Tag: Mehreen Jabbar

TV series

Mr. Khan’s Review on Nadaan – Episode V-VIII (2024)

Mr. Khan's Reviews

A review on Pakistani drama TV series, Nadaan Episode 5-8 (2024). The new TV series is directed by Mehreen Jabbar and written by Saji Gul. Nadaan is a story of an honest police officer, trapped in a world of corruption and deception. Can he defy all odds and stand up for justice? Nadaan is a Moomal Productions and HUM TV Production.

+ Crew

  • Directed by Mehreen Jabbar
  • Written by Saji Gul
  • Produced by Sultana Siddiqui 
  • Production by Moomal Productions

+ Note

‘Nadaan’ plot tackles the complexity of a police officer in search of justice from a corrupt system driven by outerior forces of religion, money and power. The plot displays how naivety can lead citizens into believing myths of miracle cure as opposed to medicine and doctors.

 + Main Cast

  1. Ahmed Ali Akbar       as Officer Haider
  2. Ramsha Khan           as Dr. Tabeer
  3. Hammad Shoaib
  4. Ahmed Ali Akbar
  5. Kashif Hussain
  6. Ahmed Randhawa
  7. Ali Gul Mallah

+ Plot

In search of justice, a police officer Haider ends up entrenched in the world of corruption, drug addiction and societal follies. Along the way, he is befriended by a young Dr. Tabeer who is willing to join him in the battle to protect the vulnerable and expose the wrongdoers.

+ High Points

i –  Episode 5 started off with a bang! The plot takes a major turn and all hell breaks loose. Now the lives of Dr. Tabeer and the medical staff are in severe danger as the radical mob tries to overthrow and burn down the hospital itself. But could Officer Haider save the day? Episode 5 was truly intense and the most engaging episode of the entire series.

Major SPOILERS ahead. If you would like to avoid it, please skip to Overall section:

ii – As I have previously mentioned before Kashif Hussain’s performance as the devious second in command is truly remarkable. He is perfectly casted and lives up to his role quite magnificently. His performance entails various sets of emotions; from his disturbing devotion to his Peer to utter insanity at the end, Kashif Hussain proves his wide range of acting masterclass throughout the series.

iii – I also found the plot redirection of Peer’s wife taking over the empire quite an interesting take with such great opportunity for further plot development. From the meek, obedient wife to powerhouse overlord; her sudden character development had great potential to bring something new and unpredictable to the show.

iv – The romance between Officer Haider and Dr. Tabeer is much better handled in the last four episodes as the dangerous circumstances naturally bring them closer to each other. This, I believe, is a much more convincing way of creating chemistry between the two protagonists as in comparison to some forced conversations and dialogues in the earlier episodes.

v – I love this shot (pictured below). The bars of prison visually divide the two protagonists but as they talk through their past trauma, it threatens to break the walls that divide them and bring them closer together.

vi – The last shot and the wrapping up of the plot from past to present is well executed and nicely brings the story to a close. 

+ Low Points

i – I was not a fan of the last episode. The overall conclusion felt abrupt and rushed as too many plot threads were quickly resolved because the story needed to end at this point. It also felt very unrealistic how quickly the wife of the late Peer was convinced of the innocence of Dr. Tabeer and quick turnaround of the mob against Tayeeb. The series could have used an extra episode to wrap things up in a proper and natural way.

ii – Also I felt there were way too many instances where Dr. Tabeer was arrested and then set free but then once again arrested. This whole plotline felt a bit convoluted and repetitive. 

iii – The plot twist with the wife of the late Peer, taking over the empire was a completely wasted opportunity. It was such an interesting move by the writer but was way too quickly resolved. The sudden loss of her husband could have had some severe consequences and made her into the new villain of the show. And perhaps she did not even need to turn “good” by the end. The corruption of power could have left her in a state of agony. Nonetheless, it was disappointing that the show did not follow through with this plotline.

+ Overall

Nadaan was a short but exciting TV series with some good performances and an engaging plotline but due to its not following through its plot into bold new directions, I cannot claim it to be one of Mehreen Jabbar’s best works to date.

TV series

Mr. Khan’s Review on Nadaan – Episode I-IV (2024)

Mr. Khan's Reviews

A review on Pakistani drama TV series, Nadaan Episode 1-4 (2024). The new TV series is directed by Mehreen Jabbar and written by Saji Gul. Nadaan is a story of an honest police officer, trapped in a world of corruption and deception. Can he defy all odds and stand up for justice? Nadaan is a Moomal Productions and HUM TV Production.

+ Crew

  • Directed by Mehreen Jabbar
  • Written by Saji Gul
  • Produced by Sultana Siddiqui 
  • Production by Moomal Productions

+ Note

‘Nadaan’ plot tackles the complexity of a police officer in search of justice from a corrupt system driven by outerior forces of religion, money and power. The plot displays how naivety can lead citizens into believing myths of miracle cure as opposed to medicine and doctors.

 + Main Cast

  1. Ahmed Ali Akbar       as Officer Haider
  2. Ramsha Khan           as Dr. Tabeer
  3. Hammad Shoaib
  4. Ahmed Ali Akbar
  5. Kashif Hussain
  6. Ahmed Randhawa
  7. Ali Gul Mallah

+ Plot

In search of justice, police officer Haider ends up entrenched in a world of corruption, drug addiction and societal follies. Along the way, he is befriended by a young Dr. Tabeer who is willing to join him in the battle to protect the vulnerable and expose the wrongdoers.

