TV series

Mr. Khan’s Review on Raqeeb Se – LAST EPISODE (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 23 (2021), the FINAL EPISODE of the series. The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – The final episode brilliantly wraps up the loose threads and ends the series on a well deserved high note. Episode 23 was everything good about Raqeeb Se as a TV series and more. The episode never overreaches its goal and settles in a comfortable space where the audience can admire and ultimately reminiscent being on an emotional journey with Maqsood, Sakina, Hajira, Insha and Ameera. Suffice to say, Raqeeb Se’s last episode more than lives up to its hype. 

ii – Since the previous episode was a showcase of Faryal Mehmood’s talent, this episode was definitely a display of Iqra Aziz’s wide range of acting chops. In the last few episodes, the actress has clearly proven that she could play comedic and darker roles with ease. Ameera, as a character, had the most prominent story arc of all. It’s the coming of age story, followed by the harsh realities that she was (at the time) too naive to understand. 

iii – The conclusion of the show (which I will get to more in the next point) was arguably the right outcome and a perfect send off to this tale of tragic love. Have to admit, I was pleasantly surprised by how neatly Beegul wrapped things up with her characters and the conflicts surrounding them. This is of course a clear indication that regardless of the longevity of the show, the writer was well aware of her destination.

iv – MAJOR SPOILER ALERT COMING UP!!! (If you would like to avoid it, please skip to Overall and Final Thoughts section)

The ending was surprisingly dark and I loved it! The conclusion finally brought new goals and ambitions for its cast of characters:

  • Maqsood finally learns how to act like a father to Insha.
  • Circumstances allow Hajira to finally live a life with her husband without the “obligation” that she needed to fulfill for it. 
  • Sakina comes to terms with her past and learns to look forward in life.
  • Insha, on the other hand, needs to understand more about life and goes on a soul searching journey of her own.
  • But the most unfortunate one is Ameera, who had to endure murder of an innocent man right in front of her eyes. As she lays her head down in a bustling night train, she reminicents the innocence and happiness she once possessed. But that Ameera died with Kashif in that very car. She finally understands what her mother had to go through. Whether she wanted to or not, Ameera is now the new ‘Sakina’. As she now becomes cynical and disenfranchised taking care of her father Rafiq Ali, the vicious cycle of pain and suffering continues.

Every character gets a closure to their situations, some ride off into the sunset while others are introduced to the dark elements of Life.

 + Low Points

i – Honestly, there isn’t much I can criticize about this episode. The only part of the episode which felt rushed was the romance between Kashif and Ameera. They never had much interaction before this episode and I guess Kashif started falling for her off screen? If they had built this romance for a couple of episodes and then the tragic ending is brought into the mix, that would’ve been much more impactful in my book. But in any case, the cold blooded murder was still shocking and was proud of the show that it dared to go in such pitch black direction.

+ Overall and Final Thoughts on Raqeeb Se

I am a firm believer that regardless of how an episodic show flows, the conclusion needs to bring everything together and in the process, reward its audience for sticking with them every step of the way. And Raqeeb Se does exactly that. The show had a fantastic cast, the performances were brilliant all across the board, especially Hadiqa Kiani as Sakina. For a debut performance on prime time television, her performance was nothing short of amazing. I hope we get to see more of her in the near future. The writing (although not consistently perfect) was engaging as we got to set foot into the world of Beegul and her tragic characters for a few months. 

But even with such a great plot and interesting set of characters, where the show suffered for me was its pacing. Raqeeb Se could’ve immensely benefited with less number of episodes (around 13-15) as midway through the show, the episodes dragged on with absolutely nothing happening in between them. Also at times, some back stories were unfortunately not well explained or visually depicted on screen which might have left some viewers perplexed where the story stands. And it’s a shame because Raqeeb Se is unique and dared to be different from the rest of what Pakistani television has to offer. The production, set designs, costumes, everything was marvelous. The show was very uniquely lit with shadows playing a major role in its gloomy atmosphere. A lot of credit goes to the director Kashif Nisar and his production team.  

In the end, Raqeeb Se took us on an emotional journey, the audience could empathize with each of the characters and their dilemmas. And most importantly, the show left us with questions and some lingering thoughts of our own. And that is a sign of a great television show. 

 Rate (Last Episode): 4.25 out of 5 stars

Overall Series Rating: 3.5 out of 5 stars

TV series

Mr. Khan’s Review on Aanch (1993)

A review on Pakistani drama TV series, Aanch (1993). The 13 Episode limited TV series is directed by Tariq Jameel and is a PTV Karachi Center production. In 1993, Aanch was broadcasted nationwide on Pakistan Television.

+ Crew

  • Directed by Tariq Jameel 
  • Written by Naheed Sultana Akhtar
  • DOP by Abdul Majib
  • Produced by PTV Karachi Center

+ Note

Aanch is a TV drama which focuses on social issues like divorce and remarriage. It asked vital questions such as “How is a woman viewed by our society if she files for a divorce from her husband?” and “How are children from a previous marriage supposed to be taken care of under such circumstances?”. For its time, Aanch touched upon a subject matter which was widely regarded as taboo from being screened on commercial television. The drama is based on a novel ‘Behtay Paani Pe Makan’ by Naheed Sultana Akhtar who also acted as the writer to the TV adaptation of it.  Aanch is a showcase of patience, perseverance and in the end, triumph of love.

