A review on Pakistani drama TV series, Sang-e-Mah Episode 07 (2022). The new TV series is directed by Saife Hassan and written by Mustafa Afridi. Sang-e-Mah is the spiritual continuation of the saga introduced in the Hum TV drama Sang-e-Mar Mar (2016). Sang-e-Mah is the acting debut of the famous Pakistani pop star Atif Aslam and the drama is a Momina Duraid Production.
- Directed by Saife Hassan
- Written by Mustafa Afridi
- Produced by Momina Duraid Productions
The drama Sang-e-Mah serves as a spiritual sequel to the show Sang-e-Mar Mar (2016) with Noman Ejaz, Sania Saeed and many others returning to same cast and crew. The drama deals with life in the Pakhtoon region of Pakistan and explores such hard hitting topics like forced marriages and integral family relationships. According to the director, Sang-e-Mah serves under similar themes as its predecessor, in a three part trilogy, ending it with the next planned show, Sang-e-Siyah.
+ Main Cast
- Atif Aslam as Hilmand Khan
- Nauman Ijaz as Haji Marjaan Khan
- Kubra Khan as Sheherzaad
- Hania Amir as Gul Meena
- Zaviyar Nauman Ijaz as Hikmat Khan
- Sania Saeed as Zarghuna
- Samiya Mumtaz as Zarsanga
- Omair Rana as Mastaan Singh
- Najiba Faiz as Harshaali Kaur
- Hassan Noman as Badam Gul
Sang-e-Mah is a story of a dysfunctional Pakhtoon family in the tribal regions of Pakistan where pride and honour mostly triumphs over empathy and forgiveness. The show deals with issues such as young love and opposing families who are engaged in a tribal battle with one another.
+ High Points
i – The scenes involving Mastaan Singh and his tragic past are brilliantly realized. The acting is top notch, the backdrop is dark and gloomy with an intensive look into the lives of Sikh Pakistani families. Omair Rana and Najiba Faiz’s onscreen chemistry is outstanding, delivering emotional beats with such poiancy and heartfelt moments. Seven episodes in, one can now fully understand the regret and remorse that Mastaan Singh feels everyday; an action, a thought of Evil that he can never take back. Harshaali, on the other hand, tries her best to bring out the man out of Mastaan that she fell in love with. It’s a brilliant set up and I eagerly await the inevitable payoff.
ii – This week, the storyline flowed at a much brisker pace, moving forward each and every subplot, inch by inch. There hides a lot of lies and deception from Marjaan Khan as his wife seems to be naive and oblivious to all of his previous mischief. Last week’s episode felt lethargic and stuck within its own tangled webs but episode 7 brought a certain amount of clarity and tension to the storyline including the interconnected subplots of the main cast.
iii – The dynamic between Zarghuna and her daughter also worked quite well, with both actresses delivering some worthy performances. With the current injustice in this world, Zarghuna learned long ago how to face the world with an iron fist. But unfortunately, that also meant that the absent emotional part of her also started losing the faith of her daughter in the process. By focusing solely on avenging her husband’s death, her daughter’s urgency of having a parental figure also started fading away with it. Honestly, it was refreshing to see a “softer” side to the stereotypical “toughness” of the Pakhtoon community.
+ Low Points
i – Now for something completely on the other side of the spectrum. An episode where we got wonderful performances from the main cast, Zaviyar Nauman Ijaz as Hikmat Khan was a total bust. In the most emotional scene of his character to date, Zaviyar Ijaz was emotionless and disinterested at the same time. He talks about killing his brother but his emotionless face might have not even conveyed that he wanted to put down his beloved pet. While not great by any stretch of the imagination, Zaviyar Nauman Ijaz has been serviceable up till now but this episode’s performance brought absolutely nothing to the table. His flat acting ended up hurting even Hania Amir’s performance and a scene that should have been the pivotal moment of the episode just did not work.
ii – Episode 7 brought yet another “tragic” past story to the table. Sheherzaad also suffered from lack of parental figures growing up and was emotionally abused by her relatives and cousins. Sheesh, does anyone have a happy childhood in this show!? This felt somewhat out of left field and unnecessary. Even the exposition felt so tacked on at a wrong stage of the show, it’s as if the show just wanted to be done with this scene asap.
A definite improvement from the previous week but the emotional beats still lack proper timing to make the show more impactful for the audience.
Rate: out of 5 stars