Theatre Plays

Mr. Khan’s Review on Heer Ranjha (2017)

A review on Pakistan Romantic Drama theatre play, Heer Ranjha (2017). It was performed at Arts Council Karachi.

 

 

+ Crew
I. Directed, Production Design, Costumes Design & Written (Adaptation) by Naz

II. Asst. Directed by Damyanti Gosai

III. Co-Written (Adaptation) By Kafi Kazmi

IV. Vocal Song by Anil Tahir Azad

 

 

+ Note
Heer Ranjha was originally written by Waris Shah. Some historians say that the story was written after Shah had fallen in love with a girl named Bhag Bhari while other people say that Heer & Ranjha were real personalities who lived under the Lodi dynasty. Later on, Waris Shah later utilized these personalities for his story.

It’s possible that this story has symbolic meaning attached to it, referring to the implacable chase of a man has towards his creator.

Heer Ranjha is one of the most popular tragic romances of Punjab which it is about the love of Heer and Ranjha. Due to its plot and tragic story, it is often compared to the Shakespeare’s play ‘Romeo and Juliet’.

 

 
+ Full Cast
1) Fajir Sheikh as Heer

2) Umair Rafiq as Ranjha

3) Samhan Ghazi as Qazi (Molvi)

4) Aamir Naqvi as Sarpanj

5) Muntazir Mehdi as Seida (Dumb)

6) Damyanti Gosai as Sehti / Heer’s Mother

7) Asma Noor as Village Girl #1 / Heer’s Friend #1

8) Roohi Ahmed as Village Girl #2 / Heer’s Friend #2

9) Saddam Hussain as Qeedu (Handicap)

10) Aisha Iqbal as Ranjha’s Bhabhi

11) Akbar Aftab Ladhani as Ravi (Narrator)

12) Anil Tahir Azad as Waris Shah (Singer)

13) Ashfaq Ahmed as Chaudhry (Heer’s Father)

14) Raheel Siddiqui as Ranjha’s Brother

15) Zain Qureshi as Groom’s side Dancer #1 / Daako #1

16) Zeerak Khan Niazi as Groom’s side Dancer #2 / Daako #2

17) N/A as Heer’s Groom

 

 

+ Plot
Heer is a beautiful girl who is born in a wealthy family of the Sial (tribe) Jatt while Ranjha also a Jatt of the Ranjha tribe and is the youngest of four brothers who lives in the village of Takht Hazara. One day in wedding ceremony, Ranjha meets and falls in love with Heer. Unfortunately there are those people full of envy who would do anything to stop this from ever happening.

 

 

+ High Points
i – Saddam Hussain as Qeedu is yet again, the show stealing performance. It seems that he was born to play the role of Qeedu. His strong performance was one of the reasons why the interest level was kept throughout the play.

ii – Roohi Ahmed has done a fantastic job in playing her supporting role. She performed her character with such ease and was enjoying herself. Other Honorable Mentions: Umair Rafiq and Aamir Naqvi.

iii – Lots of improvement in the character development especially of the main characters which made an important connection with the audience. Then whatever conflicts would fall on these two lead actors, we as audience would feel their pain of hurting or losing them.
iv – Not sure to see Ranjha taking off his ‘fake’ beard was part of the script or added to make it as amusing scene. Either way, it was worked with the moment.

v – Good development with the narration by Akbar Aftab Ladhani. He was able to capture the tragic moments with his strong vocal and eye contact. Nice work!

vi – Nice vocal songs sung by Anil Tahir Azad. It helped to move the story forward and gave emotional touch to it.

 

 

+ Low Points 
i – Due to lack of experience, the lead performances were average at best but not great. The fault is not of these two lead actors as they are still in their young acting age. The casting of the lovers should be given to those actors who would deliver strong performances as the script demands.

ii – Lighting should further be improved. Such as the first time when Ranjha looks at Heer, there should be two lime lights only where one at Ranjha and other one at Heer while all other lights should be switched off or lit very dimly.

iii – Although Fajir Sheikh did a fair job as Heer but she needs to work with her voice control and how to speak in playing different characters.

iv – The set design was okay but it covered major of the stage portions. The actors were restricted with very limited movement / blocking.