 + Main Cast

  1. Shafi Muhammad Shah as Jalees
  2. Shagufta Ejaz as Khulfat
  3. Sami Saani
  4. Mehak Ali
  5. Shehla Solangi
  6. Ayesha Khan
  7. Mehmood Ali
  8. Qaisar Naqvi
  9. Farheen Nafees 
  10. Kunwar Nafees 

+ Plot

Jalees (Shafi Muhammad) is wealthy businessman who’s wife Asma recently left him and their three children to grasp the opportunity of living abroad. Worried about his children growing up without a mother, Jaless decides to remarry to a working girl named Khulfat (Shagufta Ejaz). Unfortunately things do not go as planned as the step mother and the children have a hard time accepting each other.

+ High Points

i – Aanch is a drama that just gets better with time. Not just episodically but also with the decades that have passed by. Released back in 1993, marriage and divorce were such bold subjects to explore on prime time television. It is somewhat unimaginable how this drama stood out from the rest of the shows on television at the time. And since Naheed Sultana Akhtar also serves as the writer and adapted the screenplay for television, one could just feel how personal the subject matter was to her. I think having a female writer really helped portray a “feminine” perspective to the show. Divorce has a much stronger connotation on a woman than a man and this fact has been on full display and explored on this show. Aanch steps out of the drama world and portrays a more realistic view of how characters would have adjusted in such emotional turmoil. As the name suggests, Aanch has a double meaning in Urdu. One is “feelings of great warmth and intensity” and other “an open flame”. Both when implemented, can easily ignite a happy family within a matter of seconds. And this is what the show represents.

ii – The writing of the show is superb. The emotions and motivations are brilliantly conveyed through spoken dialogues, none of the lines feel forced or out of character. It is, at times, not easy to translate written dialogue to spoken. Sometimes what sounds good on paper does not translate well spoken but Naheed Sultana Akhtar has done an outstanding job in bringing life to her novel onto the small screen. A lot of credit should go to her writing skills for the success of this classic PTV drama.

iii – It probably goes without saying that Shafi Muhammad Shah and Shagufta Ejaz are simply enigmatic whenever they share a scene together. Even with a tightly written script, I personally felt that (at times), the dialogue was improvised between the actors to bring some further “humanity” into the given predicament. Their characters were so utterly convincing at times that as a viewer, it was hard for me to separate the characters from the actors. On one hand, we see the struggle Jalees (Shafi Muhammad) goes through in order to provide his children with a stable upbringing while on the other hand, one could also sympathise with Khulfat (Shagufta Ejaz), who was somewhat forced into this marriage by her family, with children that she has no connection with, the offsprings who just plain refuse to accept her as their new mother. Through their brilliant performances, Shafi Muhammad and Shagufta Ejaz make the conflict clear for the audience to follow and empathise with both sides at the same time. And that is not a small feat to accomplish.

Also I do have to admit that the School of Acting that Rahat Kazmi or Shafi Muhammad Shah came from is unfortunately a lost Art now. Taking nothing away from the actors of today, there was a particular sense of “humanity” that was present in such performances that make these classic dramas so entertaining to revisit time and time again.

iv – Also the supporting cast plays a vital role to the success of the show, particularly Mehmood Ali. His performance really permeates throughout the show as the “voice of reason”. His performance had to be good in order for the show to work and he made every second of the show count.

v– Even the “B story” of the show was interesting and well intertwined with the overall narrative of the show. This is a problem that many episodic TV shows face to balance but Aanch is a textbook example of how it should be handled.

vi– Only 13 Episodes long! A lot of shows have a given quota to prolong the show but Aanch knew the limits of how far the story should be stretched and as a result, the narrative feels tight, responsive and no scene or episode feels dragged or out of place (with exception to one in particular). A lesson MANY television shows of today can learn from.

 + Low Points

i – Although the subject matter and the performances are arguably ahead of its time, the production of the show (unfortunately) is not. Yes, as a reviewer, I should be more forgiving for the TV shows produced in the 90s but some odd production choices did (at times) ruin a dramatic scene which sadly just came off a tad bit comical. Take for example the first episode, there is an intense dramatic scene where Jalees’ first wife is having an argument with him, Jalees blurts out “SHUT UP!”, followed by an exploding (?) building with intense lightning??? Honestly, I just had to laugh at that. Thankfully, this technique was never repeated in the latter episodes. But it is what it is. A product of its time. The camerawork is uninspired, sound is at times muddled, the budget (and the skills behind the camera) were probably not much to brag about. So if you plan on revisiting Aanch (which I wholeheartedly recommend), watch it with an open mind.

ii – The child actors were not particularly good. I’m sure Kunwar Nafees tried his best with what was given to him but none of them felt convincing to the immediate narrative of the show. When you compare their performance to shows like Ankahi (1982) and Faisal Bilal as Jibran, his performance was leaps and bounds ahead. Whenever the scene with child actors came on, I felt being taken out of the show a bit. Unfortunately the director Tariq Jameel is also at fault for not bringing out the best performances from his young actors.

iii – The dialogue is too intermingled with English. On the surface level, I realise that is an odd criticism to make since normally, Pakistanis mix the two languages (Urdu/ English) a lot but sometimes, what works in the real world doesn’t necessarily work on the Television screen. The constant switching of languages (especially by the child actors) was very distracting. A few English words sprinkled in between Urdu sentences is not an issue at all but complete English sentences during Urdu dialogues was very jarring for me as a viewer.

iv – The final episode was basically a clip show from all the previous episodes. Even though I praised the show for being concise with its number of episodes, the clip show just felt like either they ran out of story to tell or they didn’t want to spend money so the creative team decided to rerun their past scenes in between. Either way, the final episode can largely be skipped.

v – SPOILER ALERT!!! (In the next point, I will talk about the ending of the show. You can skip directly to Overall if you would like to avoid it):

For the most part, Aanch has a great balance between the two opposing sides but as the show progresses, the sympathies eagerly lean more towards the husband’s side of the story. In my opinion, both sides were at fault, why did Khulfat have to be the only one to apologize? Just because her husband gave a favorable testimony for her in court, doesn’t automatically clear him off his own mistakes.

