted to do, turned out to be in his favor.

ii – The person behind its lighting has done a wonderful job. To have the lights fluctuate and dimming it as per scene’s demand, were all at right timings. It improved the play’s presentation.

iii – A good performance by Kashif Hussain who plays the key character to this story’s tense situation. Here he portrays a mad man, by the name as Badshah. No matter whatever role Kashif is given to do, giving his best is what he would always deliver.

iv – The humor level is a mixture of mild towards positive. Sure, it takes a slow start. But the laughter roars in from the 2nd half especially. And from there, it takes it all the way.

v – Hammad Khan’s character as Gola, the owner’s servant bought smiles on many people faces. He often plays comic relief characters and here too, fully satisfied the audience and critics alike. Other Honorable Mentions: Sarmad Khan.

 

 

 

 

+ Low Points
i – Due to having a weak script, the play was stretched at its maximum length. A rewrite is much needed, before being performed on-stage again.

ii – If the writer / director decides to eliminate Fraz’s character, no one in the audience would actually notice. There was no point of his existence for the story to progress or relevant with the plot. His repeated one liner joke to Fraz’s cross-dressing appearance was all unnecessarily included to the play.

iii – A good writer would know how to manage sex comedy without making it vulgar. Many random jokes were inserted in the script. Most of the punchlines were mediocre.

iv – I don’t really know to what was going through the writer’s head to add irrelevant twist in the end? Throughout the play, this serious issue was not even hinted or highlighted. Writing comic plays doesn’t mean to add anything you like, without making its heads or tails.

v – A dull, boring set design, is another reason why to lose your mood.

 

 

 

+ Overall
Although, Farhan’s Good Luck Darling manages to bring a positive laughter combined with good direction. However, its unnecessary sex-based jokes filled with big scoops of vulgarity, ruins the moment of this play’s triumph.

 

 

Rate: 2.25 out of 5 stars

 

Feature Length Films

Mr. Khan’s Review on Operation 021 (2014)

A review on Pakistani crime thriller feature length film, Operation 021 (2014) aka O21 (or Operation 21 formerly The Extortionist). The Production Houses are One Motion Pictures, Azad Film Company & Interactive Studios while its Distributor is IMGC Global Entertainment.

 

 

 

+ Crew

  • Directed & Written by Jami Mahmood and Summer Nicks
  • Cinematography by Mo Azmi
  • Co-Written by Joe Towne and Azaan Sami Khan (Produced)
  • Edited by Rizwan AQ
  • Co-Produced by Zeba Bakhtiar

 

 

 

 

+ Note

Operation 021 is the first spy action-thriller Pakistani feature length film. The filming took place throughout Karachi, Lahore, Balochistan and the Afghan Border. O21 was primarily filmed on Red Epic Cameras with Cooke s4/i lenses however the ARRI Alexa XR was used in certain scenes as well. It is also the first Pakistani film to be mixed in Dolby Atmos.

Aamina Sheikh was the winner of the best actress prize at the New York International Film Festival whereas the renowned actor Shaan Shahid received accolades through countless Pakistani blockbusters, most recently for Waar. The Music is composed by Alfonso González Aguilar.

 

 

 

 

+ Main Cast

  1. Shaan Shahid as Kashif Siddiqui
  2. Ayub Khoso as Abdullah
  3. Shamoon Abbasi as Danish
  4. Mustafa Changazi as Shayan
  5. Hameed Sheikh as Dost Muhammad
  6. Aamina Sheikh as Natasha

 

 

xxxxxxx

 

 

+ Supportive Cast

  1. Shakeel Hussain Khan as Deputy
  2. Ayaz Samoo as Mani Abbas
  3. Gohar Rasheed as Babar
  4. Bilal Ashraf as N/A
  5. Abdullah Ghaznavi as N/A
  6. Iman Ali as Aleeha Siddique

 

 

 

 

+ Plot

Two men execute a plan in able to stop the war between Afghanistan and Pakistan within 21 hours.

 

 

 

 

+ High Points

i – Hameed Sheikh played the iconic character in this film. He performed his character with absolute spectacularly on-screen as one of the important supporting characters; an ‘A’ class performance by respected Hameed sb.

ii – Ayub Khoso is an old, veteran actor where his character as Abdullah is the most central one in this film. His care-free attitude on how to deal with the investigating agents under their custody is brilliantly directed and performed. Other Honorable Mentions: Shaan Shahid, Gohar Rasheed and Bilal Ashraf.

iii – The action sequences are eye catchy to watch.

iv – A remarkable work by Mo Azmi in its cinematography.

v – The film’s twist was surprising indeed.

vi – The costumes designing did a nice job.

