TV series

Mr. Khan’s Review on Ishq Hai – Episode VII & VIII (2021)

A review on Pakistani drama TV series, Ishq Hai – Episode 7 & 8 (2021). The new TV series is directed by Aabis Raza and written by Rehana Aftab. Ishq Hai is an ARY Digital Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Aabis Raza
  • Written by Rehana Aftab
  • DOP by Waqas Ali
  • OST composed by Rahat Fateh Ali Khan
  • Editing by Zeeshan Ali Jokhio
  • Produced by Fahad Mustafa & Dr. Ali Kazmi

+ Note

Ishq Hai is a tale of two lovers, a Shakespearean tragedy set in South Asia where the conflict between tradition and individual freedom comes into play. An age long question within our Pakistani culture; should the tradition of arranged marriage be questioned? How important is the right to choose your own life partner? The drama has a star studded cast of young and veteran actors and is an exclusive ARY Digital Production.

 + Main Cast

  1. Minal Khan as Isra
  2. Danish Taimoor as Shahzaib
  3. Hammad Farooqi as Hammad
  4. Babar Ali as Isra’s father
  5. Hammad Shoaib as Haris
  6. Saba Faisal as Nafisa
  7. Mahi Baloch as Sameera
  8. Sajjad Paul as Raza
  9. Mahenur Haider as Nimra

+ Plot

Isra and Shahzaib are the young lovers in conflict with their respective families. Their parents have already found a spouse for them. Arranged marriage has been a family tradition but against all odds, Isra and Shahzaib want to fight for their love. Will their pure love be able to conquer all?   

+ High Points

i – When it comes to Wedding scenes, most Pakistani TV dramas do such a lackluster job in making it convincing for the audience. Ishq Hai is one of the very few dramas which make the wedding scenes really satisfying to watch as they go all out with the set design and extras.

ii – With all the bad writing and subpar performances, at least the production team does a decent job with the Camerawork, Costumes, Make Up and Set Design. At least they should be commended for their efforts behind the camera.

+ Low Points

(Warning! Spoilers ahead! If you would like to avoid them, please skip to the Overall section):

i – Oh boy, this show has already fallen off the rails! Shahzaib has officially turned into a complete psychopath who abducts women who don’t want to be with him and force marriage upon them. Is this the guy we’re supposed to be rooting for? There is absolutely nothing sympathetic about him left anymore. I sincerely hope Ishq Hai doesn’t portray him as the guy we should get behind. How can anyone in their right mind condone such actions?

ii – Danish Taimoor as Shahzaib just doesn’t work. The actor does not possess the acting chops required to play the role of an obsessed lover. His “suicide” scene was complete cringe. Even though Minal Khan as Isra is still convincing in her performances, Danish (unfortunately) cannot keep up with the rest of the cast. The only emotion he can display is rage and that’s all he has shown throughout the show up till now.

iii – Sameera (the sister in law) has such a ridiculous motivation to be evil in the show. It’s quite comical to be honest. Her whole life now revolves around Isra; “Is she texting her Hero??”. Running behind her everytime just so she could give the Evil zinger and feel proud of herself afterwards. Her whole motivation to be mean to Isra is that she is hogging all the attention towards her. It’s understandable if she’s not on good terms with her but Sameera’s dialogues are just beyond absurd.

iv – EVERYONE KEEPS SHOUTING AT EACH OTHER IN THIS SHOW!! And watching two episodes back to back, it’s really tiresome. There are absolutely no quiet scenes for the viewers so they could at least have a breather in between dramatic scenes. But no, every second needs to be the main cast threatening each other. Cause that’s how normal people talk apparently.

v – Yet another scene where Nimra crying alone, starring at a distance. This is literally all she is good for in the show.

+ Overall

Eight episodes in and Ishq Hai has already jumped the shark! I don’t understand who the show wants the audience to root for anymore. Terrible writing!

 Rate: 0.75 out of 5 stars

TV series

Mr. Khan’s Review on Ishq Hai – Episode V & VI (2021)

A review on Pakistani drama TV series, Ishq Hai – Episode 5 & 6 (2021). The new TV series is directed by Aabis Raza and written by Rehana Aftab. Ishq Hai is an ARY Digital Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Aabis Raza
  • Written by Rehana Aftab
  • DOP by Waqas Ali
  • OST composed by Rahat Fateh Ali Khan
  • Editing by Zeeshan Ali Jokhio
  • Produced by Fahad Mustafa & Dr. Ali Kazmi

+ Note

Ishq Hai is a tale of two lovers, a Shakespearean tragedy set in South Asia where the conflict between tradition and individual freedom comes into play. An age long question within our Pakistani culture; should the tradition of arranged marriage be questioned? How important is the right to choose your own life partner? The drama has a star studded cast of young and veteran actors and is an exclusive ARY Digital Production.

