Theatre Plays

Mr. Khan’s Review on Horan Deke Paas Karo (2016)

A review on Pakistani Drama Comic theatre play, Horan Deke Paas Karo (2016). It was performed at NAPA.

 

 

 

+ Crew

  • Directed by Ir Omar
  • Written by Neil Simon

 

 

 

+ Note

Horan Deke Paas Karo is an earlier work of theatre actor, Ir Omar.

 

 

 

+ Full Cast

  1. Ahmer Hussain as Ali
  2. Haris Khan as Tipu
  3. Najma Kifayat as Soni
  4. Irma Ali as Rani
  5. Owais Mubbashir as Abba
  6. Naz as Amma

 

 

 
+ Plot

Tipu, a young lad who is fed up living with his parents. His father wants him to look after the plastic factory as his successor. But Tipu wants to fulfill his dreams, be with beautiful girls just like the macho man / his older brother Ali. But Ali is himself having problems with his girlfriend Rani who wants to settle down with him but he is not taking marriage into consideration.

 

 

 

+ High Points

i – The performances by everyone except Irma’s were greatly executed. Haris Khan was easily being judged as the best performer for this play. He showed everyone that he has the chops to do a brilliant performance. Haris Khan, you proved me right in front of my friends.

ii – As for Ahmer Hussain, it seems that he was born to do comical roles. Such a confidence level by this actor when he is performing; there is saying for him ‘Acting to os k nus, nus meh behri hai’ (Acting is filled deep into his veins). He is the ‘Akshay Kumar of the Stage’.

iii – The characters of Najma Kifayat and Owais Mubbashir were not as interesting as their performances. Both of them performed very well and due to their performance, the audience attention was magically fixed on them. Even as the play had ended and curtains were closing in, Owais refused to come out from his character.

iv – Naz is a wonderful actress and I must say she is gem of the new comers. It’s really hard to ignore those plays when she is performing in them. Although all the plays that I have attended of hers, she has played an older aged character. I personally refuse to believe that she is unable to play younger roles. I would prefer if in next upcoming plays she takes a role which is not only challenging for her but of a younger age character. I as well as the audience would be very interested to see her in a new kind of role.

v – The director did a good job in directing this play. With restricted comical moments, he still able to bring smiles and laughter on audience faces.

 

 

 

+ Low Points

i – This play had light touch of humor. The comical performances especially by Haris Khan took this play towards the success otherwise there were hilarious moments in some parts of the play.

ii – It is a mystery for me whether Irma Ali is unlucky for getting dull roles or that she is an under performed actress.

iii – The character written of Owais Mubbashir could have improved; written it as interesting as Amma character played by Zarqa Naz. His character was too serious for a play like this.

iv – The set design was mild yet could be improvised as it did not look like a house of a bachelor and playboy type personality.

v – The transformation of Haris Khan did not create the level of interest as everyone was waiting for and was for short time only.

 

 
+ Overall

Horan Deke Paas Karo created such hype but did not meet its high expectations. Although, it is a good play but felt short of humor. Most of the characters were not as interesting as it promised it to be. The writing definitely needs improvisation while the performances by many were almost perfect.

 

 

Rate: 3.0 out of 5 stars

 

Feature Length Films

Mr. Khan’s Review on Oye Kuch Kar Guzar (2016)

A review on Pakistani Online Comedy feature length film, Oye Kuch Kar Guzar (2016). The Production House is Djuice Pakistan while its Distributor is iD creations.

 

 

+ Crew

  1. Written & Directed by Harris Rasheed
  2. Edited by Imran Mushtaq
  3. Music by Jamal Rahman
  4. Produced by Syed Zaheer Uddin and Emad Ishaq Khan

 

 

 

+ Note

Oye Kuch Kar Guzar is the first Pakistani online film. It consists of 5 episodes where every episode (except the last) has 2 options to select online for the next episode. It was released on YouTube on 3rd Dec 2016.

This film was shot in Kallar Kahar (Chakwal), Katas Fort, Haveli Sardar Jawala Singh Sandu Padhana (Lahore) and Lahore Railway Station.