Khulfaat was also mistreated by her step children, threatened and verbally abused and the husband did particularly nothing about it. I felt he also needed to step up and apologize for his mistakes of not handling his children well. As the conclusion of the show goes, the idea of the woman not appreciating what she had is prominent much more than the husband who was also at fault.

This conclusion is not bad by any means but it could rub the modern viewers the wrong way and some could even take the wrong “lesson” out of this story.

+ Overall

With such a bold and interesting subject matter to explore, Aanch is a show that was well and truly ahead of its time. Whenever people talk about the “golden days of Pakistani Television”, Aanch is definitely one of the shows that comes to my mind.

 Rate: 3.75 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XXII (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 22 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – As the show is reaching its conclusion, an abundance of sharp screenwriting, performances and set pieces are on display. Characters are confronted, lines have been drawn and revelations have been made. And it’s great to see that the whole cast is up to the task.

ii – Episode 22 is probably the first in the show that Insha really gets the limelight. A lot of the episode was centered around her, she gets to confront the truth and perhaps once and for all, come to terms with it. I have criticized Faryal Mehmood’s performance during dramatic scenes in the past but I’m glad to say that she was more than up for the task when it really counted.  

iii – Insha’s journey from a naive, impressionable girl to a mature woman was very awe-inspiring. A lot of credit should go to the writing of Beegul and performance of Iqra Aziz as both aspects were brilliantly realized onscreen. The scene between Ameera and Hajira was modest and restrained but was nonetheless impactful (and quite possibly, my favourite scene of the episode).

iv – Once again, the cinematography was outstanding for this episode. I am always of the belief that a picture does tell a thousand tales and Raqeeb Se is excellent in depicting visual stories. Just take this framing as an example here:

Framing through the open door, characters engulfed into their surroundings, Insha’s face exposed, it gives the audience a sense of illusion that (perhaps) we are the ones eavesdropping into their private conversation. This kind of visual artistry is sadly missing from a lot of Pakistani TV shows but Raqeeb Se has always been pretty much consistent with its production quality. 

v – MAJOR SPOILER ALERT COMING UP!!! (If you would like to avoid it, please skip to Overall section)

So a lot of fan speculation and theories were proven true, Insha is, indeed, not the daughter of Maqsood. And this is a revelation that truly pays off. Why? Because they did set up this twist throughout the series and slowly built it up to its crescendo. So when it is finally revealed, it feels earned. Of course, it could be argued that it was perhaps a tad bit too obvious as many viewers already speculated it but sometimes, predictability is not detrimental to the show. The plot twist works fine to the context of the story. Although I do have another issue to this revelation but I’ll get to that in the low points section.

 + Low Points

i – Even though the revelation of Insha was great, I am completely perplexed why the creators decided to reveal it at the BEGINNING of the episode?? Guys, this is TV episodic writing 101! Make an earth shattering revelation at the END of the last episode so that the viewers would tune in for the next episode for more clarification. Right now, it feels like the show just wanted to get it over with and the payoff could’ve been utilized a lot more than it should have.

ii – The end of the road for Insha and Abdul’s short lived marriage. Where Insha’s revelation worked, this plot element, for me, just fails to live up to its expectations. From what was built up about Abdul’s character till now, I cannot imagine him having the cunningness to manipulate someone he loves without Insha realizing it. It was never even well hinted at and comes completely out of left field. If the divorce angle was really necessary, the reason could have been the obvious one that Insha was just sick and tired of playing “mama” to Abdul’s manchild personality. In this very episode, Insha does confess that fact to her cousin Kashif and that reason alone could have been more believable as compared to Abdul playing her to his future endeavours. Unlike Insha’s, this plot twist doesn’t work at all because it was never well set up to begin with. The show needed the marriage to end and here we are. 

iii – Also Rafiq Ali’s emotional scene with Sakina was a total bust. There is already too much going on in this episode and by the time we get to Rafiq Ali’s emotional outburst, the audience is completely drained out. You can’t expect that in one hour runtime, the audience should empathize with Insha’s secret upbringing, Ameera’s realization of her naivety towards life, the falling apart of the marriage between Insha and Abdul, the unsolved future between Maqsood, Sakina and Hajira and now, we are suppose to care for Rafiq Ali? It’s already an uphill task to empathize with him since he is a wife beater and the scene between him and Sakina doesn’t work in this episode. I hope that’s the last we see of him as his character arc should be done and dusted by now.

+ Overall

With a major plot revelation and confrontations, Raqeeb Se is full steam ahead to its grand finale! 

