A review on Pakistani telefilm Drama, Behadd (2013). The TV film is a directorial debut by Asim Raza and is written by the Urdu novelist Umera Ahmad. The film stars Nadia Jamil, Fawad Khan and the young Sajjal Ali. This telefilm is produced by Momina Duraid and is a HUM TV production.
- Directed by Asim Raza
- Written by Umera Ahmad
- Edited by Kashif Ahmad and Wasim
- DOP by Suleman Razzaq
- Theme music by Fawad Khan
- Music Composed by Hasil Qureshi
- Produced by Momina Duraid
The famous commercial TV director/ producer Asim Raza announced to the press beforehand that Behadd is going to be his directorial debut in the world of telefilms. As many of Umera Ahmad’s screenplays, Behadd serves also as a ‘slice of life’ tale and explores the relationship between a widowed mother and her young teenage daughter. The telefilm indulges in themes such as single parenthood and ‘selflessness’ verses ‘selfishness’. How important is one’s own happiness as compared to your child’s.
The film was primarily shot in Karachi, Sindh and used real locations and settings of the city. After its release, Behadd received praise from critics and viewers alike and was the recipient of Hum Awards for Best Producer in 2014.
+ Main Cast
- Fawad Khan as Jamal “Jo” Ahmed
- Nadia Jamil as Masooma “Mo” Jamal
- Sajal Ali as Maha
- Nadia Afgan as Shafaq
- Nasheen Masud as Popi “Po” Masood
- Rahma Saleem as Fareena
+ Supporting Cast
- Adnan Siddiqui as Hassan (Masooma’s husband)
- Adnan Jaffar as Shafaq’s husband
- Shamoon Abbasi as Masooma’s boss
- Hira Tareen as Shaista (Jo’s proposal)
After the unfortunate death of her husband, Masooma (Nadia Jamil) is left to take care of their daughter Maha (Sajal Ali) all on her own. Along her journey to single parenthood, Masooma ends up meeting her old friend’s brother Jamal (Fawad Khan) and they both quickly realize that they have much more in common than they could ever hope for.
+ High Points
i – Behadd’s ‘slice of Life’ plot is what makes most Pakistani Television so appealing to watch. With Umera Ahmad’s impeccable writing and Asim Raza’s meticulous direction, the telefilm works pretty much on every facet of successful storytelling. Even if you have never had a child or been a single parent, Behadd just feels so magnificently real and relatable.
“If you indeed have to be selfless, how far can you take it?”
“What if your selflessness and wellbeing is being detrimental to those around? Should you then focus on your own happiness?”
These are incredibly valid questions that we, in our line of duty of being a parent, tend to forget.
ii – Brilliant performances all around but what stands tall above the rest is Nadia Jamil’s depiction as an overzealous single parent. Her reading of dialogue and body language conveys greatly her anguish and suffering behind the facade of being strong for her daughter.
iii – Some of the best scenes came not only from the climactic scenes of the telefilm but also the much quieter moments when Masooma is just casually interacting with her friends and colleagues in the office. The nonchalant manner of speech and dialogue is so crucial in inviting the audience to become part of the scene itself and Behadd’s writing and supporting cast exactly does that.
iv – And of course, the breakout performance by Sajal Ali as Maha was also a valiant effort in making this telefilm a success. Her performance was essential in order to captivate the audience into buying into this tale of mother/ daughter relationship.
v– Behadd is a perfect example of why a show/ telefilm doesn’t need overbearing music and editing to force the audience into feeling sympathy with the characters. The writing and performances have to be good enough to invite their audience into that. Never did my attention falter or felt manipulated in any way. And that’s a sign of pure class from the creative team behind this telefilm.
vi– The song “Nindiya Re” by Kaavish is how seemlessly music and visuals can create the perfect rhythm. Perfect selection for Behadd’s OST.
vii– The conclusion of the story was also brilliantly handled and executed. Considering the circumstances of the storyline, this was probably the most logical conclusion that could have occured. Kudos to the entire team behind this telefilm!
+ Low Points
i – Honestly, whatever low points I have are mostly nitpicks but are still issues with the telefilm’s onset production. Namely, the overuse of Close Ups. Now close ups can be very impactful in visual language but only if they are used sparingly. Behadd unfortunately indulges in it a tad bit too much and it does lose its impact after a while.
ii – And speaking of close ups, the cinematography is also nothing to admire at. Although it’s fairly competent by Suleman Razzaq, he did not use the visual language to its full potential and now just comes off sub par in contrast to the brilliant writing and performances of the telefilm.
iii – As much as I adore Behadd, it also suffers from the “rich people with rich people problems” syndrome. Now being wealthy does not equate to happiness, that’s fairly obvious but almost all Pakistani dramas/ telefilms shoot in lavious, massive houses so that they visually look pleasing to the eye and almost never a decision made based on the script. But have to give credit to Behadd as they did explain that they are living in the house as tenants.
A well written script, brilliant performances, no overbearing use of music/ dramatic effects, Behadd is what every Pakistani telefilm should strive to be.
Rate: 4.25 out of 5 stars