Feature Length Films

Mr. Khan’s Review on Sarkata Insaan (1994)

A review on Pakistani Sci-Fi Horror film, Sarkata Insaan (1994) which stars Babra Sharif, Ghulam Mohiuddin and Qavi Khan in lead roles. The film is directed by Saeed Rizvi and is distributed by Al. Farooq Movies.

+ Crew

  • Directed by Saeed Rizvi
  • Written by Rashid Sajid and Iqbal Rizvi
  • Cinematography by Saeed Rizvi
  • Edited by M. Aqeel
  • Visual Effects by Saeed Rizvi
  • Music by Kamal Ahmed
  • Produced by Saeed Rizvi

+ Note

During Zia ul Haq’s rule and thereafter, Pakistani Film Industry fell from grace and was merely producing subpar films which made the cinema attendance drop by significant percentage, cripping the industry further. Fortunately, this also paved the way for local filmmakers to experiment with genres and techniques that Pakistani moviegoers were not aware of. 

In 1988, after watching Robert Zemeckis’ Who Framed Roger Rabbit?, Saeed Rizvi (the director) was also inspired to make a film with similar visual technique, integrating live action with hand drawn animation. This first led to making the low key Pakistani Sci-Fi film Shani (1989) which also starred Babra Sharif. In 1990, Saeed Rizvi declared his next project to be Sci-Fi Horror film Sarkata Insaan. 

The film was set to be released in 1991, with promotional ADs running on local television, proclaiming Sarkata Insaan to be the “first ever Pakistani Horror Film” (even though that statement is false as the ‘first Pak Horror film’ title is held by the Zinda Laash in 1967). Due to numerous delays, the film was eventually released in 1994.

 + Main Cast

  1. Babra Sharif
  2. Ghulam Mohiuddin 
  3. Izhar Qazi
  4. Sapna
  5. Asif Khan
  6. Saeed Khan Rangeela

+ Plot

An Evil Scientist and his henchmen dig up a grave of an unknown deceased man in order to steal his head for an illegal experiment. The severed head is then used to revive a dead body of an ex crime lord who then goes on a murderous spree, proclaimed by many as the ‘Beheaded Man’. 

+ High Points

i – As a kid growing up in early 90s Karachi, I remember viewing the promotional Ads of Sarkata Insaan numerous times on National Television. The shot of the gate opening by itself with luminous lighting, dark shadows and there, stood the headless man with an axe in one hand and his head in the other. It was such a great visual for a gorey low budget horror film! After watching the film now almost 30 years later, the visual still looks great and undoubtedly the highlight of the film. While the other special effects are hokey and laughable, the visual props of the “Headless body” are excellent. 

ii – After reading up on Saeed Rizvi and his struggles to make a film for the Pakistani Industry in a completely alienated genre like Horror or Sci-Fi, I do sympathize and respect his struggle to realize his vision onto the silver screen. Filmmaking is a very unforgiving Art if you lack funds and support but Saeed Rizvi managed to pull off his vision and make the film that he wanted to. And that is in itself, quite an accomplishment!

iii – The premise of the film is quite interesting and could’ve made for an excellent low budget Horror film! The head of an honest cop fused with the body of a criminal lord! How great of a concept is that? 

iv – In a low budget campy way, the scene (later on in the film) with the headless man in the doorway and the head itself crawling towards the bed was excellently done. It’s one of the very few scenes where the special effects fit perfectly into the film. 

 + Low Points

i – I was fully ready to embrace the film as a low budget campy Horror classic but Sarkata Insaan failed to live up to that expectations by a mile! This film is just plain bad. If you grew up in the 1990s, you could watch it for nostalgic reasons but apart from that, the film is terrible and senseless for all the wrong reasons.

ii – In the 1970s and 80s, numerous emerging talents in Hollywood took up the mantle of creating Horror films on shoestring budgets. Directors such as Sam Raimi, John Carpenter and even later on, Peter Jackson used lack of funds as an advantage to elevate their films into campy Horror genre. So I completely understand if Saeed Rizvi was working on nickels and dimes to make his vision but with talent and intelligence, that could have very well have been masked with numerous filmmaking techniques. Not only that but there also seems to be a lack of attention to minor details. For example, why is there no visible line around the “Headless Man’s” neck whenever he fuses his head onto the body? Its small details like this that make the film rewarding to watch.

Saeed Rizvi and team should’ve been creative about handling complicated Special Effects scenes rather than just having some of the most horrendous, terrible and comical sequences that fails the film in every aspect.

iii – Bad Special Effects can be forgiven due to budgetary reasons but bad screenwriting unfortunately cannot. The script is beyond absurd! Nothing makes sense. The film has no idea what it wants to be; a Sci-Fi, a comedy, action or just a campy horror film? And then, there are the obvious questions;  If the headless body can function on its own, why does it need the head? Since the head is good but the body is bad, why is there not a constant struggle between them? Should’ve been such an interesting concept to explore!