 Rate: 3.25 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XXI (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 21 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – Episode 21 was eventful to say the least. Lots of emotional set pieces and confrontations. Good character building moments and high tension all around as the narrative is reaching its overarching and inevitable conclusion to the Maqsood/ Sakina saga.

ii – Iqra Aziz was particularly good in this episode. Her subtle gestures and dialogue delivery shows how much she has developed since the introduction to her character in the show. The events that take place in this episode also brings a certain epiphany to her character and matures her mindset as Ameera reaches adulthood.

iii – The “Talk” that Maqsood has with Ameera was brilliantly written and poignant to that moment. It’s exactly what it needed to be. The phrase “Stars can be admired from a distance but never touched upon” brings a lot of depth to the scene. It also signifies the amount of experience and pain Maqsood has and he genuinely wants Ameera to avoid the mistakes that Maqsood made in his youth.

iv – Even though Rafiq Ali is now out of the picture, it was a nice touch for writer Beegul to have Sakina reminiscent over him. He obviously was a terrible husband but sharing years of your life together does leave an impression on you. It was great piece of writing for Beegul to address that, giving some further depth to Sakina’s character.

v – The episode ends on a tense note and rightfully leaves the viewer eagerly awaiting for next week. 

 + Low Points

i – Even though the episode was significant to the narrative, there were way too many emotional set pieces crammed into a 1 hour mark. One can endure only a handful of sobbing scenes before becoming desensitized to it by the end of the episode.

ii – SPOILER ALERT!!! (If you would like to avoid it, please skip to Overall section).

So there were two massive turns of events in this episode. And unfortunately, both have not been handled particularly well for the audience to follow. So the first was Ameera’s attempted suicide. Arguably, there seems to be some scenes missing which should be vital before such a drastic step. Granted, Maqsood (in the previous episode or so) had a short talk with Ameera about her feelings for him but there was never a scene where Ameera felt hopeless or emotionally charged enough to take such a life threatening step. The scene before, Ameera is just (in her trance state) justifying her love for Maqsood and suddenly in the next, the whole family rushes to see her in a critical condition. Was it all leading up to Ameera attempting suicide? Perhaps but it needed a few more scenes (even an episode or so) to build upon. As if now, the whole turn of events feel rushed and not earned enough for the audience to be fully onboard with this.

iii – The whole Insha/ Abdul situation. It seems very out of character for both sides to act so impulsively in such circumstances. If what lies on the surface is accurate, it’s incredibly hard to imagine that Abdul would be capable of manipulating people to his advantage. It’s very hard to buy into all that. Insha, on the other hand, seems totally convinced of Abdul’s unfaithful behaviour and impulsively has decided to file for Khula (divorce). Is she being played by her father? Or her cousin Kashif? Perhaps that could be the case but her sudden life changing decisions seem out of character for her as she was always the most level headed of the main cast of the show. 

+ Overall

Episode 21 was eventful, dramatic and essential to the story of Raqeeb Se. Perhaps it went overboard in a few places and the emotional twists did not make complete sense but the episode was a breeze to watch.

 Rate: 3.0 out of 5 stars

Tele-Films

Mr. Khan’s Review on Teri Meri Kahani (2021)

A review on Pakistani telefilm Drama, Teri Meri Kahani (2021). The TV film is directed by Aehsun Talish and is written by Saima Akram Chaudhry. The telefilm stars Haroon Kadwani and Sehar Khan as leads while veterans such as Javed Sheikh, Bushra Ansari and Usman Peerzada serve as supporting cast. Teri Meri Kahani is a Geo TV exclusive and a 7th Sky Entertainment.

+ Crew

  • Directed by Aehsun Talish
  • Written by Saima Akram Chaudhry
  • Produced by Abdullah Kadwani & Asad Qureshi
  • Production House: 7th Sky Entertainment

+ Note

Teri Meri Kahani is a light hearted portrayal of young love. It is the modern Romeo and Juliet induced romantic comedy. With this telefilm, Geo TV gave two relatively newcomers, Haroon Kadwani and Sehar Khan to play the leading roles along with veteran actors as supporting cast. This project was handed to Aehsun Talish since he already has experience directing comedy such as the TV series Suno Chanda (2018) and also has received a nomination for the Lux Style Award for Best Director.

 + Main Cast

  1. Haroon Kadwani as Arman
  2. Sehar Khan as Zara
  3. Javed Sheikh as Zara’s father
  4. Bushra Ansari as Arman’s mother
  5. Usman Peerzada as Arman’s father

+ Plot

Teri Meri Kahani plays the oldest of love tales; Arman is the son of a wealthy businessman who takes life easy and finds his passion in sports & luxury cars. Zara, on the other hand, wants to succeed in Life and make her only surviving parent proud of her accomplishments. The two play pranks at one another which eventually leads to a comedic, romantic predicament. 

+ High Points

i – The only way I could see Teri Meri Kahani being “worth a watch” if you have it in the background and you’re busy during house chores on a lazy weekend. And this is the biggest praise I could give this hot garbage.

ii – The telefilm can be unintentionally hilarious at times during its dramatic moments. While the whole film is not consistent in this tone, parts of it can fall into the “it’s so bad, its enjoyable” category.