 + Main Cast

  1. Minal Khan as Isra
  2. Danish Taimoor as Shahzaib
  3. Hammad Farooqi as Hammad
  4. Babar Ali as Isra’s father
  5. Hammad Shoaib as Haris
  6. Saba Faisal as Nafisa
  7. Mahi Baloch as Sameera
  8. Sajjad Paul as Raza
  9. Mahenur Haider as Nimra

+ Plot

Isra and Shahzaib are the young lovers in conflict with their respective families. Their parents have already found a spouse for them. Arranged marriage has been a family tradition but against all odds, Isra and Shahzaib want to fight for their love. Will their pure love be able to conquer all?   

+ High Points

i – The plot thickens! The stakes are now raised as to whether Isra should defend her family’s “honour” or fight for her love. Even though Ishq Hai has numerous flaws, it is specifically good at targeting its audience and what would make this show compelling to tune in every week for it. Every earth shattering revelation folds onto the next big issue.

(Warning! Mild Spoilers! of Episode 5 & 6 up ahead. You can skip to Overall section below if you would like to avoid it):

ii – Some of the shots in Episodes 5 and 6 were interesting and complimented the narrative of the show (for example, the shattered glass table and the distorted reflection of Shahzaib on it, reflecting his destroyed happy future that he once possessed). 

 + Low Points

i – The show has been running on Auto Pilot since Episode One. And 5 & 6 are more of the same. Ishq Hai is literally recycled trash from numerous other Soap Opera clichés. Granted, nothing is original in TV shows nowadays but atleast present the same themes but with a different coat of paint. Not every scene needs overexaggerated nasty dialogue, accompanied by “Ahhhhs!” of the Raag singers and ridiculous editing zooms in and outs! As I mentioned in my previous review, if every scene is dramatic then no scene is dramatic.

ii – So the devilish plan of the ‘soon-to-be’ daughter in laws to get revenge on Shahzaib’s family for the humiliation makes no damn sense! So they would rather prefer to still marry them after the humiliation that they faced in Episode 3 at the wedding in front of thousands of people JUST SO they can have the upper hand throughout their whole lives in the Shahzaib family and take revenge on Shahzaib? This is like James Bond’s villain of the week level stupidity. I guess the family has a lot of time to spare so they all can partake in a life-long revenge plan. This is all so ridiculous but hilarious. 

iii – Isra’s sister in law Sameera might be the most ridiculous of them all. So she is envious and frustrated of Isra for ruining her post wedding plans of a honeymoon and all the attention apparently being diverted towards Isra. Why is every character so petty in this show? Sometimes problems arise and they get resolved. Why does she feel the need to hound Isra, snatching her phone, taunting her of her ex lover every single moment of her life? Oh yeah, she is EVIL! Sorry, forgot about that…

iv – None of the characters in the show are sympathetic at all. They are either petty about their problems and take revenge on others or they are too brainless to convey their reasoning. Not to mention the elders in the show just fly off the handle if you even slightly disagree with them! If Ishq Hai wants to promote respecting elders, then the elders should be shown with some common sense in them.

v – Too many scenes where people are confronting one another on the phone. Yes, in the modern world, that’s how it’s done but some things are compensated for so they look better on camera. Two adults (one with constant ear pods in his ears to show how cool he is) blabbing love cliches over the phone is hardly anything exciting to watch on screen.

vi – Speaking of Shahzaib, boy does he come off creepy in Episode Six! There’s nothing more romantic than constantly hounding your ex on the phone, then following her into a shopping mall and manhandling her in a clothing salon while the workers there watch in awe!

vii – Mahenur Haider as Nimra sadly just gives the worst performance in the show. Her acting is terrible but the whole fault doesn’t lie with her. She is practically given nothing to do throughout the two episodes than stand at the Beaded Curtain and stare into the camera.

+ Overall

Ishq Hai is hilariously awful! Everything is over exaggerated nonsense from the plot to the performances of the actors, the dramatic scenes by now are just comical to watch. And I don’t see this show improving any time soon.

Rate: 1.0 out of 5 stars

TV series

Mr. Khan’s Review on Ishq Hai – Episode III & IV (2021)

A review on Pakistani drama TV series, Ishq Hai – Episode 3 & 4 (2021). The new TV series is directed by Aabis Raza and written by Rehana Aftab. Ishq Hai is an ARY Digital Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Aabis Raza
  • Written by Rehana Aftab
  • DOP by Waqas Ali
  • OST composed by Rahat Fateh Ali Khan
  • Editing by Zeeshan Ali Jokhio
  • Produced by Fahad Mustafa & Dr. Ali Kazmi

+ Note

Ishq Hai is a tale of two lovers, a Shakespearean tragedy set in South Asia where the conflict between tradition and individual freedom comes into play. An age long question within our Pakistani culture; should the tradition of arranged marriage be questioned? How important is the right to choose your own life partner? The drama has a star studded cast of young and veteran actors and is an exclusive ARY Digital Production.