 

 

 

 

+ Low Points

i – Shamoon Abbasi as Danish was unable to make an impression or had any significance in the film. Whether this is true or not, but I have heard that most of his scenes were either cut or left behind before releasing it onto the big screens.

ii – Even the fight sequences between Shamoon Abbasi & Shaan Shahid failed to leave a mark of impression.

iii – There were many scenes going back and forth to FBI dept. which were English conversations that were mostly detail and boring.

iv – After the interval, I remember looking at other people faces to make sure perhaps I am the only one who is not enjoying the film. But I was wrong.

v – By the time ending arrived, I didn’t really cared who had the chip. ‘Oh, there is it. Right…’

vi – After watching the trailer, this film surely did not meet my expectations.

 

 

 

+ Overall

Long before the intermission, it’s all working — Operation 021’s tense story, its slow-paced action scenes, its trenchant direction, its stylish cinematography. But then it did not really work as well as this film intended it to be; which ultimately fails to reach to the audience connected with its intense content or emphatic with the lead characters.

 

 

 

Rate: 2.50 out of 5 stars

 

Feature Length Films

Mr. Khan’s Review on Ishq Positive (2016)

A review on Pakistani Rom-Com Feature Length Film, Ishq Positive (2016). The Production Houses are KSL Productions and PMI while its Distributors are Hum Films and Eveready Pictures.

 

 

 

+ Crew

  • Directed by Noor Bukhari
  • Written by Suraj Baba
  • Cinematography by Syed Rizwan Sherazi
  • Edited by Farhan Neo
  • Produced by Dr. Shazia Hussain and Dr. Kashif Latif

 

 

 

 

+ Note

Ishq Positive was originally to be directed by Sangeeta and was scheduled for release on Eid al-Adha 2015 but it was delayed after Sangeeta left the project. The music is composed by Wali Hamid Ali Khan, Kamran Akhtar & Saji Ali whereas fame Bollywood actor, Sonu Sood narrates the film.

 

 

 

 

+ Main Cast

  1. Noor Bukhari as Rajjo
  2. Wali Hamid Ali Khan as Wali
  3. Saud as Chaudhry Bashir
  4. Saim Ali as N/A
  5. Ahmed Ali as N/A
  6. Durdana Butt as N/A
  7. Sheeba Butt as N/A

 

 

 

XXXXXXXXXXXXXX

 

 

 

+ Supporting Cast

  1. Kamran Mujahid as N/A
  2. Hina Rizvi as Shelter Land Lady
  3. Iftikhar Thakur as N/A
  4. Marium Chaudary as N/A
  5. Maria Ilyas as N/A
  6. Sonu Sood as Narrator
  7. Sana Fakhar as N/A

 

 

 

+ Plot

Rajjo can’t decide whether she should be with the one she loves or should continue pursuing her career as a drama artist.

 

 

 

 

+ High Points

i – Good effort by Noor Bukhari, in terms of direction… keeping in mind that it was Sangeeta who was actually hired to do the job.

ii – The lukewarm humor kept the interest level higher than what most of the people had anticipated from it.

iii Inclusion of Sonu Sood as the film’s narrator was something ‘new and different’ for the usage of a foreign celebrity.

iv – Some of the songs, including its lyrics are well written.

v – Cinematography of the songs’ sequences is above average.

 

 

 

 

+ Low Points

i – A very common story, plot is overused. There’s nothing new to watch.

ii – Better or well-known, good actors had surely uplifted the film into much more memorable one.

iii – A lot of work needed to improve the screenplay, it’s just… embarrassing.

 

 

 

+ Overall

Noor Bukhari and Walid Hamid’s chemistry makes Ishq Positive a nice, fun film to watch.

 

 

 

Rate: 2.75 out of 5 stars

 

TV series

Mr. Khan’s Review on Khaani (2017 – 18)

A review on Pakistani Drama TV Series, Khaani (2017 – 18). Its Production House is 7th Sky Entertainment while Distributor is Geo Entertainment.