 + Low Points

i – Teri Meri Kahani is honestly the worst telefilm/ drama I’ve reviewed on this website. It’s bad in every conceivable way; the direction is horrid, the script looks like it was written by a computer bot on the pretenses of every cliché of a romantic comedy imaginable and the actors are obviously there just to collect their paychecks. There is absolutely nothing praiseworthy about this telefilm. Its badly acted, predictable nonsense that gives television a bad reputation.

ii – The “comedy” is pathetic. The only way that this telefilm made me chuckle was how terrible and desperate it really is. To top it off, none of the veteran actors could save this abomination. 

iii – SPOILER ALERT!!! If you would like to avoid it (I’m not sure why you would even bother), skip to the next point):

(This is how probably a conservation with the creative team go regarding the plot and conclusion of this telefilm):

xxxx

Audience: Why did the protagonists fall in love with each other? They have absolutely nothing in common. Did just playing abhorrent pranks on each other somehow equals love?

Geo TV: Um…why not?

Audience: Wait, why is there a conflict all of a sudden? Why didn’t Zara’s father just ask Zara what she really thinks of Arman before having an anger fit in front of his most trusted friend? 

Geo TV: Does it matter? Oh look, Javed Sheikh is in the hospital now.

Audience: Huh? He faked his own heart attack?? And Arman’s dad was also into this? How does this all make sense? Why was this necessary?

Geo TV: Oh look, the telefilm ended. Thanks for dropping by.

xxxx

In short, conflicts are forced, resolutions are swift just as the telefilm is about to end, nothing makes sense in this world…

iv – There is absolutely no perception of the director Aehsun Talish leading his actors through each scene. It seems like the crew had probably incredibly limited days of shoot and each scene has the exact same flow, regardless of how lighthearted or essential that scene is to the narrative. It’s obviously terrible writing but even worse how minimal effort you find from the director and crew themselves.

v – If you ever want to see money being burnt on screen well, there you have it folks! It is fascinating that with all the budget, luxury mansions, lavish gardens you see on your TV screens, the telefilm still somehow looks incredibly cheap. Perhaps it lacks the talent or artistry that you need to make good Set designs or even just a sense of what visually looks good on screen and what looks tacky. And no money on earth can buy you that kind of talent.

vi – Bushra Ansari’s character is apparently an addict to Pakistani dramas but not any other dramas… no, no….only Geo TV dramas of course! Did that play any role or quirk to her character? Nope. Just a cheap, pathetic way for Geo TV to promote their content onto the viewers.

vii – I can’t fault the young talent for being part of this telefilm as they have a massive opportunity to be the leads of a telefilm but the veterans? Don’t they have any sense of moral integrity? I was embarrassed just to see them being actively part of this monstrosity. How they didn’t feel uncomfortable to be part of this project is beyond me.

viii – The sound editing/ mixing is one of the worst offenders of this telefilm. Each emotion has to be spoon fed to the audience because the creatives behind this project have zero confidence in their skills to convey emotions on screen with skilful dialogue and meaningful performances.

+ Overall

Teri Meri Kahani is devoid of any sort of originality. Its writing is terrible, acting is insanely exaggerated, it’s arguably one of the worst Pakistani telefilms I’ve ever seen. Avoid it like the plague.

Rate: 0.5 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XX (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 20 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – The relationship between Insha and Abdul is going through turbulence of sorts. It’s hard to say exactly where this turn of events are heading but I’m nonetheless intrigued.

ii – Probably sounds a tad bit awkward to say this but it was very satisfying to see Hajira show a bit of aggression and frustration in this episode. Throughout the show, she has mostly been stoic and calm so it was gratifying to see a different side of Hajira’s personality. 

iii – For once, Ameera was calm and collected in this episode. Iqra Aziz got to display some good, dramatic performance and in turn, shows a class of character maturity and development. This is the character progression that Raqeeb Se badly needs for the rest of the cast as well.

 + Low Points

i – Earlier in the episode, Masood asks his younger brother out of frustration: “What do you want?” 

I think Masood is acting as a composite for the viewers to the writer of the show. Since the past few episodes, Raqeeb Se has lost its sense of direction and is just meandering in Purgatory. 20 Episodes in and the show has no overarching conflict to overcome. The conflicts that are already present are not dramatic enough for the audience to tune in every week for it. Sakina’s fate can easily be resolved since Maqsood wants to keep her in his house and Hajira wants them to get married so she can “repay” Maqsood for marrying her. So what crucial, overbearing problem is there to be solved?

 When it comes to storytelling, Raqeeb Se is a drag to watch. 

ii – The scene with Kashif and her sassy Punjabi mom was a complete waste of time. Granted it wasn’t really time consuming but why have such moments where nothing is being really said other than the show fulfilling its 1 hour episode mark?

iii – SPOILER ALERT!!! (If you would like to avoid it, please skip to Overall section).

So the big revelation of Episode 20 was that Ameera has admitted to her mother (and everyone else) that she has fallen in love with Maqsood…. Um, was that not obvious? She didn’t exactly hide her emotions before. Her body language and gestures (even her dialogue) made it pretty clear that she at least has a crush on Maqsood sahib. In this scenario, only Insha was the one who was not utterly shocked by this revelation (and arguably the most sensible of the bunch). This was such a lazy, mundane technique to deliver some tension and drama into the show. 

+ Overall

Episode 20 was, at times, entertaining to watch (due to some good performances) but the big revelation really fell flat on its face.

Rate: 2.75 out of 5 stars

Interviews

Mr.Khan’s Gup Shup with: Naveen Anwar

In the highly acclaimed PTV longplay Zikr Hai Kai Saal Ka! (1995), the then child actress Naveen Anwar played the role of young Nida, the onscreen daughter of Rahat Kazmi’s character Sikandar. I had the chance to have a quick interaction with her for the review on Zikr Hai Kai Saal Ka!, only on mrkhansreviews.com. Link to the full review at the end of the interview :

1) Thank you Miss Naveen Anwar for allowing me to conduct this interview with you. My first question would be; How did the producers approached you and your family for this role? Was there an audition process? How was your and your family’s reaction when they found out that you would be working alongside a Pakistani Television legend like Rahat Kazmi?