 

 

+ Overall
This remake’s several scenes were improvised, many of the interesting dialogues were added to boost up the morale and the hard work of the performers in making Heer Ranjha an enjoyable play.

 

 

Rate: 3.25 out of 5 stars

TV series

Mr. Khan’s Review on Mera Naseeb (2011)

A review on Pakistani TV Drama Serial, Mera Naseeb (2011) aka My Fate. Its Production House is MD Productions while its Distributor is Hum Entertainment.

 

+ Crew
I – Directed by Adnan Ahmed

II – Written by Samira Fazal

III – Theme Music by Waqar Ali

IV – Produced by Momina Duraid

 

+ Note
Mera Naseeb was aired on Hum TV from 1st Apr 2011 – 26th Aug 2011. It consists of total 21 episodes.

Indian-American author, Chitra Banerjee Divakaruni has accused the writers of the show of plagiarizing her novel Sister of My Heart for the story of the serial. However, the writer had mentioned earlier that it is a drama adaptation of a story provided to them while she (writer) had no prior knowledge a plagiarized work was being provided to them to work with.

The Opening theme ‘Boond, Boond’ song is written by Momina Duraid and performed by Komal Rizvi.

 

+ Main Cast

  1. Syra Yousuf as Nazia Fahad
  2. Sanam Saeed as Shazia Moiz
  3. Sakina Sammo as Habiba / Phupi Ammi
  4. Rubina Ashraf as Sajida
  5. Samina Peerzada as Salima

 

 

xxxxxxx

 

+ Supportive Cast

  1. Imran Aslam as Fahad
  2. Imran Abbas Naqvi as Moiz
  3. Bushra Ansari as Nazia’s Mother-in-Law
  4. Sajid Hasan as Shazia’s Father-in-Law
  5. Adeel Hussain as Shahbaz

 

 

+ Plot

Two best friends, Shazia & Nazia are born at the same date. Bizarrely, their fathers were also expired at the same day as well. Both the girls live same house with their widow mothers and aunt. Shazia is shown as a bold outspoken whereas Nazia is a pretty simple girl. They live under strict house rules by their mothers from the society. The story takes a turn when one of the girls falls in love with a guy.

 

 

+ High Points
i – Sanam Saeed performed very strongly on-screen while her character supported her act throughout the drama serial. Her bold character gave incredible encouragement to our society for women power.

ii – Sakina Sammo as Habiba/Phupi Ammi was fantastically played. She proved us all to be a very good actress. Other Honorable Mentions are: Imran Aslam, Rubina Ashraf and Imran Abbas Naqvi.

iii – This drama would help the viewers to see what kind of problems our females face with strict backgrounds and pressurized in difficult times.

 

 

+ Low Points
i – I am not such a big fan to watch TV serials where unnecessary violence / tragedy is shown in able to get more good ratings. People who are habitual in watching such serials may find it okay but it does not work for me. It is a habit of Pakistani TV dramas to make their serials over dramatic and insert unnecessary tragic scenes where it could have been easily avoidable. Even if you did watch it… you can watch it only once.

ii – This drama’s target audience was for females basically. So yes, this is also one of the reasons why I find it difficult to watch it with interest.

iii – In our TV drama serials, in almost all of them we see that anyone at any time can enter people houses as their main gate or door is never locked (or somehow, they always have keys to it). Likewise, in this drama as well Habiba & Sajida enter the rent home of Shazia without bothering to knock the door/ring up the bell to show as if they were entering their own home!

Logic in these kinds of scenes just goes out of the window.

iv – Sajjad Hasan performance as abusive husband & father-in-law seemed as though he was forcing himself to be in that character. It did not look natural. Also, that when his character starts having flash backs of his cruel behavior (in much later episodes), we able to see one of those flashback memories which Shazia saw it only as her nightmare and none of that really happened in drama serial reality.

v – I felt that Imran Abbas Naqvi’s character was not properly written. I understand and accept that he fears that he might / have become just like his abusive father yet at the same time he tries to change himself towards positivity. However, his sexual attraction towards Nazia is shown in a very flirt type manner whereas his sober personality with others does not make any sense. The only explanation can be given is that he perhaps has split personalities (which was not the intent of the writer).