 

 

+ Crew

  • Directed by Anjum Shahzad
  • Written by Asma Nabeel
  • Music by Sahir Ali Bagga
  • Song (OST) by Rahat Fateh Ali Khan
  • Produced by Abdullah Kadwani and Asad Qureshi

 

 

 

 

+ Note

Khaani aired on Geo Entertainment from 6th Nov 2017 – 2nd Jul 2018. In total it consists of 31 episodes. ‘Khans’ are often tagged as brave and headstrong community in our society. Khaani name is given to the feminism character for bravery.

This TV drama had been on hiatus since 2nd Apr 2018 due to the ban of Geo Entertainment Network but resumed again on 23rd Apr 2018. The OST is which has more than 27 Million views on YouTube.

Khaani has created a few new records of popularity and has soon become viral especially on social media. The episodes were uploaded on the official channel page on YouTube has garnered millions of views and keeps trending on the top 3 positions. It has been winning hearts nationally and internationally. Before the telecast of last episode, a campaign was started by Geo Entertainment about the end of Mir Hadi’s story and was largely appreciated by the Khaani viewers.

Its story is inspired by a real-life incident surrounding the murder of Shahzeb Khan by Shahrukh Jatoi on 25th Dec 2012 which caused wide-spread outrage in the country. Till this day no justice has been served.

 

 

 

 

+ Main Cast

  1. Sana Javed as Sanam Ali Khan/Khaani
  2. Feroze Khan as Mir Hadi
  3. Mehmood Aslam as Mir Shah
  4. Saman Ansari as Sitara Shah
  5. Salma Hassan as Sonia Salman Ali Khan
  6. Rashid Farooqui as Salman Ali Khan
  7. Muhammad Mubarik Ali as Arham
  8. Qavi Khan as Hamid Malik

 

 

xxxxxxx

 

 

+ Supportive Cast

  1. Seemi Pasha as Iffet
  2. Shehzeen Rahat as Sara Ali Khan
  3. Malik Emad as Ali
  4. Shehzad Mukhtar as Mithal
  5. Khushi Maheen as Raima
  6. Rimha Ahmad as Sana Ali Khan
  7. Ali Ansari as Sarim Ali Khan
  8. Qazi Wajid as Judge (Cameo)

 

 

+ Plot

One unfortunate day, Mir Hadi shoots dead Khaani’s brother over a petty issue in broad daylight. But Mir Hadi is defended easily by his political father by the help of his vast wealth and powerful friends. They even force her family to pardon their son.

Before signing, Khaani, the victim’s sister curses Mir Hadi of an unimaginable destruction.

 

 

 

+ High Points

i – A huge round of applause for Feroze Khan’s outstanding performance as Mir Hadi a rich spoiled son of a very powerful and rich politician. I have watched a number of projects where he always gives strong performances but here he plays as an iconic character that would always be remembered by for times to come. His huge character shift towards guilt ridden madness and spill it all out at the court room was a very amazing scene to watch.

Though there are a number of scenes of his where he starts to see blood on his hands or the time where he confronts his father on the killing attempt of his love interest or where Hadi feels that his father isn’t doing much to help him find her were all very interesting scenes to watch.

The viewers would like to go back to those scenes and watch again & again. We all know from where this character is inspired from… if this had happen with the real life person, it would had surely fulfilled many people wishes and bought justice to the victim’s family.

ii – A salute to sir Mehmood Aslam who plays as Mir Shah an egoistic, carefully calculated mindset, powerful and wealthy political personality. His performance was very, very impressive indeed. I consider him as one of the best senior artists of our times who can play any kind of role given to him. He can play a comic role as great as a sober one. I am truly pleased with his strong, brilliant performances.

Our media production industry should be very grateful to have him with us and make our projects more stimulating to watch by having him on-board.

iii – The screenplay is well written by Asma Nabeel, who made this drama series very interesting till the very end of the episode for us to enjoy. It was moving and closer to the heart.

iv – There were many emotional and intriguing scenes to watch. I know many people, friends who literally had tears in their eyes while watching this drama.

v – The character’s transformation of Mir Hadi from rich, spoil brat to guilt ridden, spiritual person was impressively written and amazingly handled.

vi – The finale was very intriguing to watch. The team of Khaani didn’t rush things up but bought us viewers a very satisfactory end to this great drama series. Bravo!

vii – I liked the direction of this drama series by Anjum Shahzad, who made it possible to make Khaani a stimulating drama series to watch.

viii – Although the plot is inspired by a real incident, but the story becomes really exciting when Khaani’s curse starts to implement on Mir Hadi and his family. I can assure you that never did I lose interest in watching any of the episodes. This is very rare for the number of TV dramas I have watched and given review to.