 

 

 

 

+ Main Cast

  1. Ali Safina as Shamsher Iqbaldin / Sherry
  2. Uzair Jaswal as Junaid Hafeez Sarhadi / Jango
  3. Ushna Shah as Zara Hayat Khan (Xara)
  4. Mahjabeen Habib as Shabnam Mushtaq Chaudary

 

 

 

 

+ Plot

Two guys randomly meet two young females at their train cabinet, where a number of mishaps take place.

 

 

 

 

+ High Points

i – Well, this is new… to see an online film with option provided to the viewer of selecting which outcome to choose for the story to progress.

ii – Then the main characters can interact with the narrator throughout the film by breaking the fourth wall to help them to ease up the situations.

iii – It is a mix reaction by the audience regarding the time length of the film. It’s less than 120 minutes which I believe is good for this film.

iv – The film edited is by Imran Mushtaq, who has done a decent job for such type of film.

v – Ushna Shah is the only star, the viewer might remember in this film. The main reason is that she is the only well-known celebrity in the main cast.

 

 

 

 

+ Low Points

i – The film is rushed quickly towards the next scene where the writer / director hardly gave any importance in first establishing the emotional link of the main characters with the viewers.

ii – Since the film is comic thus the viewer hardly felt any fear of losing them or to find them in a conflicting situation; knowingly nothing serious would happen to them anyway. Basically, I just didn’t care.

iii – No song is worth listening.

iv – Nor anyone’s performance was enjoyable or pleasant to watch.

 

 

 

+ Overall

Other than great concept, a little is done with Oye Kuch Kar Guzar, adding yet another film to the pile of forgettable comedies.

 

 

 

Rate: 1.75 out of 5 stars

 

Feature Length Films

Mr. Khan’s Review on Chupan Chupai (2017)

A review on Pakistani comedy feature length film, Chupan Chupai (2017). The Production House is Huzu Productions while its Distributor is Hum Films.

 

 

+ Crew

  • Written & Directed by Mohsin Ali
  • Co-Written by Zeeshan Haider
  • Cinematography by Jeffery Fountain
  • Edited by Ehtesham Khan, Waqas Ali Khan, Faheem Ahmed & Salman Tehzeeb
  • Produced by Ray Khan & Zayed Sheikh

 

 

 

+ Note

Chupan Chupai is the debut movie of stars such as Faizan Khwaja, Neelam Muneer and Sakina Samo. This movie is a Pakistani remake of 2013 Indian Tamil language movie Soodhu Kavvum (2013). It has been remade in Telugu as Gaddam Gang (2015). The Production Designers are Jari Khushnood Naqwi & Bazey Khan while its Makeup & Hairstylists are Hasan Shabbir & Alam Hakim’s. The Music is composed by Asrar.

There is a huge cast of cameos which are mostly performed by NAPA actors and faculty members. Such as Inzamam Jalal (an Actor, Director, DOP and Editor), Maaz Ahmed (very Skillful Cinematographer), Zain Ahmed and Khalid Ahmed (Faculty Members, TV artist, Writer and Director), Saad Zameer and Erum Bashir (one of the leading performers of NAPA), Akber, Hammad, Ahmer, Muneeb, Najma, Roohi and Kaleem are good performers of NAPA. Arisha is a TV artist and Zeeshan Haider (an Actor, Faculty Member, Writer, Director and a Mentor).

 

 

 

 

+ Main Cast

  1. Ahsan Khan as Babu
  2. Neelam Munir as Pari
  3. Faizan Khawaja as Bobby
  4. Vajdaan Shah as Teli
  5. Zayad Sheikh as Feddy
  6. Ali Rizvi as Koki
  7. Talat Hussain as Aijaz Durrani

 

 

xxxxxxx

 

 

+ Supportive Cast

  1. Adnan Jaffar as Chaudhry
  2. Rehan Sheikh as Khan
  3. Sakina Samo as Bobby’s Mother
  4. Javed Sheikh as Chief Minister
  5. Saife Hassan as Kidnapped Girl’s Father
  6. Nazar-ul-Hassan as Police Constable
  7. Arshad Mehmud as DIG

 

 