But no, they had to make numerous “comedy” scenes for Rangeela and dance numbers destroy any pacing or plot development that the script was creating. Were these scenes mandated by the financiers or were they part of Saeed Rizvi’s vision? One will never know.

iv – Another baffling decision I feel from the creative side was the lack of any devotion to the Police officer’s past life. As a viewer, it was hard to empathise with him when he was trying to remember his “humanity” as we virtually know nothing about him. Only the fact that he was killed in the line of duty and he had a mother and a sister. And that sadly not enough.

A perfect example could be Robocop (1987) where the audience is first introduced to the character’s family life, gets brutally injured by the band of criminals, is then transformed into Robocop (and in the process, loses his humanity) and then the rest of the film is him trying to remember what it was like to be human.

Character development is extremely important if you want to have a strong payoff at the end.

v – Speaking of dance numbers, the infamous ‘Babra Sharif dancing with Ninja Turtle and Pink Panther’ scene. Good God, what is that? Who in their right mind thought that this scene fits into a Sci Fi Horror film?? The animation is beyond terrible, nothing makes sense, Copyright infringement be damned, this whole scene feels like a fever dream! But in a guilty pleasure way, I’m so glad that this exists…

vi – Sarkata Insaan was shot in 4:3 aspect ratio with some of the worst film material I’ve ever seen! Every scene is over exposed, the film feels cheap and disposable. Although its not too bad during night scenes but the day scenes, it’s just awful to watch.

vii – The performances from all actors are over the top and campy (which is really not a complaint from me!) but in regards to the plot, mostly all the characters are pretty useless. It’s fun whenever the headless man is onscreen but the filler, exposition scenes with forgettable characters can easily be skipped.

viii – I’ve always been totally against unnecessarily integrating religious or ultra nationalistic elements into fictional stories and Sarkata Insaan is no expectation. For such a ludicrous plot, it ends up making a mockery of both of these elements.

ix – Coming in at 148 min runtime, the film is waaay too long for such a premise. It should not have been more than 90 minutes as the rest is just nonsense “comedy” scenes or musical numbers which should not have a place in a campy horror film! 

+ Overall

I really wanted to recommend Sarkata Insaan as an entertaining campy horror film but unfortunately in its entirety, the film is not worth anyone’s time. You would be better off watching selected clips off it on Youtube.

Rate: 1.75 out of 5 stars

1 thought on “Mr. Khan’s Review on Sarkata Insaan (1994)”

  1. The Best Film Of The Year: (8 Nigar Award Winner) – (Sir Katta Insaan) – (1994)

    The Rizvi Family Of Filmmakers From Karachi Ought To Be Lauded For Their Risk-Taking As Several Of Their Home Productions Have At Least Attempted To Break Away From Stale Lollywood Formula Of “Light” Romantic-Comedy, Violence And Mushy Dramatics. The Family Being Devout Karachi Folk Even Built Their Own Studios So That They Wouldn’t Have To Travel To Lahore Each Time They Shot A Film. In 1989 The Rizvi’s Released A Much Hyped “First Science Fiction Film Of The Sub-Continent” Named Shanee Which Proved Popular And Managed To Bag An Award Or Two Along The Way. Now He Aimed Even Further With An Oddball Mix Of Starman, Frankenstein And Dirty Harry And Sir Katta Insaan, A Film That Went On To Garner No Less Than 8 Nigar Awards Which Are Pakistan’s Version Of The Academy Awards.

    Clearly Encouraged By His Success With Science Fiction And Hooked On Special Effects, The Senior Rizvi Now Began To Concoct His Next Magnum Opus – A Film That Would Again Be Heavily Reliant On Special Effects And Make-Up But Instead Of The Raiders Of The Lost Ark Like Scenario Of 1989’s Shanee, This New Film Would Have A Sort Of Desi-Gothic Setting With Horror As The Story’s Backbone. The Rizvi’s Signed Up Several Of The Actors From Shanee Including Babra Sharif, Nayyer Sultana, Asif Khan And Talish Who Were Joined By Izhar Kazi And Ghulam Mohiuddin In The Key Role Of The Sir Katta Insaan.

    The Story Of This Film Follows A Very Similar Pattern To That Of Shanee’s – A “Dead” Man Returns From The “Outside” To Find That He Appears To Have A Mission To Accomplish As Well As To Track Down Those Who Were Responsible For His Premature Death. However, While Shanee Was More Of An Adventure Film, Sir Katta Insaan Is An Outright Horror Film That Includes Fleeting Moments Of Spectacular Gore, Some Memorable Imagery And Even Some Thinly Disguised Political References. It’s A Horror Film That Attempts To Be Somewhat Profound At The Same Time – A Noble Effort But Whether It Succeeds In This Endeavour Is Certainly Questionable.