vi – After first few episodes, Adeel Hussain’s character became absolute useless! His existence did not really matter as such. And then his apology letter to Nazia was way out of proportion and pointless.

vii – In another flashback we see how Nazia’s & Shazia’s fathers have really died while the true character of Salima is also exposed. After their deaths, two questions still remain that how no one in the neighborhood had listened to their loud quarrel and noises of gun shots? How did they get rid of the two dead bodies? It’s not like we have professional hit-men / assassins here, who did their job nice and easy.

viii – Almost all of the problems what our society females face are shown here. Let’s see… we have sexual harassment / flirting, strict mothers with outdated mindsets, domestic abuse, suspicion of extramarital relationship, forceful marriages, pressurized of giving birth a son, forced for abortion, threat of giving divorce, abusive husband, earn in the place of alcoholic & a bum husband, cruelty, barrier to freedom of speech and many more.

The writer might defend this by saying that all this was shown gradually to see how the two sisters became strong women and fought for their rights. But having all these problems in small space of time i.e. just 2 – 3 years is very less. A long passage of time period let’s say 8 – 10 years would have looked realistic and be acceptable.

ix – Of course, we do have a cliché ending! I mean, what did you really expect from it?

x – Whenever Rehan Sheikh is included in a TV serial, would always find him in small roles where he makes appearance in only 2 – 3 episodes and his character always dies in it. His previous works that I have watched are Udaari (2016), Beshahram (2016) and now this Mera Naseeb (2011) with similar fate.

 

 

 

+ Overall
Mera Naseeb’s unquestionably well-meaning message is served by chaos of problems with melodramatic clichés and over-forceful moralizing.

 

 

Rate: 2.0 out of 5 stars

 

Feature Length Films

Mr. Khan’s Review on Chalay Thay Saath (2017)

A review on Pakistani Drama feature length film, Chalay Thay Saath (2017) aka We Walked Together. The Production Houses are We Think Films and Hot Water Bottle Films.

 

 

+ Crew

  • Directed by Umer Adil
  • Cinematography by Shahzad Khan
  • Written by Atiya Zaidi
  • Edited by M. Arsalan (Sharp Image)
  • Produced by Beenish Umer

 

 

 

+ Note

Chalay Thay Saath is focused on the Hunza Culture. It was shot in the Northern Areas of Pakistan in the region of Gilgit-Baltistan. The film crew over 40 days to complete the film shoot in the Hunza region.

Its original background score is composed by Abbas Ali Khan and songs by Mooro.

 

 

+ Main Cast

  1. Syra Shehroz as Resham
  2. Kent S. Leung as Adam
  3. Pepsi as Pepsi
  4. Behroze Sabzwari as Resham’s father
  5. Mansha Pasha as Tania
  6. Osama Tahir as Zain
  7. Sherbaaz Kaleem as N/A
  8. Shamim Halai as N/A
  9. Zhalay Sharhadi as N/A
  10. Faris Khalid as N/A

 

 

+ Plot

Resham is on a journey to discover her past and future alongside her friends. They come across a Chinese citizen, Adam who carries a language translator application in his mobile to understand and speak his new friends’ language. During this time, with the surroundings of beautiful mountainous scenery, Resham and Adam fall in love with each other.

 

 

+ High Points

i – Osama Tahir’s performance is very intriguing and praise worthy. Last time I watched his performance in All-Stars theatre play ‘Qusorwaar’ directed by Sunil Shankar at Arts Council, based on classic Broadway & film ’12 Angry Men’. Osama is a great actor and was pleased to see his inclusion in this film as part of the supporting cast. Other Honorable Mentions: Rest of the performers.

ii – Art direction and the northern area locations that they chose to be used throughout the film is very exotic and highly stunning to look at.

iii – The humor is light hearted without using any vulgarity or cheap jokes. Some punch lines are very amusing.

iv – I was pleased to see Hani Taha in Mooroo’s song in mid of the film, thought she was an add-on in the cast for the later film. I have watched her performances in recent theatre plays, where she has acted really well. Unfortunately, she was just there as cameo appearance.

v – The cinematography is beautifully shot, and nicely handled. Good job!