ix – Saman Ansari as Sitara Shah portrayed her character so well as a mother to a rich spoil brat that one can enjoy her performance more in much later episodes especially. The best scene I liked of her was when she begs for Hadi’s life. No doubt it is a very emotional scene to watch plus to see such a dynamic performance given by her. Other Honorable Mentions: Sana Javed and Qavi Khan.

x – Once again, a good writing, direction and great performance pulled the viewer’s closer to fall in love with the anti-hero, played by Feroze Khan. It was a very difficult task to achieve for the writer and the director, to make this possible. Good work!

xi – We see that a stupid, hasty decision is taken by Mir Shah by giving threats to Khaani’s father and Arham instead of carefully handling such a difficult situation at his home was perfectly written. Some people might complain that Mir Shah was always shown as a very wise, mature person but why he would think of giving threats?

Well the answer is simple. In such situations, these rich, big shots who think that the fate is written as they want it to be are also very over confident at times. All their lives, they have never been scared but bought fear in other people hearts who are lower in class or power, often forget that there is always a time for their downfall or difficult times in their lives. Mir Shah assumes that if he threats as he has always done that in his past life, would get away this time too but only to find it that he is gravely mistaken. And that is what exactly happens to him as well.

xii – Everyone in the cast gave a very respectable, decent performance as the script demanded it to be. Huge pat on the director’s shoulder!

xiii – The characters of Arham and Hamid Malik were very well written. They bought new life into the drama series.

xiv – Surprising cameo by late Qazi Wajid was a warm welcome to the viewers.

 

 

 

 

+ Low Points

i – It is very disappointing for me to say that there was no / hardly any physical transformation of the characters especially of Mir Hadi and his mother. What we witness here is that Hadi is all clean and tidy even after spending weeks / months living at a shrine or the remaining of his days in the jail.

We know that for a real life adaptation of the given character and for realism, a professional actor would have gone through the process of his tremendous change in his body structure by losing his appetite.

The main reasons are of having terrible guilt, heavy stress, anxiety and deep depression. A perfect example is given in the Hollywood film ‘Machinist’ (2004). A great performance doesn’t ends by expressing it out but also as character, how your body represents itself. Or perhaps, I am demanding too much from our Pakistani artists.

ii – I have grown very tired to see almost all of the roles of Feroze Khan played as ‘Bad Boy / Anti-Hero’. We all know that he is a great actor and this role too suited him perfectly but he should choose different roles for his upcoming projects. Why restrict yourself by playing one type of role endlessly one project to another?

iii – There were some minor sub plots which were there only to fill the gaps. It was the main plot only to watch.

iv – Mir Hadi’s activities (before falling in love) besides roaming around in his black Pajero, all he does do is be there at sea shore where he sits there and gets drunk? …What? That’s it? Did the writer actually do any research before coming up with this? Did she really think people would actually take this as a true picture of such a spoiled character?

v – The production design was unconvincing to imagine that this was Mir Hadi’s room. Are you saying, a rotten character like Mir Hadi has a (too) formal room? No TV, fridge, posters on the wall, computer or music system? Kamal hai!

vi – The mother of Khaani, played by Salma Hassan looked much younger than she should be. Salma looked more like an elder sister to Sana Javed than being a parent. Jokingly, I said to myself that ‘Rashid Farooqui must be very pleased to have a young woman to play as his wife’.

Yes, I do understand that the director / writer wanted to show a young mother to her children. If they wanted, they could have applied old age makeup to her but didn’t. Still, I feel that a bit older woman (physically) should have played the part. Nonetheless, Salma did a very decent job to portray for this role.

vii – In Makeup & Hair Styling we have Sitara Shah, who till the very end of the episode is still using her makeup and different colors of nail polish.

As for Arham, even when he decides to comb his hair in front of the mirror, viewers can see that he doesn’t need to as his hair is already perfectly combed. Why make it look so impractical when you are giving all your efforts to make such a great drama series? These minor mistakes should be avoided so that the viewers watch your drama without the feel of fictional story.

viii – The female to whom Mir Hadi talks to at the shrine for a number of days, there is hardly any shock by her father. His expressions are so unconvincing. Other than that, why reveal to the viewer’s everything? Keep it something ambiguous too. Don’t give away everything.

When the female approaches Mir Hadi first time, we see that his faithful servant also looks at her but in later episodes, the outcome is something else?