Most welcome, Mr Khan. The Kazmi’s are our family friends since my older sister Sabeen and their daughter Nida were classmates. There was no audition process as I was an acclaimed child artist at that time. My parents were spoken to and they happily agreed. As a child, I was unaware of how famous “Rahat” uncle was and his humble nature made working with him very easy.

2) Being a child actor at the time, how did you prepare yourself for playing the role of Nida? Did you have training/ advice from your co-stars? What was the process behind your performance? 

I was explained the role by Sahira (aunty) and she spoke to me in a clear and candid manner. Her expectations were that my actual personality flows into the role, as the character was not far from my real self. Having their son Ali share the screen with me in most of the scenes made the environment friendly.

3) How was your relationship with the director Sahira Kazmi? Was she helpful in leading you through the script and bringing out the performance in front of the camera?

This was a small role and my existing relationship with Sahira (aunty) helped very much. Her direction is second to none. I remember her being strict with her instructions yet lenient with the number of takes it would take to perfect the scene.

4) There is a scene later on in the longplay where you interact solely with a young Ali Kazmi (playing the role of Suhail) who is the real life son of Rahat Kazmi. In the scene, you both discuss the marital problems that your parents have. How did you two stage and rehearse the scene together?

The seriousness of the scene was explained to us and I was told Ali would deliver most of the dialogues while I had to focus on my reactions. The scene was so natural, more like a conversation. I do remember the name of my character being changed to Nida as Ali would constantly call me Nida during the shoot (his real life sister’s name).

5) Are there any interesting behind the scenes stories that you could share with the readers?

Not much support staff was available at the time and I remember being lost having to iron my clothes for a shot. Guess who volunteered? Rahat uncle. This incident is an example of humble talented artists.

6) How was your reaction after watching the long play on PTV? Was it as good as you could’ve expected?

I was ecstatic. The play was an instant hit! People would refer to me as Nida in restaurants and shopping malls. I felt like a star!

7) After the success of the longplay, did you want to pursue your acting career further? And if the right opportunity arrives, would you ever want to dip your toes back into the world of Pakistani television?

I was often encouraged and told I would be the Reema of Pakistani television but my mother’s vision of this being a hobby was very clear. At turning 10 years old, all this came to an end.

You can read the full review of Zikr Hai Kai Saal Ka! (1995) here:

Mr. Khan’s Review on Zikr Hai Kai Saal Ka! (1995)

Tele-Films

Mr. Khan’s Review on Zikr Hai Kai Saal Ka! (1995)

A review on Pakistani longplay Drama, Zikr Hai Kai Saal Ka! (1995). The PTV classic longplay is directed by the veteran Sahira Kazmi and is written by Dr. Anwar Sajjad. The longplay stars Rahat Kazmi and Atiqa Odho. This telefilm was aired on Pakistan Television in 1995.

+ Crew

  • Directed by Sahira Kazmi
  • Written by Dr. Anwar Sajjad
  • Edited by Salman Zaidi
  • DOP by Tanvir Malik
  • Theme Song Lyrics by Momin Khan Momin
  • Music Composed by Arshad Mehmood
  • Produced by Sahira Kazmi

+ Note

Zikr Hai Kai Saal Ka! is an in-depth look into such vital themes as marriage and relationship which are the cornerstone of Pakistani culture. Is it better to be married and unhappy or long for the one who you are truly content with? How does staying in a despondent marriage affect your children? Is it better off to be separated but happy instead? The longplay is an exploration of regret and remorse of past decisions and if we are forever damned to perish through them for the rest of our lives. Even back in 1995, this was a very controversial topic to discuss on National Television but Rahat and Sahira Kazmi both felt it was an essential social theme to explore in post Zia ul Haq’s Pakistani society.

 + Main Cast

  1. Rahat Kazmi as Sikandar
  2. Atiqa Odho as Neelofer
  3. Ali Kazimi as Suhail
  4. Arshad Mehmood as Amin
  5. Amber Rizvi as Fouzia
  6. Naveen Anwar as Nida

+ Plot

Sikandar (Rahat Kazmi) and Fouzia (Amber Rizvi) are confined in an unhappy marriage. After years of being together, bearing two kids, the couple has grown apart from one another and Sikandar contemplates if marrying Fouzia was the biggest mistake he made in his life. Upon travelling on a business trip to Karachi, Sikandar ends up meeting his previous love, Neelofer (Atiqa Odho). After a brief interaction with one another, they both realize that they still have feelings for one another. But with Sikandar now with his wife and family, is it wise for him to relive his past love or continue in remorse for the rest of his life?