    In 1967 Lollywood Produced The Stunning Zinda Laash Which Was A Straight Remake Of Stoker’s Dracula And This Time Around Rizvi Appears To Be Taking More Than A Leaf Out Of Shelley’s Frankenstein As The Film Begins With A Mad Scientist (Qavi) Attempting To Bring A Cadaver Back To Life. This Experiment Has A Strange Twist To It As It Involves Not Only Bringing The Dead Back To Life But Also Merging One Man’s Head With Another Man’s Body – And Here’s The Twist – The Head (Freshly Killed) Belongs To Some Brilliant Police Officer Anwer (Ghulam Mohiuddin) While The Body He Is Being Attached To Is That Of A Cold-Hearted Murderer! The Mad Scientist’s Diabolical Experiments Are Being Funded By A Notorious Group Of International Terrorists Whose Aim Is To Destabilize The Country For Their Own Nefarious Purposes. Unfortunately, Like All Mad Scientists Deranged Schemes This One Too Goes Horribly Wrong And “Super Mission” As The Creature Is Known Simply Walks Up To The Severed Head And Attaches It Onto His Neck And Walks Off Triumphantly Having Caused Qavi’s Lab Some Serious Damage.

    The Creature Seems To Be Ruled By The Brain Of The Instinctively Good Police Officer By Day But By Night The Creatures Body Is Taken Over By The Murderous Spirit Of Its Previous Inhabitant And It Takes To Removing The Head From Its Neck And Walking Around Town With A Sharp Axe In One Hand And The Severed Head In The Other – Not A Pretty Picture At All. The Good Anwer Tries To Subdue The Killer Instincts Of The Mass Murderer But Doesn’t Really Succeed As The Body Count Continues To Mount. Then He Realizes That He Has To Harness And Channel The Murderous Rage By Turning It Against That Criminal Terrorist Network That Had Been Responsible For His Own Death Less Than A Week Ago. So, The Headless Creature Prowls At Night Searching Out The Scummy Terrorists One By One.

    Meanwhile An Impish Lois Lane Type By The Name Of Ambreen (Babra Sharif) Develops A Massive Schoolgirl Crush On The Dead Creature, Which Leads To Some Awkward Complications. This Desi Fusion Of The Typical Revenge Masala Film And The Frankenstein Story Needs To Be Commended If Only For The Fact That It Is Something So Different From The Drab Run-Of-The-Mill Norm. However It Suffers From The Usual Problems That Films Of This Nature From The Sub-Continent Suffer – They Don’t Quite Know If They Want To Be A Horror Film Or A Romance Or A Typical “Commercial” Film And It Seems That Film Makers Are So Straight Jacketed By Their Reliance On “the Prescribed Formula” That They End Up Having To Pander To All The Ingredients Of The Magic “Formula” And Thus You Get Horror Films Being Injected With Romantic Sub-plots And Extended Comedy Routines As Well As Songs Which Completely Destroy Any Semblance Of Tension That The Story Might Have Been Able To Create.

    Another Rigid Formula That Seemingly Has To Be Followed Is One Of Running Length – It Seems That The Filmmakers Perceive That Unless They Provide Films That Are Above 2 Hours And 20 Minutes In Length, They Will Be Seen To Be Ripping Off The Public. Sir Katta Insaan Could Have Benefited Enormously With Some Judicious And Extensive Cutting. The Plus Points Are A Restrained Performance By Ghulam Mohiuddin, Which Won Him The Best Actor Nigar Award And Some Effective Camerawork And Lighting, Both Of Which Also Won Awards. The Low Point Of The Film Is An Abysmal Disco Number Picturized On Babra Sharif That Features A Particularly Loathsome Ninja Turtle And His Equally Nauseating Friends Bopping Along With The Dwarf-Like Ms. Sharif To A Song That Is Beyond Unlistenable.

    The Special Effects, Which Needed To Be Very Impressive In Order To Give The Film Any Credibility Are Spectacularly And Laughably Bad For The Most Part Though There Are Moments When They Just Scrape Bye. The Film Was Awarded The Best Film Of The Year Nigar Award For 1994 (A Total Of 8 Nigar’s Won) Perhaps Due To Its Sensitive, Thoughtful And Positive Portrayal Of The Creature And His Quest To Rid The Nation Of Nasty Anti-State Elements! A Sober, Noble Effort From The Rizvi Clan But A Word Of Warning For Lusting Horror Fans – This Aint No Zinda Laash!


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