 

 

 

+ Low Points

i – In multiple scenes, you would see Pepsi’s presence. Pepsi cans are everywhere, the people are shown consuming Pepsi instead of water. The person responsible for its ‘Product Placement’ should be sued / fired for almost ruining the film.

Plus in the start, a long list of ‘Media / Travel / Print / Sponsor / Radio partners’ were shown before the film actually began. I almost said it aloud in the audience, ‘Picture meh sirf yahi dekhnay ko milayga kya’?

ii – The writer used a very simple story / plot.

iii – The second half was a bit drag. A couple of reviewers gave bad reviews to the film due to this main reason but it did not bother me as such.

iv – Except for one or two, the songs are either so-so or forgettable.

v – There were some scenes of close medium shots where the camera was shaking unnecessarily that instead of focusing on what the scene is about or listen to the actor’s punch lines or watch his performance… my concern was ‘Why the hell camera is shaking for’?

 

 

 

+ Overall

Chalay Thay Saath is a smooth romantic comedy with charming performances.

 

 

Rate: 3.25 out of 5 stars

 

TV series

Mr. Khan’s Review on Dusri Bivi (2014)

A review on Pakistani Drama TV Serial, Dusri Bivi (2014) aka Second Wife. Its Production House is Big Bang Entertainment while its Distributor is ARY Entertainment.

 

 

+ Crew

  • Directed by Anjum Shahzad
  • Written by Samina Ejaz
  • Music by Ahmed Jahanzaib
  • Produced by Fahad Mustafa & Dr. Ali Kazmi

 

 

 

+ Note

Dusri Bivi aired on ARY from 1st Dec 2014 – 4th May 2015. It consists of total 23 episodes. Fahad Mustafa had announced that this drama would be his “Last” television commitment.

 

 

 

Main Cast

1) Fahad Mustafa as Hassan

2) Hareem Farooq as Ayesha

3) Maha Warsi as Farah

 

 

xxxxxxx

 

Supportive Cast

4) Ahmed Ali as Aamir

5) Dr. Ali Kazmi as Ahmed

 

 
+ Plot

Hassan, a loving husband and a father, is a CEO of his company where his colleague Farah works. Soon after a true friendship bond is made between Hassan and Farah, she finds herself falling in love with him. Once Ayesha (first wife) learns about her husband’s marriage to Farah in secrecy… nothing remains the same.

 

 

+ High Points

i – Maha Warsi as Farah performed soundly and really looked as true loving wife.

ii – Nice to see a change of character as the main antagonist of this drama series.

iii – The tense scenes shown once married and bringing in your second wife in the same house where your first wife lives… it was directed very nicely.

 

 

+ Low Points

i – The tension created during hospital scenes where Hassan has to decide whether the mother or the baby life is more important to live? He knows well who is responsible for this… it could had brought out Fahad Mustafa’s great acting… he could had easily been remembered by this drama series performance but we were not so lucky. The performance in those high intense scenes was just mediocre.

ii – The reason shown to us as to why Hassan marries Farah is so WTH! I mean, are you serious?? Is Farah’s father that lame? Unbelievable!

iii – A miracle occurred when a baby is born. We all adults know well that how a new born baby looks like? But here we have a baby who looks like a few months old. I asked a friend on the baby appearance (just to make sure) … and she said that the baby looks at least six months old! Imagine the stupidity by the team of this ‘Great’ drama series.

iv – In Pakistani dramas, car accidents are as common as in Indian dramas, plastic surgeries are.

v – Aamir character is so badly written. Not only had he reminded me of the character Rohit from the Bollywood film Dil Chahta Hai (2001) but his character so irritating that even the main characters as well as the viewers hated to see him appear. You would say that this is what they wanted to show, right? No, this is not what I mean by ‘Bad’. What I am saying is we as viewers wanted to get rid of this character ASAP so that we could move on with the next phase of the story.

vi – Every house that shown to us, no one had enough money to buy few bulbs for their homes to lit up? The rooms are shot in such gloomy state as if these people are always a victim of load shedding. Only day light is helps them, where able to see who they are talking to or where they are going?

vii – Hareem’s hairstyle is always the same no matter where she is or at what time you see her.