 + Main Cast

  1. Minal Khan as Isra
  2. Danish Taimoor as Shahzaib
  3. Hammad Farooqi as Hammad
  4. Babar Ali as Isra’s father
  5. Hammad Shoaib as Haris
  6. Saba Faisal as Nafisa
  7. Mahi Baloch as Sameera
  8. Sajjad Paul as Raza
  9. Mahenur Haider as Nimra

+ Plot

Isra and Shahzaib are the young lovers in conflict with their respective families. Their parents have already found a spouse for them. Arranged marriage has been a family tradition but against all odds, Isra and Shahzaib want to fight for their love. Will their pure love be able to conquer all?   

+ High Points

i – Drama, drama! The episodes 3 and 4 were cranked up to 11 straight away! If you’re into crazy, over the top melodrama then these two episodes will bring you much entertainment and excitement in the continuing love saga of Isra and Shahzaib.

ii – Most of the episodes take place at wedding (or similar) ceremonies so the atmosphere was well designed and constructed for the scenario. Due to budgetary reasons, most dramas have minimal wedding set designs which end up looking cheap and unrealistic but Ishq Hai really went all out with the wedding setup. 

 + Low Points

i – By episode 3 and 4, it is obvious that Ishq Hai caters to an audience who love exaggerated melodrama in their shows with minimal plot and storyline. In that respect, I can understand why people would be eager to watch this show every week. But as a reviewer, it is my job to criticize the show based on all the merits that the show possesses and unfortunately, Ishq Hai fails pretty much in all departments. Let’s start with the unrealistic setups. The epic confrontations between two families have already occurred in episode 3 and 4, in front of hundreds of guests who inadvertently became part of this situation. Even if Shahzaib forced the situation onto his parents, any self respecting family would’ve tried to at least steer the conversation in close doors but where’s the fun in that? Pretty much every major character got their dramatic dialogue delivery in order to address the obvious situation. The conflict of the show seems so forced and ludicrous. For the guests in the background, they all seemed unphased by the whole situation (as if this is a daily occurrence in the world of Ishq Hai). I have to admit, I had to chuckle a couple of times throughout these scenes as they were mostly so unapologetically dramatic and in turn, hilarious!

ii – The acting (while not terrible) is subpar by pretty much everyone in the cast. They all just commit to the bare minimum that the director Aabis Raza requires of them. It’s also a bit disheartening to see Saba Faisal, who just came off from a strong performance in Raqeeb Se (where she really got to flex her acting chops) is now back to spineless shows like this one.

iii –Ye Ishq Hai! Ye Ishq Hai!” . The chorus of Rahat Fateh Ali Khan’s OST will be hammering you every living second of the show. The show itself has no faith in its product so they use slow motions, close ups and over lingering Soundtrack to overcompensate. These techniques make me take the dramatic elements of the show even less seriously.

iv – The show fails in its dramatic scenes having an impact with its audience because every scene in these episodes are treated as a “vital” scene to the show with overbearing music and epic slow motions of the reactions from the cast. If every scene is treated as such within 90 minutes of the show’s time then it very quickly loses its impact on its audience. I became desensitized pretty quickly after the first one since that’s the only trick in the book the show can unfortunately throw at me to grab my attention. Ishq Hai desperately NEEDS better pacing out its exposition and dramatic scenes. Not every scene should be treated as the finale of Lord Of The Rings Trilogy.

v – For some ludicrous reason, the show decides to heavily focus on Nimra’s reactions when Shahzaib confronts his parents with Isra. Why??? The audience has hardly spent any time with her, why all of the sudden, is she the center of attention? 

vi – Sadly, none of the characters are interesting enough for the audience to care for. They are literally two dimensional cutouts of themselves whose sole purpose is to spout ridiculous (and hilarious) dramatic dialogues. The writer Rehana Aftab has done a terrible job in representing any of her characters with some sort of relatability. 

vii – Way too many scenes where our main protagonists are just pondering while the Soundtrack blares over his or her head. I wonder how they get any of their work done if that’s what they spend half of their day accomplishing.

+ Overall

Oversimplistic, over the top, cheesy plotline with comical in all the wrong places, Ishq Hai fails to be anything special from every aspect of storytelling.

 Rate: 0.75 out of 5 stars

TV series

Mr. Khan’s Review on Ishq Hai – Episode I & II (2021)

A review on Pakistani drama TV series, Ishq Hai – Episode 1 & 2 (2021). The new TV series is directed by Aabis Raza and written by Rehana Aftab. Ishq Hai is an ARY Digital Production.

