Feature Length Films

Mr. Khan’s Review on Mortal Kombat (2021)

A review on Hollywood feature length film, Mortal Kombat (2021). The film is based on a famous 90s video fighting game with the same name and is directed by the debutant Simon McQuoid. The film is distributed by Warner Bros. Pictures and is available in selected cinemas and HBO Max streaming service.

+ Crew

  • Directed by Simon McQuoid
  • Cinematography by Germain McMicking
  • Edited by Dan Lebental and Scott Gray
  • Screenplay by Greg Russo and Dave Callaham
  • Music by Benjamin Wallfisch
  • Produced by James Wan, Todd Garner, Simon McQuoid and E. Bennett Walsh

+ Note

After the disastrous Mortal Kombat: Annihilation (1997), the third film in the franchise was left in hiatus for decades before being finally decided to be rebooted for the younger audience. But due to the violent nature of the source material, several significant changes were to be made namely the hard ‘R’ rating. Unlike the first Mortal Kombat film, this allowed the creative team to freely depict the horrendous yet glorious fatalities directly from the video games. The film was also going to explore certain personal rivalries namely the Scorpion/ Sub-Zero story arc. Another major change that the reboot intended was to introduce a completely new character to the franchise by the name of Cole Young, serving as the main protagonist of the film.

On its opening weekend, Mortal Kombat grossed a worldwide total of $57.5 million, easily recovering its $ 55 million budget. The critical and commercial response has been mixed. Some praise it for being faithful to the source material while others felt it failed to live up as a coherent, entertaining film. Nevertheless, plans on releasing future sequels are now in the cards for the Mortal Kombat franchise.

+ Main Cast

  1. Lewis Tan as Cole Young
  2. Jessica McNamee as Sonya Blade
  3. Josh Lawson as Kano
  4. Tadanobu Asano as Lord Raiden
  5. Mehcad Brooks as Jax
  6. Ludi Lin as Liu Kang
  7. Chin Han as Shang Tsung
  8. Joe Taslim as Bi-Han / Sub-Zero
  9. Hiroyuki Sanada as Hanzo Hasashi / Scorpion
  10. Max Huang as Kung Lao
  11. Sisi Stringer as Mileena

+ Plot

Mortal Kombat is a tournament held amongst mortals and beyond in order to maintain balance among the many realms of the universe. Due to his dragon birthmark, Cole Young (Lewis Tan) is a wanted man as he might be the gateway for Raiden (Tadanobu Asano), Lord of Thunder and protector of Earth Realm, to save the planet from the wrath of Shang Tsung (Chin Han). Can Cole and the chosen fighters of Earth Realm protect and defeat the Outworld forces once and for all?

+ High Points

i – The opening scene of the film is just simply fantastic. Not only is it brilliantly shot and executed but it sets up the Scorpion/ Sub-Zero rivalry perfectly and in the process, inviting new fans into the world of Mortal Kombat. And a lot of credit goes to Joe Taslim and Hiroyuki Sanada for their outstanding performances. The gore, the violence, the dialogue, the art direction, all in service of the neverending rivalry between two of the most iconic video game characters ever. As a long time fan of the franchise, I could not have asked for a better opening scene to the film.

ii – Some of the characters are brilliantly brought on to the big screen; namely, Scorpion, Sub-Zero, Kabal and of course, everyone’s loveable a**hole, Kano. Whenever he was on screen, Kano’s charisma and personality just took over the whole scene. Josh Lawson did a wonderful job bringing the comedic, nihilistic yet self-serving Aussie onto the big screen. 

iii – Surprisingly, the humor was exactly what it needed to be; fun, dark but never overstaying its welcome. It’s not a coincidence that most of the humor came from Kano but even side characters such as Kung Lao had some great comedic timing to their performances. The film only takes itself seriously when it needs to be. The rest of it is quite self-aware in the absurdity of the plot. 

iv – Some say fan service is just a facade to hide lack of original ideas. But if done correctly, can prove to be quite rewarding for the long time fans of the franchise. Mortal Kombat definitely falls into the latter of the two. There are some sprinkles of “Finish HIM!” or “Flawless Victory” and barrage of the most violent fatalities lifted directly from the games (my favorite always being Kung Lao’s ‘Hat trick’ of course). The film is obviously very aware of what the fans anticipate from the film and to that respect, it delivers in spades.

v – I am happy to proclaim that the R rating was truly justified. With excessive gore, foul language and unapologetic violence, this is how a Mortal Kombat film should be. 

vi – Before going into the film, I was afraid of the Art direction and Costume Design just being ‘cosplay’ material but to the film’s credit, the costume department did a fantastic job with each and every character in the film.

vii – Just like the opening of the film, the end climatic fight scene is also brilliantly handled. The fight choreography was captivating and gets your blood pumping till the last drop of blood. 