viii – The interest level arises after 12th or 13th episode. Before that there was hardly any story to watch. As I am a reviewer, therefore, I made an effort to watch first 11 episodes. But if I was one of the viewers, then just after just 3rd episode I would have switched to some other drama series instead.

ix – Fahad & Hareem performances were so-so. Although I had good expectations from Fahad but he performed way too calm than he should have been… In some places he should be using sharp tone or shout but didn’t, was really off scene for the viewers.

x – A scene takes place where an apology been is made by a character at the hospital — this would have given a proper good ending. Okay, fine! The writer thought of a twist afterwards which is BTW good only if it is digestible and its retaliation shown properly but did not. Instead it looked like as if there is no end to this drama series. We all are stuck in some kind of Time Loop. Yikes!

xi – The title really grabbed my attention and decided to watch this drama series. But the behavior deteriorates by one of the wives in such bad light as one may have lost her marbles. Nonetheless, it was not similar to Glenn Close’s performance in Fatal Attraction (1987).

xii – The ending is highly cliché and so unrealistic. It seemed to me that the writer was pressurized to give a ‘Happy’ ending. Even in the end of the finale, still very hard to believe if that character would keep herself stable and accept reality or not?

xiii – A daughter is about to die due to someone’s fault but here we have her father who is talking very nicely, calmly to that person (who is responsible) while also handing over a new born of his dying daughter to take care of. What?

 

 

 

+ Overall:

Despite having no proper story, the simplicity made it still watchable. Nevertheless, since the performances were not up to the mark while the finale was dull therefore Dusri Bivi may be best left as forgotten.

 

 

Rate: 1.0 out of 5 stars

 

TV series

Mr. Khan’s Review on Mann Mayal (2016)

A review on Pakistani Drama TV Serial, Mann Mayal (2016). Its Production House is Momina Duraid Productions while its Distributor is Hum Entertainment.

 

 

 

+ Crew

  • Directed by Haseeb Hassan
  • Director of Photography is Zeb Rao
  • Written by Samira Fazal
  • Music by Shuja Hyder
  • Produced by Momina Duraid & Sana Shahnawaz

 

 
+ Note

Mann Mayal was aired on Hum TV from 25th Jan 2016 to 5th Sep 2016. It consists of total 33 episodes.

There may be some SPOILERS ahead!

 

+ Main Cast

  1. Maya Ali as Manahil Javed / Mannu
  2. Hamza Ali Abbasi as Salahuddin
  3. Gohar Rasheed as Mikaeel
  4. Ayesha Khan as Jeena

 

 

xxxxxxxxx

 

 

+ Supporting Cast

  1. Saleem Mairaj as Jameel
  2. Saba Hameed as Manahil’s mother
  3. Naeem Tahir as Javed / Manahil’s father
  4. Shehryar Zaidi as Shahid / Salahuddin’s father
  5. Ismat Zaidi as Durdana / Salahuddin’s mother
  6. Mehmood Aslam as Shahaab / Mikaeel’s father
  7. Laila Zuberi as Rahila / Mikaeel’s mother
  8. Aiman Khan as Beeya / Salahuddin’s Sister
  9. Arjumand Rahim as Cookie
  10. Vasay Chaudhry as Ifti
  11. Talat Hussain as Rehman
  12. Lubna Aslam as Saliha / Manahil’s aunt
  13. Faizan Haque as Mikaeel’s friend
  14. Haris Waheed as Mikaeel’s Gambling Partner

 

 
+ Plot

The childhood friends, Mannu & Salauddin accept their love in their adulthood for each other. But their families have their differences mainly due to social class issues. Hence, Mannu receives a high-class marriage proposal while Salauddin goes to city for search of job.

 

 

+ High Points

i – I watched this TV serial till the end only because of Hamza Ali Abbasi.

ii – Talat Hussain’s character as well as his performance is praise worthy. Other Honorable Mentions: Aiman Khan, Naeem Tahir, Saleem Mairaj, Mehmood Aslam and Lubna Aslam.

iii – The first 10 episodes are very well written. It is not a typical ‘Saas – Bahu‘ (Mother & Daughter-in-Law) story where our Pakistani / Indian TV dramas are usually based on.

iv – The cinematography is pretty decent, not your average standards of our TV industry.

v – Nice work behind makeup & hair styling. The stars looked elegant on silver screen.

vi – The soundtrack “Tere Naal Mein Laiyan” by Quratulain Balouch and Shuja Haider is flourishing to listen to.