+ Crew

  • Directed by Aabis Raza
  • Written by Rehana Aftab
  • DOP by Waqas Ali
  • OST composed by Rahat Fateh Ali Khan
  • Editing by Zeeshan Ali Jokhio
  • Produced by Fahad Mustafa & Dr. Ali Kazmi

+ Note

Ishq Hai is a tale of two lovers, a Shakespearean tragedy set in South Asia where the conflict between tradition and individual freedom comes into play. An age long question within our Pakistani culture; should the tradition of arranged marriage be questioned? How important is the right to choose your own life partner? The drama has a star studded cast of young and veteran actors and is an exclusive ARY Digital Production.

 + Main Cast

  1. Minal Khan as Isra
  2. Danish Taimoor as Shahzaib
  3. Hammad Farooqi as Hammad
  4. Babar Ali as Isra’s father
  5. Hammad Shoaib as Haris
  6. Saba Faisal as Nafisa
  7. Mahi Baloch as Sameera
  8. Sajjad Paul as Raza
  9. Mahenur Haider as Nimra

+ Plot

Isra (Minal Khan) and Shahzaib (Danish Taimoor) are young lovers in conflict with their respective families as their parents have already found a spouse for them. Arranged marriages has been a family tradition but against all odds, Isra and Shahzaib want to fight for their love. Will their pure love be able to conquer all?   

+ High Points

i – Ishq Hai checks all the right boxes when it comes to making engaging Soap Opera. Young lovers who have to fight for their right to be together and in the process, gain their respective families’ approvals. If you find this enticing and entertaining television then this is the show for you.

ii – The setup of the two opposing families has a colorful cast and can potentially be utilized for interesting dynamics and plot points later in the show if the creative team plays their cards right.

 + Low Points

i – Just by the first two episodes, one could tell that Ishq Hai has absolutely nothing original to offer. Its run of the mill, mediocre writing and storytelling, lovers whose families don’t approve of them being together (yawn). The writer Rehana Aftab could’ve at least attempted to try a different spin to this age long ‘Romeo and Juliet’ tale. Something that could wake the viewers up from an age long slumber of mediocre Pakistani soap operas but nope, putting effort into your work is for the weak. 

ii – This is the actual synopsis of the show on the ARY Digital youtube channel:

“Ishq Hai is a love story of a boy who is madly in love with a girl. Going against all odd to achieve his love.”

Take the name “Ishq Hai” out of the equation and this could be ANY OTHER show on Pakistani television at the moment. This should be a strong indication how the show is lacking any sort of originality for its viewers.

iii – Absolutely none of the characters are interesting. They are all cardboard cutouts of the same tropes, the same cliches you see in every other Pakistani Soap Opera. None of the main cast has any personality or quirk that could distinguish them from anyone else. Their characterization and motivations all stem from the writer wanting them to act according to the plot and not the other way around. It’s the storyline that makes the decisions for them in the show and not their individual personalities. Its lazy, mediocre writing that should have no place in the creative field of television. 

iv – All the actors just resuscitate their lines for each scene. The acting ranges from decent to terrible. And I really can’t blame the actors for their bland performances if the writing and direction is so utterly uninteresting. Even Sir Anthony Hopkins can’t make this garbage fly.

v – Ishq Hai has got to have the most substandard excuse of conflicts in a show that I’ve ever seen! Upon learning that their daughter or son has someone already in mind to marry, their characters just (with a flip of a switch) change their personalities so that some conflict could be presented to the show. First of all, judging from their surroundings, they obviously come from rich social classes which usually allows a bit more freedom to choose their life partners as compared to other lower social classes of Pakistan. The ridiculousness lies in their parents as they already decided on the arranged marriages without even consulting their child. And then, they are shocked that their child already has someone in mind. There was no discussion, no arguments, just overly exaggerated reactions which seemed utterly unrealistic in the context of the show. Have the families meet first, let the conflict grow before you execute it.

vi – The show is not particularly pleasant to look at. The locations and colors have no sense of direction, just big mansions, lavish furniture and gorgeous actors for the viewers to ogle at.

vii – Too many dramatic pauses, overbearing music which overwhelm any emotions that you could make out from the actor’s performances. This clearly shows that the creative team has no faith in their stars to convey their emotions to the viewers with their acting chops. Everything needs to be big and epic and loud, regardless of the context of the scene!

viii – Speaking of bad music, its surprising to see that Rahat Fateh Ali Khan’s OST is on par with this show’s creativity; utterly mediocre and uninspired.

ix – There is also an unnecessary mandate by the creative team to have a massive line of supporting cast. Most of them (in the first two episodes) had pretty much nothing to do. They were all relegated to the sidelines and contributed nothing to the overall plot. The first episode began with two sisters, scheming how they plan to get married in the same house and live like princesses. And then, nothing. It did not get mentioned, we never even get to see the two sisters interact afterwards. Usually an opening scene of a film or drama should address the main plot of the show or introduce the main cast. This did neither and was completely superfluous. 