 

 

 

+ Overall
Khaani benefits from rock solid performances and gripping-ly written screenplay which ends up with a perfect finale.

 

 

 

Rate: 3.75 out of 5 stars

 

TV series

Mr. Khan’s Review on Daastar-e-Anaa (2017 – 18)

A review on Pakistani Drama TV Series, Daastar-e-Anaa aka Egoistic (2017 – 18). Its Production is QT Productions while Distribution is done by TV One.

 

 

 

+ Crew

  • Directed & Produced by Mohsin Talat
  • Written by Amin Sadiq (Late)
  • Director of Photography by Saqib Hussain & Arshi Ali
  • Edited by Muhammad Bilal
  • Co-Produced by Syed Afzal Ali & Uzma Mohsin

 

 

 

+ Note

Daastar-e-Anaa aired on TV One from 14th Apr 2017 to 19th Jan 2018. In total it consists of 40 episodes. The drama’s theme according to the director is to create awareness of keeping balance in relationships and solve the negative slot in the society. Either, this TV drama is character based or issue based, here in this drama we have tried to provide audience with an impact-ful message. It is a traditional love story which is shot on the beautiful locations of Northern Areas in Pakistan.

Uzma Gillani is known for her tough and autocratic choice of roles, due to which she is considered to be in Pakistan as one of the best TV actors of all time. During her career spanning over 45 years, her famous works have earned her wide-spread acclaim & recognition with a Pride of Performance Award by the President of Pakistan in 1982.

The melodic OST of Daastar-e-Anaa is composed by Maestro Waqar Ali and sung by Coke Studio star Jabir Abbas while its title song lyrics written by Sabir Zafar. The Makeup Artists are Farah Deeba & Ali Raza and the Executive Producer as Seema Taher Khan.

 

 

 

+ Main Cast

  1. Uzma Gilani as Zabiunisa
  2. Abid Ali as Muzzaffar Khan
  3. Ayesha Gul as Riffat Begum
  4. Kashif Mahmood as Walid Khan
  5. Saniya Shamshad as Mahnoor
  6. Salman Saeed as Adeel Khan
  7. Arsalan Faisal as Abid Khan
  8. Shahzad Ali Khan as Rahim Gul
  9. Sharmeen Bano Tayyab as Farzana
  10. Sami Sani as Arif Bhai

 

 

xxxxxxx

 

 

+ Supportive Cast

  1. Shamoon Abbasi as ASP Humayun
  2. Diya Mughal as Monazza
  3. Raima Khan as Baji
  4. Rubina Arif as Ammi
  5. N/A as Dilawar
  6. Fahad Sherwani as Sultan
  7. N/A as Inspector Faiser
  8. Shahmir Ali as Baba
  9. Yasmeen Huq as Shamsi Bhabhi
  10. Zafar Awan as Advisor

 

 

xxxxxxx

 

 

+ Minor Cast

  1. Faisal Rehman as Hashim Khan
  2. Memoona Qudoos Mughal as Nausheen (Secretary)
  3. Saba Faisal as Tanya Begum
  4. Qavi Khan as Sahi Baba
  5. N/A as DIG Head / Shah Jahan
  6. N/A as Bashir
  7. N/A as Riffat’s Son
  8. N/A as Lawyer (Good)
  9. N/A as Lawyer (Bad)
  10. Rida Ashraf as Maid

 

 

 

+ Plot

A beautiful young girl, Mahnoor is trapped in a manor by her ruthless and wealthy grandmother Zaibunnisa. When Adeel falls in love with Mahnoor, he then tries to rescue her from being forceful marriage to her cousin, Abid Khan who is already eyeing to seize his grandmother’s vast estate and wealth.

 

 

 

+ High Points

i – Uzma Gillani as Zaibunnisa gave an outstanding performance as cruel, selfish, cold hearted woman and head of her tribal legacy (after the paralysis illness of her husband, Muzzaffer Khan). It is rare to see such dynamic performance given an actress in antagonist role. The character of Zaibunnisa would surely be remembered as one of the best villains written for Pakistani TV history.

ii – Arsalan Faisal as Abid Khan played out a powerful performance on screen as ruthless, hot tempered, rich playboy. I thoroughly enjoyed watching his performance as first timer. Other Honorable Mentions: Kashif Mahmood, Shahzad Ali Khan, Shamoon Abbasi and Salman Saeed.

iii – Most of the characters were very well written, such as Zaibunnisa, Abid Khan, Walid Khan, Rahim Gul, Adeel and Tanya Begum.