 

 

 

+ Low Points

i – The story climbs on the peak point and ends with a decline. It eventually becomes a drag, which is really a shame. This TV serial is a high-budgeted, A-star cast and yet the viewers lost interest in this ‘Rona Dhona’ (hue & cry) TV drama very soon. Many of my friends and relatives warned me not to watch this TV serial. Still, I had to watch it for review sake. Now I know why they warned me.

It seems the writer must have said ‘Since I made this drama good and interesting for the viewers. So, now I am accepting the challenge to make the same drama serial as bad & boring as possible. I don’t care what people say, I just want to ruin the story and the characters I have written where viewers don’t give a heed to their bad happenings. Let the ratings have the downfall, I just don’t care’!

ii – Maya Ali’s character in later episodes becomes absolute rubbish and annoying. Always crying and crying. Her tears up till now have made a huge wave of sea. No one likes to watch characters in Damsel in Distress anymore. The time has moved on. People prefer strong female characters that don’t waste their time in crying and tolerating harsh behavior but rather work out on coming up with solutions.

Her character has two responsibilities which are to cry and tolerate all the wrong doings surrounding her presence. ‘Wa, Bhai, Wa’! Someone should slap on the writer’s bottoms with a steel bat. Her character is written as the worst of them all. The worst!

iii – Although, Gohar Rasheed’s performance as one of the antagonists is properly handled but he is stuck in the limbo of being ‘Type Cast’. At first, I was pleased to see him in the role of ‘Mikael’ as good, loving son. But then later his true nature is revealed. His sudden change of character in the last few episodes doesn’t make any sense! How the hell his character changes??

No hints were shown for character about to shift. As if the team behind drama serial said ‘Guys, the ratings are dropping and producer has refused to further finance this project. So, it’s better to end the drama quickly. I don’t care how you do it, just do it! Quick! Quick! The audience is stupid. They would not ask for logical reasoning behind the character’s change. I just want this to end it now, please‘!

iv – Jeena, wo hai, jis k maa baap nahi hai. Aur Aiesha Khan wo hai, jis k paas is k ilawa aur koyi dialogue nahi hai (Jeena is the character who does not have her parents and Aiesha Khan is the one who does not have any other dialogues). Aiesha Khan keep repeating her two dialogues on & on, ‘Mere maa baap nahi hai’ & ‘Mujhe Salauddin se shadi karni hai’. It becomes so annoying to listen. And due to lame reason, her character comes to an end. Pathetic!

v – ‘Jameel’ character was played superbly by Saleem Mairaj. But the writer did not want this to happen. No. He wanted to ruin his character as well by forcing his character story with Aiesha Khan’s character ‘Jeena’. If this decision lasted for a couple of episodes then it was acceptable or that Jameel to remain faithful in secrecy would had turned out to be a great twist. But no! The writer took this idiotically move of ruining ‘Jameel’ character for many episodes. Till the point the viewers shout on top of their lungs, Enough Already!

The writer turned this loving character of Jameel into ‘Manhoos’ (Dull). The eyes of the viewers must be burst out open to see one of their favorite character as no longer delightful to watch. The viewers started hating him as well along with characters of Maya Ali, Aiesha Khan and Gohar Rasheed’s.

vi – There was no story left for the Mann Mayal team. They just dragged it till the point where the viewers gained indeed strong hatred for it. Shame on the team of Mann Mayal. I truly loved your work in first 10 episodes. But slowly and gradually most of the main cast turned out to be dud in the end. Not even the good performances, editing or direction could save this TV serial as the story was going nowhere.

The kind of story they have given, this TV serial should have ended by 15th episode. After that it is just a big black hole.

 

 
+ Overall

There is no engagement or contrasting the story to grab viewers’ attention. It is filled with weakly written characters and unnecessary 20+ episodes to a very limited story, have made Mann Mayal a very forgettable TV serial and should held in the ranks of shame.

 

 

Rate: 1.0 out of 5 stars

 

Theatre Plays

Mr. Khan’s Review on Kyun Nikala (2018)

A review on Pakistani Political Satire theatre play, Kyun Nikala (2018). Its Executive Producer is Asiyah Tahir while its Production House is KopyKats Productions.