+ Overall

The premiere episodes of Ishq Hai had nothing to offer. Bland acting, terrible writing and mediocre direction. You would be better off watching paint dry.

 Rate: 1.0 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – LAST EPISODE (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 23 (2021), the FINAL EPISODE of the series. The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – The final episode brilliantly wraps up the loose threads and ends the series on a well deserved high note. Episode 23 was everything good about Raqeeb Se as a TV series and more. The episode never overreaches its goal and settles in a comfortable space where the audience can admire and ultimately reminiscent being on an emotional journey with Maqsood, Sakina, Hajira, Insha and Ameera. Suffice to say, Raqeeb Se’s last episode more than lives up to its hype. 

ii – Since the previous episode was a showcase of Faryal Mehmood’s talent, this episode was definitely a display of Iqra Aziz’s wide range of acting chops. In the last few episodes, the actress has clearly proven that she could play comedic and darker roles with ease. Ameera, as a character, had the most prominent story arc of all. It’s the coming of age story, followed by the harsh realities that she was (at the time) too naive to understand. 

iii – The conclusion of the show (which I will get to more in the next point) was arguably the right outcome and a perfect send off to this tale of tragic love. Have to admit, I was pleasantly surprised by how neatly Beegul wrapped things up with her characters and the conflicts surrounding them. This is of course a clear indication that regardless of the longevity of the show, the writer was well aware of her destination.

iv – MAJOR SPOILER ALERT COMING UP!!! (If you would like to avoid it, please skip to Overall and Final Thoughts section)

The ending was surprisingly dark and I loved it! The conclusion finally brought new goals and ambitions for its cast of characters:

  • Maqsood finally learns how to act like a father to Insha.
  • Circumstances allow Hajira to finally live a life with her husband without the “obligation” that she needed to fulfill for it. 
  • Sakina comes to terms with her past and learns to look forward in life.
  • Insha, on the other hand, needs to understand more about life and goes on a soul searching journey of her own.
  • But the most unfortunate one is Ameera, who had to endure murder of an innocent man right in front of her eyes. As she lays her head down in a bustling night train, she reminicents the innocence and happiness she once possessed. But that Ameera died with Kashif in that very car. She finally understands what her mother had to go through. Whether she wanted to or not, Ameera is now the new ‘Sakina’. As she now becomes cynical and disenfranchised taking care of her father Rafiq Ali, the vicious cycle of pain and suffering continues.

Every character gets a closure to their situations, some ride off into the sunset while others are introduced to the dark elements of Life.

 + Low Points

i – Honestly, there isn’t much I can criticize about this episode. The only part of the episode which felt rushed was the romance between Kashif and Ameera. They never had much interaction before this episode and I guess Kashif started falling for her off screen? If they had built this romance for a couple of episodes and then the tragic ending is brought into the mix, that would’ve been much more impactful in my book. But in any case, the cold blooded murder was still shocking and was proud of the show that it dared to go in such pitch black direction.

+ Overall and Final Thoughts on Raqeeb Se

I am a firm believer that regardless of how an episodic show flows, the conclusion needs to bring everything together and in the process, reward its audience for sticking with them every step of the way. And Raqeeb Se does exactly that. The show had a fantastic cast, the performances were brilliant all across the board, especially Hadiqa Kiani as Sakina. For a debut performance on prime time television, her performance was nothing short of amazing. I hope we get to see more of her in the near future. The writing (although not consistently perfect) was engaging as we got to set foot into the world of Beegul and her tragic characters for a few months. 

But even with such a great plot and interesting set of characters, where the show suffered for me was its pacing. Raqeeb Se could’ve immensely benefited with less number of episodes (around 13-15) as midway through the show, the episodes dragged on with absolutely nothing happening in between them. Also at times, some back stories were unfortunately not well explained or visually depicted on screen which might have left some viewers perplexed where the story stands. And it’s a shame because Raqeeb Se is unique and dared to be different from the rest of what Pakistani television has to offer. The production, set designs, costumes, everything was marvelous. The show was very uniquely lit with shadows playing a major role in its gloomy atmosphere. A lot of credit goes to the director Kashif Nisar and his production team.  

In the end, Raqeeb Se took us on an emotional journey, the audience could empathize with each of the characters and their dilemmas. And most importantly, the show left us with questions and some lingering thoughts of our own. And that is a sign of a great television show. 