iv – I liked the direction of Mohsin Talat, made TV drama series stimulating to watch.

v – A different plot with an interesting story to tell. The tribal legacy, coming up with their personal rules and regulations at their territory against the law enforcement was the edge here.

vi – The costume designing is really praise worthy. Exotic dresses were kept for different characters the main and supporting cast played; such as Walid Khan, Zaibunnisa, Mahnoor Abid Khan and few more.

vii – Makeup & hair styling did an effective work at their end. It gave glamorous look to Saniya Shamshad, Arsalan Faisal, Salman Saeed, Diya Mughal etc.

viii – The addition of Shamoon Abbasi’s character as ASP Humayun was a good decision. I was very pleased to see him in positive light which is first time for me to see him as. His choice of playing a positive character made me recall of popular Bollywood supporting actor of 90s, Mohnish Bahl who came in positive roles in such super hit films Hum Aap Ke Hai Kaun (1994) and Hum Saath, Saath Hain (1999).

I sincerely wish to see him take more positive roles in TV and films alike as the Indian actor did. Shamoon Abbasi with this role, has made a strong impression on the viewers.

ix – Beautiful locations were used to shoot the TV drama, whether we are talking about interior or exterior places.

x – It was a very intriguing to watch where Saba Faisal and her son, Arsalan Faisal share a scene together.

 

 

 

 

+ Low Points

i – I believe that 40 episodes TV drama is long for such a story. Last 15 – 20 episodes were filled with unlimited arguments between Riffat Begum and Zaibunnisa as ‘Tu, Tu, Meh, Meh’.

ii – The cinematography in some cases was quite good, taking very scenery shots but there were many times where unnecessary high and low angle shots were used including the usage of ‘Fish-Eye’ lens.

iii – The gun violence was unconvincing, hardly making any noise of an actual gun. I understand that the rating of viewership increases due to showing blood and strong violence but there are many ways where you can show it as real, depending on different camera angles and special effects.

iv – Sharmeen Tayyab’s accent as Farzana was correctly used but it seemed fake, as though forcing herself to speak in such a manner.

v – Bashir all that time in the dungeon is physically fit enough to speak properly but as soon as he is rescued and bought at the police station, he has the look of mentally disturbed.

vi – Unfortunately the ending was… unsatisfying and disappointment.

vii – Zaibunnisa’s security at her manor is so ‘Strict’ that Adeel able to trespass it multiple times solo or with his friend.

viii – Shahmir Ali was the only actor who performed weak plus his character was very poorly written.

 

 

 

+ Overall
Daastar-e-Anaa is a fascinating TV series to enjoy which lists strong performances, breathtaking panoramic shots of the Northern areas, the direction or the dramatic effect of the story itself.

 

 

 

Rate: 3.75 out of 5 stars

 

Theatre Plays

Mr. Khan’s Review on Equus (2017)

A review on Pakistani Psychological Drama theatre play, Equus (2017). It was performed at NAPA.

 

 

 

+ Crew

  • Directed, Costumes Design & Set Design by Sunil Shanker
  • Written (Adaptation) by Sunil Shanker and Nazar ul Hasan
  • Asst. Directed by Zaman and Mazhar
  • Sound Mixing by Bhatti sb
  • Lighting by Masood ur Rehman

 

 

 

+ Horses Performers

  • Owais
  • Salman
  • Shahrukh
  • Zaeem
  • Mahesh
  • Mustafa
  • Mohsin
  • Zohair
  • Faizan

 

 

+ Note
Equus is a play originally written by Peter Shaffer in 1973. He was inspired to write ‘Equus’ when he heard of a crime involving a 17-year-old who blinded six horses in a small town near Suffolk.

There is an English film ‘Equus’ (1977) starring Richard Burton as Martin and Peter Firth as Alan. Shaffer’s play, Equus won the 1975 Tony Award for Best Play and the New York Drama Critics’ Circle that year as well. His screenplay adaptation of the play was nominated for a Best Adapted Screenplay Oscar in 1977.

I am pleased to see that there was an age restriction to watch this play. Good management. The music is originally composed by Natasha Humera Ejaz.

Previously Sunil Shankar conducted ‘Equus’ play in 2012 while receiving overwhelming success. The praises were such as “An Equestrian Journey” – Dawn News and “Saving the Best for the Last” – Express Tribune.