+ High Points

i – Zikr Hai Kai Saal Ka! is considered a classic amongst the 90s Pakistani dramas and longplays. It touches upon such intricate yet human themes like marriage and happiness. Dr. Anwar Sajjad’s brilliant writing gives us a keen understanding behind the so-called formula of a perfect, content life. Is it necessary for us to be married at a certain stage in life, regardless if you are unsure of your decision? Are we even allowed to regret our past decisions and seek true happiness? It’s an excellent piece of storytelling, themes that are still essential to our society. Zikr Hai Kai Saal Ka! is a harsh look into our pakistani society and as decades have gone by, the longplay has aged like fine wine.

ii – Of course, the thematic elements in the longplay would’ve never been successfully conveyed to the audience if not for outstanding performances by Rahat Kazmi and Atiqa Odho. Whenever they are both onscreen, it is obvious that they have shared a past together, the endearment that they still have for one another is now unfortunately a relic of sorts. But can they reclaim it? Can they relive their past? Not taking anything away from Dr. Anwar Sajjad’s writing but just from instinct, I could tell that the delivery of some dialogues had been slightly improvised to give it a more “humane” touch to it. And that usually happens when the actors are in complete control of their characters in front of the camera. The performances from both leads show how deep they dived into their respective characters and made them sympathetic and relatable onscreen. I have to admit, this is arguably one of the best Rahat Kazmi’s performances I have ever witnessed. 

iii – Apart from the leads, even the supporting cast brings a lot of vibrance into the scenes. Amber Rizvi as the disgruntled mother and both the child actors (Ali Kazimi and Naveen Anwar) bring intriguing introspective into the life of the Sikandar family. A look into how unhappy marriages affect the children who are always the main casualties in such scenarios. 

Ali Kazimi (the real life son of Rahat Kazmi) plays off naturally to his father’s lead, bringing such a unique father and son dynamic that could potentially only occur if they also share a bond offscreen as well. Suhail looks up to his father but at the same time feels disoriented when he witnesses his father’s unsurety towards life. Perhaps he wonders: “will I also suffer the fate of uncertainty towards life?”. Of course, now Ali Kazimi is a well established Television actor but it’s fascinating to see such humble beginnings.

iv – Zikr Hai Kai Saal Ka! Is essentially driven by its set pieces. The narrative seamlessly flows from the dysfunctional family life to a life of endless possibilities. A chance for Sikandar to relive his past, rekindle his love with Neelofer. Fate has given an opportunity to perhaps correct his past mistake and have another shot at happiness once again. But is it all an illusion at the end? A lot of credit goes to Sahira Kazmi’s seamless direction which leads the viewer throughout Sikandar’s character arc and perhaps a definitive realization at the end.

v– The scene at the Karachi beach, the emotional confrontation between Sikandar and Neelofer is undoubtedly the highlight of the longplay. That scene alone defines why this longplay is fondly remembered as a classic of Pakistani television.

vi– The theme song/ Ghazal “Zikr Hai Kai Saal Ka!” by Nayyara Noor is absolutely gorgeous to listen to. It fits just fine with themes like reminiscing over the past and longing for unattainable happiness.

vii– The longplay ends on a perfect note, leaving the audience with a lingering thought of what might have been the right outcome from all this. It gives the viewer no definite answers but leaves them to ponder long after the end credits have rolled. It’s a perfect end to a brilliant PTV classic.

 + Low Points

i – For all that’s great about this longplay, Zikr Hai Kai Saal Ka! (in terms of its production) does feel like a product of its time. The camerawork is uninspiring at best, sound editing is amateurish, the mention of “dish antenna” was already dated in four years time and there is an incredibly corny “reminisenting of past love” montage which is just as cheesy as you would expect from a 90s TV drama. Thankfully, it’s only a one and done scene.

ii – Even though Arshad Mehmood as Amin is entertaining, it’s a tad bit hard to believe that he was a “class fellow” of Sikandar and Neelofer when he clearly looks a lot more older than them. 

+ Overall

With exceptional writing, brilliant performances from the two leads and a perfect conclusion, Zikr Hai Kai Saal Ka! is and will always remain a classic and pinnacle of Pakistani television.

Rate: 4.25 out of 5 stars

Click here for a short interview with Naveen Anwar, the child actress from Zikr Hai Kai Saal Ka! :

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XIX (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 19 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – The episode was a great showcase for Saqib Sameer’s wide range of acting chops. Rafiq Ali got some great dramatic moments throughout the episode and it was also a brilliant display of some humanity left within him.

ii – Speaking of great performances, Maqsood and Sakina had some fantastic moments to shine together as well. Maqsood remincienting over his deceased brother was quite tragic and heartfelt. 

iii – There were some wide range of locations within the episode which made for some great visuals. As I’ve mentioned before, Raqeeb Se is by far one of the best looking shows out there simply because the creative team knows how to tell visual stories. Even if there are no words uttered throughout the scene, one could tell the atmosphere in the room by simply observing the moving images.

 + Low Points

i – SPOILER ALERT!!! (If you would like to avoid it, please skip to Overall section).

(So with this single trial of thought, I will try to summarize the Elephant in the room, the most egregious flaw of Episode 19 and the show itself): 

With Episode 19, everything returns back to status quo. The main protagonist Rafiq Ali is out of the way, Sakina is back again in the vicinity of Maqsood sahib, Hajira is content with her husband having his ex lover around, Ameera fantasizes day and night about marrying her crush and…. This just seems like a dead end of storytelling. Where is the overall conflict of the show? Where is the obstacle that our protagonist has to overcome?  Unless some miraculous secrets are revealed in the next coming episodes, this show lacks a coherent sense of direction. The writing is afraid to even slightly experiment or develop its vast range of characters. And even if some episodes do experiment, they instantly return back to their status quo. 

I would like the readers themselves with a question: since Episode 1, how much has each character developed? What has been their character arcs? Where do you expect the show to go from here?