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+ Cameo

  1. Zeeshan Haider as Drone Controller
  2. Arisha Razi as Kidnap Girl
  3. Kaleem Ghouri as Guy with Bizarre Haircut
  4. Khalid Ahmed as Kidnap Girl’s Father
  5. Inzamam Jalal as Minister’s Attendant
  6. Erum Bashir as Lady with Veges
  7. Saad Zameer Fareedi as Lawyer
  8. Zain Ahmed as Interviewer
  9. Akber Ladhani as Stranger #1
  10. Ahmer Hussain as Stranger #2
  11. Muneeb Baig as Stranger #3
  12. Roohi Ahmed as Minister’s Wife Attendant
  13. Maaz Ahmed as Thug
  14. Najma Kifayat as Girl with fast food
  15. Hammad Siddiq as Thug in Hospital

 

 

 

+ Plot

A group of three friends Feddy, Koki and Teli who happens to meet Babu by chance and decides to team up with him & his girlfriend Pari to earn big in much easier (riskier) way.

 

 

 

+ High Points

i – Ali Rizvi as Koki has performed as a memorable character. He greatly reminded me of the fame comic relief characters in the 70s were mostly performed by John Belushi (deceased). Ali has able to bring many people attention towards him of not just because his character was most interestingly written but very well performed as well. Other Honorable Mentions: Ahsan Khan and Faizan Khawaja.

ii The comedy of Chupan Chupai is good on some occasions although mostly, light humor is provided (which by the way worked out quite sound for the film). The key comic relief character of Koki is mainly responsible for this.

iii – Makeup & hair styling did a good job; glamorous looks by Neelum Muneer, Ahsan Khan and Faizan Khawaja.

 

 

 

 

+ Low Points

i – This film has more (plot) holes than a Swiss cheese has. There is no / proper explanation given to anything. Such as why Chaudhry decides to change his gun at the last minute, no Pari’s backstory is provided, why and how the bizarre haircut guy is teamed up with Babu, how Koki ends up with the same woman in the film? At some places, one may be able to defend themselves but not on all. I am sorry to say but this is a Novice level of writing and I am very shocked to see talented name in the writing dept. No seriously, what went wrong?  Is this a case of creative differences?

ii – Forgettable songs! The audience can take a serious snore nap here.

iii – Still not satisfied to see a petty role given to such a great actor, Nazar-ul-Hassan. You have no idea, what this guy can do if a good, interesting role is given to him.

iv – It is shameful to say that most of these cameos were given to perform useless, unmemorable roles. Only one or two roles have some importance to remember them by otherwise almost all of them are those roles which are given to extras. Only thing these actors could say is that ‘Yes, I … am in Chupan Chupai’.

v – No proper / good message is given to the audience to learn in the end. So basically, we should take the easier way out? We should not struggle and work on righteous path but do exactly what they did in the film? Nice.

 

 

 

 

+ Overall

It’s hard to say Chupan Chupai is a good comedy film but its constant humor and sparkling performances especially by Ali Rizvi, did their best to uplift the film’s second half from its mixture of farce spaghetti from becoming any other ‘Cat and Mouse’ chase. Yet, their best was not good enough to save the film from being a misfire.

 

 

 

Rate: 1.50 out of 5 stars

Feature Length Films

Mr. Khan’s Review on Na Band, Na Baraati (2018)

A review on Pakistani Rom-Com feature length film, Na Band, Na Baraati (2018). The Production House is Zashko Entertainment while its Distributor is Hum Films.

 

 

 

 

+ Crew

  • Directed by Mahmood Akhtar
  • Written by Harish Kumar Patel
  • Cinematography by Shezad Pasha
  • Edited by David Van
  • Produced by Zain Farooqui

 

 

 

 

+ Note

Na Band, Na Baraati is Mikaal Zulfiqar first film with Shayan Khan Anzhelika Tahir and Komal Farooqui. It is also the directorial debut of veteran TV actor Mahmood Akhtar who is also playing an important role. The music is composed by Sahir Ali Bagga.

It revolves around two brothers and the struggle of a desi family settled abroad.

Na Band, Na Baraatis shooting was completed in 2016. Almost the whole movie has been shot in Canada and was released on Eid-ul-Fitr.