 Rate (Last Episode): 4.25 out of 5 stars

Overall Series Rating: 3.5 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XXII (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 22 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – As the show is reaching its conclusion, an abundance of sharp screenwriting, performances and set pieces are on display. Characters are confronted, lines have been drawn and revelations have been made. And it’s great to see that the whole cast is up to the task.

ii – Episode 22 is probably the first in the show that Insha really gets the limelight. A lot of the episode was centered around her, she gets to confront the truth and perhaps once and for all, come to terms with it. I have criticized Faryal Mehmood’s performance during dramatic scenes in the past but I’m glad to say that she was more than up for the task when it really counted.  

iii – Insha’s journey from a naive, impressionable girl to a mature woman was very awe-inspiring. A lot of credit should go to the writing of Beegul and performance of Iqra Aziz as both aspects were brilliantly realized onscreen. The scene between Ameera and Hajira was modest and restrained but was nonetheless impactful (and quite possibly, my favourite scene of the episode).

iv – Once again, the cinematography was outstanding for this episode. I am always of the belief that a picture does tell a thousand tales and Raqeeb Se is excellent in depicting visual stories. Just take this framing as an example here:

Framing through the open door, characters engulfed into their surroundings, Insha’s face exposed, it gives the audience a sense of illusion that (perhaps) we are the ones eavesdropping into their private conversation. This kind of visual artistry is sadly missing from a lot of Pakistani TV shows but Raqeeb Se has always been pretty much consistent with its production quality. 

v – MAJOR SPOILER ALERT COMING UP!!! (If you would like to avoid it, please skip to Overall section)

So a lot of fan speculation and theories were proven true, Insha is, indeed, not the daughter of Maqsood. And this is a revelation that truly pays off. Why? Because they did set up this twist throughout the series and slowly built it up to its crescendo. So when it is finally revealed, it feels earned. Of course, it could be argued that it was perhaps a tad bit too obvious as many viewers already speculated it but sometimes, predictability is not detrimental to the show. The plot twist works fine to the context of the story. Although I do have another issue to this revelation but I’ll get to that in the low points section.

 + Low Points

i – Even though the revelation of Insha was great, I am completely perplexed why the creators decided to reveal it at the BEGINNING of the episode?? Guys, this is TV episodic writing 101! Make an earth shattering revelation at the END of the last episode so that the viewers would tune in for the next episode for more clarification. Right now, it feels like the show just wanted to get it over with and the payoff could’ve been utilized a lot more than it should have.

ii – The end of the road for Insha and Abdul’s short lived marriage. Where Insha’s revelation worked, this plot element, for me, just fails to live up to its expectations. From what was built up about Abdul’s character till now, I cannot imagine him having the cunningness to manipulate someone he loves without Insha realizing it. It was never even well hinted at and comes completely out of left field. If the divorce angle was really necessary, the reason could have been the obvious one that Insha was just sick and tired of playing “mama” to Abdul’s manchild personality. In this very episode, Insha does confess that fact to her cousin Kashif and that reason alone could have been more believable as compared to Abdul playing her to his future endeavours. Unlike Insha’s, this plot twist doesn’t work at all because it was never well set up to begin with. The show needed the marriage to end and here we are. 

iii – Also Rafiq Ali’s emotional scene with Sakina was a total bust. There is already too much going on in this episode and by the time we get to Rafiq Ali’s emotional outburst, the audience is completely drained out. You can’t expect that in one hour runtime, the audience should empathize with Insha’s secret upbringing, Ameera’s realization of her naivety towards life, the falling apart of the marriage between Insha and Abdul, the unsolved future between Maqsood, Sakina and Hajira and now, we are suppose to care for Rafiq Ali? It’s already an uphill task to empathize with him since he is a wife beater and the scene between him and Sakina doesn’t work in this episode. I hope that’s the last we see of him as his character arc should be done and dusted by now.

+ Overall

With a major plot revelation and confrontations, Raqeeb Se is full steam ahead to its grand finale! 

 Rate: 3.25 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XXI (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 21 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – Episode 21 was eventful to say the least. Lots of emotional set pieces and confrontations. Good character building moments and high tension all around as the narrative is reaching its overarching and inevitable conclusion to the Maqsood/ Sakina saga.

ii – Iqra Aziz was particularly good in this episode. Her subtle gestures and dialogue delivery shows how much she has developed since the introduction to her character in the show. The events that take place in this episode also brings a certain epiphany to her character and matures her mindset as Ameera reaches adulthood.

iii – The “Talk” that Maqsood has with Ameera was brilliantly written and poignant to that moment. It’s exactly what it needed to be. The phrase “Stars can be admired from a distance but never touched upon” brings a lot of depth to the scene. It also signifies the amount of experience and pain Maqsood has and he genuinely wants Ameera to avoid the mistakes that Maqsood made in his youth.

iv – Even though Rafiq Ali is now out of the picture, it was a nice touch for writer Beegul to have Sakina reminiscent over him. He obviously was a terrible husband but sharing years of your life together does leave an impression on you. It was great piece of writing for Beegul to address that, giving some further depth to Sakina’s character.

v – The episode ends on a tense note and rightfully leaves the viewer eagerly awaiting for next week. 