Raqeeb Se has some good actors, great production, a good premise even but it all falters in the end due to lack of any character/ story development. As a viewer, if I see Mr. Maqsood come to certain realisation about himself, situations that force him to develop as a person, I feel rewarded having sat through all the weekly episodes. But if the show itself is not clear which direction it wants to go into, it demotivates the viewer as well into tuning in every week. Which is why episode 19’s return to the status quo of Episode 1 left me utterly frustrated. The only real character development anyone ever got was Ameera who (rather abrasively) fell in love with Maqsood sahib.

When the dust has settled and the show ends up exactly where it started from, as a viewer, what do I have to look forward to?

+ Overall

Episode 19 does contain some good set pieces and performances but lack of character/ story progression are the shackles of Raqeeb Se that it never seems to truly shake off.

 Rate: 2.5 out of 5 stars

TV series

Mr. Khan’s Review on Raqeeb Se – Episode XVIII (2021)

A review on Pakistani drama TV series, Raqeeb Se – Episode 18 (2021). The new TV series is directed by Kashif Nisar and is a production of Momina Duraid Productions. Raqeeb Se is a HUM TV Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Kashif Nisar
  • Written by Beegul
  • DOP by Hassam Mairaj
  • Music Composed by Hadiqa Kiani
  • Produced by Momina Duraid Productions

+ Note

Raqeeb Se is the newest HUM TV Production and is once again the collaboration of the award winning Writer/ Director duo of Bee Gul and Kashif Nisar. 

The title of the show is heavily inspired by a poem from the legendary poet Faiz Ahmed Faiz when the young poet fell in love with a girl next door in Sialkot. But alas, as luck would have it, she one day unexpectedly left the city, only to be reunited years later when Faiz was already an established poet in the circles of Urdu literature. This encounter inspired Faiz to write a poem “Raqib Se!”. The backstory of this poem plays a crucial role in the premise of the show.

 + Main Cast

  1. Hadiqa Kiani as Sakina
  2. Noman Ijaz as Maqsood
  3. Sania Saeed as Hajra
  4. Faryal Mehmood as Insha
  5. Iqra Aziz as Ameera
  6. Saqib Sameer as Rafiq

+ Plot

Raqeeb Se is a call of Maqsood’s dark past that could potentially destroy his present life. In order to escape her abusive husband, Sakina, along with her daughter Ameera, flees from her village to find shelter at her former lover’s place, Maqsood. Unfortunately Maqsood, who still holds a grudge against Sakina’s past actions, refuses to aid her in her most dire situation. But his wife, Hajra, seems much more sympathetic to the situation and lets Sakina stay at their home till things are figured out for the future.

But can Sakina be trusted to stay out of Maqsood’s life or will they be tempted to rekindle their lost love and in the process, destroy what Maqsood and his wife Hajra have built together?

+ High Points

i – Episode 18 contains some good dramatic confrontations; namely Maqsood and Rafiq Ali. Noman Ijaz and Saqib Sameer play off brilliantly with each other’s dialogue and emotions. A man who is driven by moral integrity in contrast to one who cunningly finds a way to exploit every situation he could get his hands on. There is a clear sense of desperation on Maqsood’s face as he tries his best to save Sakina, his love from the clutches of this madman. Maqsood and Rafiq were undoubtedly the highlight of this episode.

ii – There’s a short but poignant interaction between Insha and Ameera as she explains to Insha how things would’ve been different if she was Maqsood’s lover instead. It sets up an incredibly awkward situation between the two “daughters” of the family and allows Insha to strongly retort back at her. Credit goes to Beegul for writing this scene so well.

iii – Although the end of the episode was far from spectacular, it was a nice, quiet way to conclude this chapter of affairs.

 + Low Points

i – SPOILER ALERT!!! (If you would like to avoid it, please skip to the next point).

This episode was frustrating to watch at times. Especially when it comes to Hajira and Insha. After pressing her mother on to reveal her dark past, Hajira finally caves in. Only to explain the facts that we as an audience already know! What? They already described the situation with her father several episodes ago. It might be new information for Insha but how does this retelling brings anything new to the table? What a letdown. Until and unless there are more secrets to be revealed in the upcoming episodes, this really has been one of the worst bait and switch this show has ever pulled off. And as a viewer, it frustrates me to no end!

ii – Unfortunately, the scenes between Insha and Abdul were really not on par with the quality of acting from the rest of the cast. When it comes to lofty dialogue or brief romantic moments, Insha and Abdul work great together but with intense, dramatic moments, their performances flounder and fall apart as the scene progresses. 

iii – Episode 18 also pertains to some unfortunately bad, unnatural dialogue. The graveyard scene between Hajira and Ameera could have been a perfect setting for some much needed character development but it once again devolves into worshipping Maqsood sahib. At this point of the show, it is getting tad ridiculous that the only personality trait that Ameera has is her falling head over heels for Maqsood… in front of his wife! And she finds it endearing? I’m just utterly surprised how badly (at times) the female characters are written in this show.

iv – Ever since Sakina has returned back to her villiage, the show has been struggling what to do with her. She has been starkly sidelined to Maqsood and Rafiq Ali. Aside from some minor interactions, Sakina hasn’t contributed much to the show.

+ Overall

Raqeeb Se has a terrible habit of taking one step forward and two steps back. Apart from the Maqsood and Rafiq Ali confrontation, nothing really stands out from this episode.

 Rate: 2.25 out of 5 stars