 

 
+ Full Cast

  1. Nazar ul Hasan as Martin Dysart
  2. Ali Hasan Junejo as Alan
  3. Saad Zameer Fareedi as Dalton & Frank
  4. Meher Jaffri as Hesther
  5. Natasha Humera Ejaz as Jill Mason
  6. Shama Askari as Dora
  7. Asiya Alam as Nurse
  8. Kashif Hussain as Nugget

 

 

 

 

+ Plot
A psychiatrist attempts to treat a young man who has a pathological religious fascination with horses.

 

 

+ High Points
i – Genius level direction by Sunil Shanker. This play could not be pulled off so brilliantly by anyone as he did. Bravo!

ii – The horses performances, standing or posing in a statue fashion for a 3 hour play, the agility and different movements, noises that they made were all spectacularly been done.

iii – Superb handling of Lighting. It helped with the different moods of the play very effective to watch.

iv – Propounding an amazing performance by Ali Hasan Junejo as Alan. This was one of the two difficult characters to be played which Ali proved everyone that he is the one for it. Although most of the cast were new faces for me but I am glad to see that he played the lead part very well indeed.

v – To perform realistically, for Natasha Ejaz the task was like ‘A Walk in the Park’. I was stunned to see such a beautiful, bold performance by her. This is also her first performance that I have watched.

vi – Nazar ul Hasan as Martin Dysart performed very convincingly, really made us believe that he was an actual psychiatrist and not a great artist. Other Honorable Mentions: Saad Zameer Fareedi.

vii – The costumes design, especially of the horses are ‘A’ graded quality.

viii – The music is wonderfully composed, bought the audience closer to the play’s intense scenes.

ix – The designing of the set was well executed for three major scenarios… the psychiatrist’s room, the main deck and the patient’s room.

x – Avoided vulgarity, nudity or obscene acts in terms of sexual and language.

 

 

 

+ Low Points
i –Though Sunil Shanker have been able to pull this off in the most sensational manner yet, I believe that the 3 hours for a drama play is too long for the audience to bear and watch it till the end. Most people may not have the patience to sit it through till the second half regardless how much interesting the play is. For me, it was like watching LOTRS on DVD with an ‘Extended Version’.

ii – The first half was a bit mixture of impressive yet somewhat bore at the same time. It was difficult to concentrate on the play by having explicit conversations regarding the boy’s heath, mental issues and his secrecy love and bizarre religious beliefs involving horses. It may perhaps be possible to reduce at least 20 – 30 minutes of it.

iii – It was hard to tell the difference of the time and date in the play since the getup (most / all the time) remained the same in every scene.

iv – Ali Junejo didn’t really look like 17 yr old but only his performance was.

 

 

 

+ Overall
Equus is not only visually striking and narrative sustaining, but also its story deepens down to the root cause has left the audience highly impressive whereas it is truly a great achievement in the world of theatre.

 

 
Rate: 4.50 out of 5

 

Theatre Plays

Mr. Khan’s Review on Hua Kuch Yoon (2018)

A review on an epic Pakistani Political Rom-Drama theatre play, Hua Kuch Yoon (2018). This play was performed at Arts Council Karachi.

 

 

+ Crew

  • Narration & Directed by Dawar Mahmood
  • Written by Sajid Hassan
  • Lights by Shakeel Ahmed
  • Makeup & Hair Styling by Kamal Uddin Ahmed
  • Produced by Kopykat Productions

 

 
+ Note

Hua Kuch Yoon is a high budget epic play (original). An 84 year story (1919 – 2003) is been told in an almost 2 hours of play. The main and supporting cast consists of total 35 performers while there are total 11 set (changing) designs during the play. There was a professional team of young dancers hired by the production house. The costume designer is Honey Love while Asiya Bibi happens to be the production designer.

The BTS team consists of vast people, such as Syeda Maryam Jalil, Muhammad Umer Khan, Wamiq Naseer, Hatim Parekh, Faizan Ahmed Khan, Syed Raheel Ali, Saim Rauf Mughal, Asad Rehman, Mansoor, Muzzammil Memon, Syeda Ayesha Jalil, Areeba Rizvi, Faisal Akbar, Abeeha Adnan, Muhammad Danish, Mansoor Iqbal, Wajeeha Mukthar, Ali Idress, Daniyal Hassan Syed, Yumna Shakeel, Khurram, Bilal Zaidi, Kabeer Adil Siddiqqui, Faizan Hasan, Omair Mumtaz, Syed Abuzar KKR and many more.