+ Low Points

i – With all that’s good on surface level, Mortal Kombat suffers from major plot issues and character development. While an argument could be made that Mortal Kombat was never about the story per se but every good film or literature resonates much more if the audience can relate to the characters on screen. For a film called ‘Mortal Kombat’, the tournament unfortunately does not even really begin throughout the whole film! It’s rather quick skirmishes that frequently happen throughout its runtime in order to keep its audience occupied. 

ii – The whole concept of ‘birthmark’ and Arcana is just simply ludicrous and unnecessary. This is where I would say that the film was trying too hard to justify its absurd premise. Sure, it’s preposterous but that’s what makes the franchise so much fun. As a viewer, if I see concepts of different realms, creatures with 4 arms, human flesh functioning like jelly, I sure as heck not going to ask “Hey, how come you can throw fire from your hands?”. It’s inconsequential to the overall narrative.

iii – Speaking of underdeveloped characters, nothing could be more ‘vanilla’ than our main protagonist Cole Young. “Who?” you might ask.. well, get in line cause (for some pointless reason) he was solely created for this film so people can throw their expositions at him throughout the film. Although the film tries incredibly hard to make us sympathise with him and his family, it’s just not going to happen. He’s too underdeveloped, uninteresting of a character for us to care about him. And to top it off, his “Arcana” or special powers are so incredibly lame and generic, it’s unfathomable. 

iv – The CGI at times was questionable. Not a deal breaker by any means but could have been in the oven a bit more before being taken out.

v – Regardless of all the mishaps mentioned above, the biggest flaw that Mortal Kombat suffers from is that it never felt as epic as they wanted to make us believe. Since the Outworld had won all previous 9 tournaments, one more loss to the Earthrealm could potentially signify its extermination. With such a world threatening situation, you would expect to have a bit more investment into the plot but sadly, that is not the case here. The climactic fight at the end (although fantastic) did not feel epic at all and this for me, is the biggest failure of the reboot. It felt like a limited series episode. Probably a great conclusion to an episode but not to a feature length film. Maybe they should have released it as a HBO Max series instead.

+ Overall

While Mortal Kombat is far from being a “flawless victory”, it still possesses some entertaining sequences and fatalities to keep you entertained throughout its runtime.

Rate: 2.75 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XVII (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 17 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – Episode 17 was one of the quieter ones and that’s not necessarily a bad thing. This gave the show to explore more on the main cast dealing with the current situation and the tension filled atmosphere created due to it. The episode was a nice display of acting chops all across the board and perhaps sometimes, that’s all an episode needs.

ii – The episode clearly focused on the volatile yet saddened emotions of Rafiq Ali. He is the main antagonist and the show was not afraid to depict his unpredictable nature. In perhaps an eerie manner, Rafiq Ali longs for Sakina to show affection to him as she does for Maqsood but Rafiq’s volatile nature stops him to show any emotions other than jealousy or anger. 

iii – The last few episodes have been dedicated to exploring Hajira and her motivations. She has taken the centerstage and has shown some initiative to display her true intentions. Although it has been solely in service of Maqsood, it is still commendable that the show is showing some signs of attention to Hajira.

iv – Kashif is a new character added some episodes ago to the show and I think he has a lot of potential. He’s awkward, sophisticated (unlike the rest of his family) and probably serves as a gateway for Insha to let out her true emotions. 

 + Low Points

i – One of major sins that Raqeeb Se I feel commits on a regular basis is repetition. Whether its plot progression, character development or motivations, the show repeats its current themes once too often. How many times have we seen Hajira worrying about Sakina or Ameera flirting with Maqsood? Even if it’s all leading up to its conclusion, the pacing of a weekly show should never repeat the same themes if you would like to grow your weekly audience. And episode 17 unfortunately, suffers from the same trope.

ii – The usage of greenscreen with this show is extremely odd at times. Throughout the show, some scenes shot inside a moving car are shot with greenscreen in the background and frankly, it looks terrible. The lighting on the actor’s faces as compared to the background are completely at odds and looks amateurish at best. 

iii – At times, it’s hard to understand if Hajira just wants to see good in people or if she just has terrible character judgement. In this episode, Hajira describes Ameera as “gentle and innocent”. I understand its the “mother” in Hajira talking but to think that Ameera is “naive” about the world is like saying Rafiq Ali is “decent and well mannered”.

+ Overall

Episode 17 was a “middle of the road” journey to its destination. Although minimal plot progression, it contains good character development moments that will keep you entertained throughout its runtime.

 Rate: 3.0 out of 5 stars