 

 

 

 

+ Main Cast

  1. Mikaal Zulfiqar as Shahid
  2. Shayan Khan as Zahid
  3. Nayab Khan as Zoya
  4. Anzhelika Rublevska Tahir as Ayesha
  5. Ali Kazmi as Ustad the Mechanic

 

 

xxxxxxxxxxxxxx

 

 

+ Supporting Cast

  1. Qavi Khan as Shahid’s & Zahid’s Father
  2. Mahmood Akthar as Ayesha’s Father
  3. Azra Mohiuddin as Shahid’s & Zahid’s Mother
  4. Atiqa Odho as Zoya’s Mother
  5. Komal Farooqi as Shahid’s & Zahid’s sister

 

 

xxxxxxxxxxxxxx

 

 

+ Minor Cast

  1. Saram Jaffery as Super Mario / Bholu
  2. Kashif Ahmed as Co-mechanic
  3. Zuhair Jaffery as Guru

 

 

 

 

+ Plot

A typical Pakistani family living in Toronto, are dropped a bomb when they are told that one of their sons had a runaway marriage.

 

 

 

 

+ High Points

i – Mikaal Zulfiqar as Shahid was the real star of this film and gave a terrific performance with other few selective co-stars to bring in the interest level, to watch the film till the end.

ii Surprisingly, Qavi Khan as Shahid’s & Zahid’s Father turned out to be very hilarious comic relief character. His repeated comic dialogue throughout the film was ‘Cheeni Khao! Jaan Banao!’ fun to listen to. I don’t remember that I ever enjoyed his performance so much (including of TV projects) as in this film. Other Honorable Mentions: Komal Farooqui, Saram Jaffery, Zuhair Jaffery and Kashif Ahmed.

iii – There were some few good laughs in the film such as Zahid tries to pick his glasses from the pavement and running into a gay with crashing sound of bowling pins.

iv – Beautiful costume designing, suited really well with the cast.

v – Fantastic job on the makeup & hair styling; made the stars look very glamour, beautiful on-screen.

vi – A couple of songs were nice with such singers Rahat Fateh Ali Khan, Shafqat Amanat Ali, Sahir Ali Bagga and Aima Baig.

 

 

 

 

+ Low Points

i – The new lead star, Shayan Khan needs to work really hard on his voice to sound like a mature person on-screen. I’m afraid that he sounded more like child, which gave a very bad impression to the audience and critics alike. To be in the ranks of ‘A’ graded stars, one has to his best efforts to be standing with them. There’s already fierce competition in the market and thus it is advised to work on your voice and acting classes.

Having good looks with a great muscular physique does not make one a great performer. These are secondary features which can be focused later, rather work on your primary features i.e. improvement in your acting and voice. Try to listen to yourself first by performing in front of the camera, see why people are criticizing your voice for.

Even today, if we bring Bollywood Super Star Shahrukh Khan in his place and change his voice as his, he (Shahrukh) too would be rejected by the market. Good voice does make a great difference, though being a great performer would come with practice and experience. By chance, only yesterday I randomly chose to watch a Bollywood film ‘Shamitabth’ (2015) where a homeless guy (Amitabh) lends his voice to new comer actor (Dhanush) to make a name for himself.

ii – The film editing needs great improvement. There were many scenes in the film where there should have been cut while the technique of using montage in a motion frame is really an old fashioned. It didn’t look good for the songs.

iii – Anzhelika Rublevska Tahir gave a wooden performance while Ali Kazmi’s performance was highly over acting. He tried very hard to make people laugh on his endless (boring) punch lines. Don’t get me wrong, I like Ali Kazmi’s acting in his TV and film projects previously but here he was misused.

As soon as Ayesha gets married, Ali’s character becomes useless for the audience to watch and bear him on-screen. The writer should have come up with new conflict in his story, to make his scenes interesting but were not so.

iv – The cinematography is below average and needs a lot of improvement.

v – The directorial debut by Mahmood Akthar was very weak indeed; the film would have been executed much differently and effectively if it was given to a well-known director.

vi – Most of the time, the actors would say their punch lines in such a way thinking perhaps the audience would surely laugh now. But all we would do is just stare at the screen for few more seconds before confirming “I’m sorry. Was that a punch line? Is he trying to make us laugh”?

vii – Need a good professional dance choreographer for their songs.

viii – The film dragged unnecessarily on and on. The two sons could have told everything to their parents regardless of their father’s warning as we all knew that he would eventually accept them but no! That didn’t happen and had to watch more than 2 hours of film.

ix – The BTS team should had work out on which scenes to keep, which ones to delete and how to make the film interesting in the phase of three acts.

x – Lips sync of Shayan Khan’s songs in comparison to his actual voice in the film didn’t suit at all.

xi – Poor acting by smaller role performers. They hardly had any expressions during their performance or scene sharing.