 + Low Points

i – Even though the episode was significant to the narrative, there were way too many emotional set pieces crammed into a 1 hour mark. One can endure only a handful of sobbing scenes before becoming desensitized to it by the end of the episode.

ii – SPOILER ALERT!!! (If you would like to avoid it, please skip to Overall section).

So there were two massive turns of events in this episode. And unfortunately, both have not been handled particularly well for the audience to follow. So the first was Ameera’s attempted suicide. Arguably, there seems to be some scenes missing which should be vital before such a drastic step. Granted, Maqsood (in the previous episode or so) had a short talk with Ameera about her feelings for him but there was never a scene where Ameera felt hopeless or emotionally charged enough to take such a life threatening step. The scene before, Ameera is just (in her trance state) justifying her love for Maqsood and suddenly in the next, the whole family rushes to see her in a critical condition. Was it all leading up to Ameera attempting suicide? Perhaps but it needed a few more scenes (even an episode or so) to build upon. As if now, the whole turn of events feel rushed and not earned enough for the audience to be fully onboard with this.

iii – The whole Insha/ Abdul situation. It seems very out of character for both sides to act so impulsively in such circumstances. If what lies on the surface is accurate, it’s incredibly hard to imagine that Abdul would be capable of manipulating people to his advantage. It’s very hard to buy into all that. Insha, on the other hand, seems totally convinced of Abdul’s unfaithful behaviour and impulsively has decided to file for Khula (divorce). Is she being played by her father? Or her cousin Kashif? Perhaps that could be the case but her sudden life changing decisions seem out of character for her as she was always the most level headed of the main cast of the show. 

+ Overall

Episode 21 was eventful, dramatic and essential to the story of Raqeeb Se. Perhaps it went overboard in a few places and the emotional twists did not make complete sense but the episode was a breeze to watch.

 Rate: 3.0 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XX (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 20 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – The relationship between Insha and Abdul is going through turbulence of sorts. It’s hard to say exactly where this turn of events are heading but I’m nonetheless intrigued.

ii – Probably sounds a tad bit awkward to say this but it was very satisfying to see Hajira show a bit of aggression and frustration in this episode. Throughout the show, she has mostly been stoic and calm so it was gratifying to see a different side of Hajira’s personality. 

iii – For once, Ameera was calm and collected in this episode. Iqra Aziz got to display some good, dramatic performance and in turn, shows a class of character maturity and development. This is the character progression that Raqeeb Se badly needs for the rest of the cast as well.

 + Low Points

i – Earlier in the episode, Masood asks his younger brother out of frustration: “What do you want?” 

I think Masood is acting as a composite for the viewers to the writer of the show. Since the past few episodes, Raqeeb Se has lost its sense of direction and is just meandering in Purgatory. 20 Episodes in and the show has no overarching conflict to overcome. The conflicts that are already present are not dramatic enough for the audience to tune in every week for it. Sakina’s fate can easily be resolved since Maqsood wants to keep her in his house and Hajira wants them to get married so she can “repay” Maqsood for marrying her. So what crucial, overbearing problem is there to be solved?

 When it comes to storytelling, Raqeeb Se is a drag to watch. 

ii – The scene with Kashif and her sassy Punjabi mom was a complete waste of time. Granted it wasn’t really time consuming but why have such moments where nothing is being really said other than the show fulfilling its 1 hour episode mark?

iii – SPOILER ALERT!!! (If you would like to avoid it, please skip to Overall section).

So the big revelation of Episode 20 was that Ameera has admitted to her mother (and everyone else) that she has fallen in love with Maqsood…. Um, was that not obvious? She didn’t exactly hide her emotions before. Her body language and gestures (even her dialogue) made it pretty clear that she at least has a crush on Maqsood sahib. In this scenario, only Insha was the one who was not utterly shocked by this revelation (and arguably the most sensible of the bunch). This was such a lazy, mundane technique to deliver some tension and drama into the show. 

+ Overall

Episode 20 was, at times, entertaining to watch (due to some good performances) but the big revelation really fell flat on its face.

Rate: 2.75 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XIX (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 19 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – The episode was a great showcase for Saqib Sameer’s wide range of acting chops. Rafiq Ali got some great dramatic moments throughout the episode and it was also a brilliant display of some humanity left within him.

ii – Speaking of great performances, Maqsood and Sakina had some fantastic moments to shine together as well. Maqsood remincienting over his deceased brother was quite tragic and heartfelt. 

iii – There were some wide range of locations within the episode which made for some great visuals. As I’ve mentioned before, Raqeeb Se is by far one of the best looking shows out there simply because the creative team knows how to tell visual stories. Even if there are no words uttered throughout the scene, one could tell the atmosphere in the room by simply observing the moving images.