 

 

 

+ Crew

  • Lighting & Directed by Dawar Mehmood
  • Written by Anwar Maqsood
  • Produced by Epsilon Communications

 

 

 

 

+ Note
Prior to the play, Anwar Maqsood had made it clear that Kyun Nikala has nothing to do with former PM, Nawaz Sharif.

This play was performed at Arts Council Karachi.

 

 
+ Full Cast

  1. Sajid Hasan as Chaudhry
  2. Mohsin Ejaz as Mujeeb Bengali
  3. Sarah Saifi as Modi
  4. Maha Hasan as Rehana
  5. Nazar Hussain as Nadra Khawaja Sera / NAB officer
  6. Raza Zaidi as Lasani Wakeel / NAB Officer
  7. Rabbiya Shakil as Nasreen Sadiq
  8. Khadija Hashism as Shaista Ahmed
  9. Tanveer Gill as Sardar Sahab

 

 

 

 

+ Plot
Chaudhry, a PMLN member is very disturbed by the current situation at the time of general elections to take place soon. His wife, Modi tries to convince him to join the PTI while the Bengali cook, Mujeeb is the only one who is much wiser and all ears in the house.

 

 

 

 

+ High Points
i – Sajid Hasan as Chaudhry acted very brilliantly, grabbed everyone’s attention by his funny facial expressions and timely comic punchlines. It was truly an honor to watch his LIVE performance in respected writer, Anwar Maqsood’s play.

ii – The punchlines, the jokes were well written by Sir Anwar Maqsood. Naturally, the play’s foundation was strong enough by him for the director and the actors to do their parts as the script (Anwar) demanded it to be for the audience to enjoy.

iii – Once again, a good direction by Dawar Mehmood. He always made the plays much more interesting with his smart timing execution.

iv – A convincingly performance by Tanveer Gill as Sardar Sahab (Sindhi). He was one of the two characters who were interestingly written. I thoroughly enjoyed him perform and hope to see him grow as an artist.

 

 

 

 

+ Low Points
i – If one is involved with current politics, as to what is happening in our nation then you would enjoy the play more as two-third of the jokes were based on political references. Otherwise, you be sitting there and watching other people laugh.

ii – Sajid Hasan’s character, Chaudhry was given more meat than any other character. No one stood a chance to do better in front of him as Sajid was given all the best punchlines and maximum stage appearance.

iii – ‘Khalayi Makhlooq’ was the dialogue spoken by the character, Mujeeb Bengali whenever Chaudhry asked him to whom he is talking to. This dialogue was funny hearing only the first time he said. After that this became very boring to make the audience laugh with same repeated joke, tiresome attempt by the writer.
iv – I was shocked to see that the lighting was too sloppily handled. The dialogues were yet to be delivered by the performers but the lights were too soon switched off. This happened several times which was hard to ignore.

 

 

 

+ Overall
With the combined efforts of lead star, director and writer, Kyun Nikala is a light comedy political play with a quality time to enjoy.

 

 
Rate: 3.0 out of 5

 

Theatre Plays

Mr. Khan’s Review on No Exit (2016)

A review on Pakistani Drama theatre play, No Exit (2016), was performed at NAPA.

 

 

+ Crew

  • Written (Adapted) & Directed by Shumaila Taj

 

 

+ Note

It is originally a French play, written by Jean-Paul Sartre in 1944. The name No Exit refers to a private discussion behind closed doors.

 

 

+ Full Cast

  • Saad Zameer Fareedi as Joseph / Vincent Garcin
  • Irma Ali as Inès Serrano
  • Damyanti Gosai as ‘Estelle Rigault
  • Mahjabeen Rahman as ‘Valet’

 

 

 

+ Plot

It centers on three characters who are escorted to a mysterious room by a ‘Valet’. However, very soon it is revealed that it is a representation of the afterlife in which these three deceased characters are punished by being locked into a room together for infinity time period.

 

 

 

+ High Points

i – We have Saad Fareedi on board. Not only, he is the only star cast actor of this play but also performed above average at least.

ii – Some of the punch lines were amusing.