Similarly minor supporting cast consists of Mahgul Mumtaz, Sana Ameen, Sidra Qamar, Mannan, Abid Khan, Infas Khan, Rabeet Raza, Syed Ramish Hasan Bukhari, Asad Muhammad Bashir, Hammad Multani, Sibghatullah Qureshi, QM Shafay, Ghazanfer Khan, Muhammad Younus, Askar Hasnain Zaidi, Iqan Uddin Asmi, Vivek Anand Manglani, Bilal, Muhammad Rayyan, Muhammad Zayam, Adnan, Safer, Rizwan, Sahir Shakeel and many more.

Hua Kuch Yoon was the first play I have watched with so many performers on stage and the multiple times sets been changed. Hua Kuch Yoon has been conducted in major cities all over Pakistan with very positive reviews.

 

 
+ Main Cast

  1. Saad Farrukh Khan as Raja (Young)
  2. Fareeha Raza as Indira Gandhi / Ainee (Young)
  3. Saad Zameer Fareedi as Nawab Sb / Raja (Older)
  4. Marya Saad Fareedi as Ainee (Older)
  5. Faraz Ali as Bihari Fruit Wala / Dholpholia Police – Bounty Hunter / Zulfiqar Ali Bhutto
  6. Taha Humayun as Venkit / Annie’s Friend Zone Lover / Guy at Railway #1 (Rapist)
  7. Adil Bangash as Khushwant Singh
  8. Mujtaba Rizvi as Fruit Walla

 

 

 

 

+ Plot
It revolves around Raja & Annie, of how they were orphaned and then later adopted by their foster parents during the time before the partition of India and Pakistan. Their lives of friendship and love is been shown through the passage of the time of 80 years, from birth till death.

 

 

+ High Points
i – Dawar Mahmood has shown what a great direction means for a play. His work had made the characters to present themselves even more interesting than they were written. I would look forward for his upcoming plays.

ii – Excellent writing by Sajid Hassan that is in its story telling and screenplay. The interest level most of the times was high in every scene.

iii – Once again, an outstanding performance given by Faraz Ali as Dholpholia; Police – Bounty Hunter. It’s about time that he should be appearing on good budgeted TV and films alike. His acting is so appealing that the spectators’ eyes are glued on stage. He is no ordinary great actor I can assure you but something much more. With a serious note, if he ever to be shared a scene with a fame veteran actor such as Naseeruddin Shah, the audience would refuse to believe that Faraz is a newcomer on the big screen.

iv – The dynamic couple (Saad Fareedi and Marya Saad) bought an interesting chemistry to this play to an emotional, proper ending. Other Honorable Mentions: Fareeha Raza, Adil Bangash, Taha Humayun, Mujtaba Rizvi and Saad Farrukh Khan.

v – Light humor suited well with the serious tensions of this political rom-drama.

vi – Superb quality sets were designed and constructed. Additional relevant props helped to make the scenes more intriguing to look at.

vii – Loved the way how the creativity was thought over and handled. Even the smaller details to the end credits were given importance.

viii – Good voice narration helped the audience to understand the passage of time and important incidents during the play.

ix – Almost the entire team have given solid performances including the supporting cast.

x – The costumes were well designed / managed / suited for the characters.

xi – The lighting was very carefully and efficiently taken care of. Good work!

 

 

+ Low Points
i – There is a good reason why we have the stage to do the performances. It’s preferable to act on the main stage, if not then at least be nearby it. However, there were few performances going on within the place where the audience sat in upper and lower rows. It is difficult and uncomfortable to watch the performances off the stage, especially happening behind you.

ii – Since Fareeha Raza was already playing young Ainee’s character, so to choose her to play Indira Gandhi’s character and then sharing the scene with Older Ainee’s character played by Marya Saad seemed … wrong, creating unnecessary confusion. People started saying if Fareeha could have played an older age character then why not she played out Older Ainee’s character as well.

One may say that Saad Fareedi had also played two characters too (Nawab Shah and Older Raja). But Fareeha’s example does not match with Saad’s since his two characters never shared with a scene together (except for child characters of Raja & Ainee).

iii – What’s so funny having toilet humor? It is cheap, childish comedy; better to leave it for retards.

iv – You might miss out several political referred jokes if you are not up to date with our current politics.

 

 

+ Overall
Hua Kuch Yoon has almost clean sweep the audience and critics with its mastery writing, direction and strong performances in this epic play.

 
Rate: 4.50 out of 5 stars