 

 

 

+ Overall

Na Band, Na Baraati fails to make its mark in the hearts of audience or critics alike with weak performances, lackluster of wittiness and many technical issues.

 

 

 

 

Rate: 1.75 out of 5 stars

 

Feature Length Films

Mr. Khan’s Review on Bin Roye (2015)

A review on Pakistani Drama feature length film, Bin Roye (2015) aka Without Crying. The Production House is MD Films while its Distributors are Hum Films (Pakistan Release) and B4U Films (International Release).

 

 

 

+ Crew

  • Directed by Shahzad Kashmiri & Momina Duraid (Produced)
  • Cinematography by Farhan Alam
  • Written by Farhat Ishtiaq
  • Edited by Syed Tanveer Alam
  • Music by Mazhar Cheema, Shani Arshad & Waqar Ali

 

 

 

 

+ Note

Bin Roye’s two songs in the film have been directed by Sarmad Sultan Khoosat, Asim Raza and Haissam Hussain.

This film is based on the original novel Bin Roye Ansoo by Farhat Ishtiaq. It is the 3rd highest-grossing Pakistani film of all time behind Waar and Jawani Phir Nahi Ani.

Bin Roye was later adapted into a television series with the same name, that premiered on Hum TV on 2nd Oct 2016.

 

 

 

+ Main Cast

  1. Mahira Khan as Saba Shafiq
  2. Humayun Saeed as Irtaza
  3. Armeena Khan as Saman Shafiq
  4. Adnan Malik as Shehzad
  5. Zeba Bakhtiar as Saba & Saman’s mother
  6. Javed Sheikh as Saba & Saman’s father

 

 

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+ Supportive Cast

  1. Azra Mansoor as Dadi
  2. Junaid Khan as Safir / Saba’s husband
  3. Adeel Hussain as N/A (Cameo)
  4. Mujtaba Khan as Irtaza (Child)
  5. Mehreen Bari as Saba (Child)
  6. Jahanzeb Khan as Zafar / Saba’s brother

 

 

 

 

+ Plot

A young woman is conflicted when she falls in love with a man who courts her friend.

 

 

 

 

+ High Points

i – Mahira Khan performance like always is the best. Her character was of an immature young girl who is head over heels in love with her cousin, Irtaza. Later on she has guilt ridden madness over the close one death.

ii – I have watched last three to four projects of Humayun Saeed where he has performed very decently and sensibly. I am confident enough to say that he is truly a great actor where he has able to play this mature, caring character of Irtaza greatly on-screen. Other Honorable Mentions: Armeena Khan and Azra Mansoor.

iii – The action sequences are very admirable and of high standards in the ranks of our film industry.

iv – The production design did a creditable work while its locations are very well chosen.

v – The costumes designing dept. did an impressive job.

vi – Good work guys responsible for makeup and hair-styling.

vii – The third act is shown in great detail where Irtaza handles traumatic Saba due to the enigmatic reason. This act was the most important one of the three and was very professionally handled.

 

 

 

 

+ Low Points

i – The film editing is so bad that if I was the producer of this project, I would had made sure that this person would get lifetime ban to work as film editor ever again. It ruined the film beat completely.

ii – A couple of the supporting cast members were wasted due to less or namesake screen time such as Junaid Khan and Jahanzeb Khan while the inclusion of Adeel Hussain in a song is the first example in a Pakistani film (or that I am aware of that) that it’s a first male star item song.

iii – The director decided to give no importance whatsoever to the second act, where everything just rushed to the last act of the film.

 

 

  

+ Overall

Even though the performances are unforgettable, particularly by Mahira Khan, still Bin Roye lost its magic in the mid and made us realize that the supporting cast or sub plot does not carry any value.

 

 

 

Rate: 2.50 out of 5 stars