 + Low Points

i – SPOILER ALERT!!! (If you would like to avoid it, please skip to Overall section).

(So with this single trial of thought, I will try to summarize the Elephant in the room, the most egregious flaw of Episode 19 and the show itself): 

With Episode 19, everything returns back to status quo. The main protagonist Rafiq Ali is out of the way, Sakina is back again in the vicinity of Maqsood sahib, Hajira is content with her husband having his ex lover around, Ameera fantasizes day and night about marrying her crush and…. This just seems like a dead end of storytelling. Where is the overall conflict of the show? Where is the obstacle that our protagonist has to overcome?  Unless some miraculous secrets are revealed in the next coming episodes, this show lacks a coherent sense of direction. The writing is afraid to even slightly experiment or develop its vast range of characters. And even if some episodes do experiment, they instantly return back to their status quo. 

I would like the readers themselves with a question: since Episode 1, how much has each character developed? What has been their character arcs? Where do you expect the show to go from here?

Raqeeb Se has some good actors, great production, a good premise even but it all falters in the end due to lack of any character/ story development. As a viewer, if I see Mr. Maqsood come to certain realisation about himself, situations that force him to develop as a person, I feel rewarded having sat through all the weekly episodes. But if the show itself is not clear which direction it wants to go into, it demotivates the viewer as well into tuning in every week. Which is why episode 19’s return to the status quo of Episode 1 left me utterly frustrated. The only real character development anyone ever got was Ameera who (rather abrasively) fell in love with Maqsood sahib.

When the dust has settled and the show ends up exactly where it started from, as a viewer, what do I have to look forward to?

+ Overall

Episode 19 does contain some good set pieces and performances but lack of character/ story progression are the shackles of Raqeeb Se that it never seems to truly shake off.

 Rate: 2.5 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XVIII (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 18 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – Episode 18 contains some good dramatic confrontations; namely Maqsood and Rafiq Ali. Noman Ijaz and Saqib Sameer play off brilliantly with each other’s dialogue and emotions. A man who is driven by moral integrity in contrast to one who cunningly finds a way to exploit every situation he could get his hands on. There is a clear sense of desperation on Maqsood’s face as he tries his best to save Sakina, his love from the clutches of this madman. Maqsood and Rafiq were undoubtedly the highlight of this episode.

ii – There’s a short but poignant interaction between Insha and Ameera as she explains to Insha how things would’ve been different if she was Maqsood’s lover instead. It sets up an incredibly awkward situation between the two “daughters” of the family and allows Insha to strongly retort back at her. Credit goes to Beegul for writing this scene so well.

iii – Although the end of the episode was far from spectacular, it was a nice, quiet way to conclude this chapter of affairs.

 + Low Points

i – SPOILER ALERT!!! (If you would like to avoid it, please skip to the next point).

This episode was frustrating to watch at times. Especially when it comes to Hajira and Insha. After pressing her mother on to reveal her dark past, Hajira finally caves in. Only to explain the facts that we as an audience already know! What? They already described the situation with her father several episodes ago. It might be new information for Insha but how does this retelling brings anything new to the table? What a letdown. Until and unless there are more secrets to be revealed in the upcoming episodes, this really has been one of the worst bait and switch this show has ever pulled off. And as a viewer, it frustrates me to no end!

ii – Unfortunately, the scenes between Insha and Abdul were really not on par with the quality of acting from the rest of the cast. When it comes to lofty dialogue or brief romantic moments, Insha and Abdul work great together but with intense, dramatic moments, their performances flounder and fall apart as the scene progresses. 

iii – Episode 18 also pertains to some unfortunately bad, unnatural dialogue. The graveyard scene between Hajira and Ameera could have been a perfect setting for some much needed character development but it once again devolves into worshipping Maqsood sahib. At this point of the show, it is getting tad ridiculous that the only personality trait that Ameera has is her falling head over heels for Maqsood… in front of his wife! And she finds it endearing? I’m just utterly surprised how badly (at times) the female characters are written in this show.

iv – Ever since Sakina has returned back to her villiage, the show has been struggling what to do with her. She has been starkly sidelined to Maqsood and Rafiq Ali. Aside from some minor interactions, Sakina hasn’t contributed much to the show.

+ Overall

Raqeeb Se has a terrible habit of taking one step forward and two steps back. Apart from the Maqsood and Rafiq Ali confrontation, nothing really stands out from this episode.

 Rate: 2.25 out of 5 stars