 

 

 

+ Low Points

i – Let’s just say, that the play was so bad that I kept staring at the set’s blank wall to kill the time. It was literally my savior.

ii – Pathetic quality of work in its production design.

iii – I always find it strange to see foreign names in your local community of actors. Even if they are playing as the characters based on a novel / play, it is preferable to have local names for these same characters, to make your play much more believable.  Such as Bollywood films that adapted their stories and characters from foreign novels / plays are Maqbool (2003) and Omkara (2006) are adapted from Macbeth (1623) and Othello (1603).

iv – The makeup & hair styling really needs to improve. The mustache on the character of valet clearly looked fake.

v – It is advised to skip unnecessary vocal songs which barely related with this play and are annoying to listen to.

vi – A terrible performance from the lot, (except from Saad) I would say.

vii – To tolerate such a play by the audience, one needs a great courage and patience.

 

 
+ Overall

The name of the play gives a strong hint. Once you are in the auditorium, you can’t get out till it is over. As there will be No Exit!

 

 

Rate: 0.50 out of 5 stars

 

Feature Length Films

Mr. Khan’s Review on Saawan (2016)

A review on Pakistani Thriller-Drama feature length film, Saawan aka Saawan: Quest for Survival (2016). The Production House is Kalakar Films while its Distributor is Geo Films.

 

 

+ Crew

  • Cinematography & Directed by Farhan Alam
  • Written & Produced by Mashood Qadri
  • Edited by Aseem Sinha
  • Production Designed by Shahid Hussain
  • Co-Produced by Asma Qadri

 

 

 

+ Note

Saawan is based on a true story of a disabled child, who faced difficulties in the deserts of Pakistan. Its music is composed by Anne Kathrin Dern & Emir Işılay while a special appearance is made by Lt. Gen. S. A. A. Najmi (R).

This film was shot in the Balochistan and Northern region of Pakistan in Quetta district, Ziarat district, Gilgit-Baltistan and Shigar.

Saawan won ‘Best Film’ and ‘Best Director’ at the Social World Film Festival 2017 in Naples, Italy. And in the same year, ‘Best Foreign Language Feature Film’ award at the Madrid International Film Festival and at Alexandria Film Festival. It was selected as the Pakistani entry for the Best Foreign Language Film at the 90th Academy Awards, but it was not nominated.

 

 

 

+ Main Cast

  1. Syed Karam Abbas Hussain as Saawan
  2. Arif Bahalim as Father
  3. Najiba Faiz as Mother
  4. Saleem Mairaj as Child Abductor
  5. Muhammad Abbas as Rehmat
  6. Imran Aslam as News Reporter
  7. Hafeez Ali as N/A
  8. Sehrish Qadri as N/A

 

 

xxxxxxxxxxxxx

 

 

+ Supporting Cast

  1. Sohail Malik as N/A
  2. Shahid Niazmi as N/A
  3. Danial Yunus as N/A
  4. Mehek Zulfiqar as N/A
  5. Syed Muhammad Ali as N/A
  6. Liam as Three-leg Dog
  7. Tipu Sharif as Army Officer (Cameo)
  8. Gen. S. A. A. Najmi (R) as N/A

 

 

 

 

+ Plot

A handicapped 9-year old boy who lives in a valley in the mountains of Balochistan is rejected by his father, intimidated by society, harassed by friends and left alone due to his disability. Strengthened by memories and dreams of the love of his mother, he begins a perilous journey back to his family in the main city.

 

 

 

+ High Points

i – The production design of this film’s plot of showing ghost town in a deserted, mountainous area of the rural Balochistan, and some of the city areas, have worked well with story’s requirement.

ii – The main cast is lesser known / commercial faces you would find, which has helped this film’s story to be taken more realism and believable.

 

 

 

 

+ Low Points

i – The writer has highlighted several issues one has to face while residing at Balochistan. This has made the viewers to lose focus from the main issue, Saawan was trying to look on.

ii – I don’t even remember listening to any proper vocal songs or songs good enough to recall.

 

 

 

+ Overall

Saawan lacks the thrill & the excitement of the protagonist’s magical journey towards survival and bravery, despite some convincing performances.

 

 

 

Rate: 1.50 out of 5 stars