+ High Points

i –  Mehreen Jabbar is always known for her unique storytelling and fantastic backdrops of the underbelly of Pakistani society. And ‘Nadaan’ is thankfully no different. Director Jabbar always brings the ‘realism’ to the table; not just the grittiness and despair but also human interaction, the kindness that a good samaritan displays in need of help. And thus, her shows feel so much more authentic and ‘lived in’ as compared to many tv shows distracted with displaying only wealth and power as a background for a melodramatic storyline. In short, Mehreen Jabar’s shows are always a breath of fresh air for Pakistani television.

ii – The casting of the show is one of the main reasons for its success. Ahmed Ali Akbar as the guilt ridden police officer along with Ramsha Khan as the kind hearted doctor is a good dynamic for some interesting chemistry. Kashif Hussain as the devious antagonist along with other supporting cast makes each scene of the show lively and there’s hardly a dull moment.

iii – The central plot of the show is by far, the best aspect of the show. Writer Saji Gul does not shy away from the dangers of ‘personality worship’ as many locals tend to follow their ‘pirs’ for miracle cures rather than qualified doctors. The misuse of religion, the dangers of drug addiction and abuse of power play pivotal roles in bringing this show to light. Although it is heavily dramatized, the plot itself feels realistic and believable. 

iv – As mentioned above, the locations, set design and costumes all blend well into the gritty atmosphere the show is trying to create. 

v – Love the fact that the show starts off with a flashback of a ‘crossroads’ moment in the life of our protagonist and then it cuts back to the beginning of the story. This keeps the viewers engaged into the storyline and ultimately root for the redemption of our protagonist.

vi – The main theme of the show is melodic and fits perfectly to the show’s atmosphere. The soundtrack itself is well orchestrated and enhances the emotion of each and every scene of the show. 

+ Low Points

i – With all the right moves to have yet another classic Mehreen Jabbar show, it doesn’t hit its mark as well as it should have. The plot seems to be mostly predictable and by the numbers. One can almost anticipate each scene that will drive the narrative forward. The predictable romance between the police officer and the doctor seems out of place and plays no role in adding any depth to the narrative. ‘Nadaan’ is not a bad show by any stretch of imagination and it’s miles better than most shows we currently watch on our television but for some reason, Mehreen Jabbar chose to play safe with this show (even if the plot is quite an interesting one). The twist and turns of the show are entirely predictable and never left me at the edge of my sofa.  

ii – Even with a predictable show, perhaps the performances of the actors can make the show worth watching, right? Well, it is worth a watch but the actors are not at their “A” game. For one reason or another, the performances feel at times, lifeless and formulaic. And it is utterly surprising that even Ahmed Ali Akbar falls into this trap. The only performance that left me wanting for more was Kashif Hussain as his character is by far, the most fascinating of all.

iii – In the first episode , there were some audio issues with the microphone of Ramsha Khan. Perhaps the microphone was not attached properly but nonetheless was very noticeable and distracting throughout.

iv – I also felt that the romance of the show was way too quickly developed between the police officer and the doctor. They hardly shared a single emotional scene together and for some reason, that was enough. Frankly, I would have preferred without any romance angle as it adds nothing to the main plot of the show. 

+ Overall

Four episodes in, ‘Nadaan’ is still an interesting watch but not to the levels of what one would expect from the talent of Mehreen Jabar. 

TV series

Mr. Khan’s Review on Daam (2010)

Mr. Khan's Reviews

A review on Pakistani drama TV series, Daam (2010). The 18 episodes limited TV series is directed by Mehreen Jabbar and is a production of 7th Sky Entertainment. Daam is an ARY DIGITAL Production.

+ Crew

  • Directed by Mehreen Jabbar
  • Written by Umera Ahmed
  • Edited by Mehreen Jabbar
  • DOP by Asad Malik
  • Music Composed by Ustaaz
  • Opening Theme song “Daam Tha” by Zeb Bangash and Haniya Aslam
  • Produced by Humayun Saeed and Abdullah Kadwani

+ Note

Daam is a “coming of age” tale of young Karachities who dream big and stars soon to be famous actors like Sanaam Baloch, Aamina Sheikh and Adeel Hussain. This show  is the brainchild of the famous Urdu novelist Umera Ahmed who has been credited to writing more than 30 books in her career, most notably ‘Peer-e-Kamil’ and ‘Meri Zaat Zara-e-Benishan’. Most of the TV series has been shot in the city of Karachi and is filmed on real locations. When first premiered, Daam became an instant rating sensation for ARY Digital and in 2015, made its premiere in India on Zindagi TV.

Daam indulges in social themes like friendship, betrayal and of course, the price of Happiness. 

 + Main Cast

  1. Sanam Baloch as Zara
  2. Aamina Sheikh as Maleeha
  3. Adeel Hussain as Junaid
  4. Nimra Bucha as Aasma
  5. Sanam Saeed as Fiza
  6. Pari Hashmi as Mano
  7. Muhammad Yasir as Jamaal (Zara’s brother)
  8. Lubna Aslam as Amna (Zara’s mother)
  9. Shahid Naqvi as Hidayatullah (Zara’s father)

 + Supporting Cast

  1. Faisal Shah as Yasir
  2.  Muhammad Ahmed as Sami (Maleeha’s father)
  3. Parveen Malik as Maleeha’s mother
  4. Behroze Sabzwari as Haji Saab
  5. Atif Badar as Ghulam Ali (The Shopkeeper)
  6. Farah Nadir as Mumani
  7. Ahmed Zeb as Jibran

+ Plot

Daam is the story of a group of young adults, living in the city of Karachi who (regardless of their social classes) have a strong bond of friendship that binds them together through thick and thin of Pakistani societal hardships. This all changes when Maleeha (from a financially well off family) finds out that her best friend Zara (from a lower middle class family) is in love with Maleeha’s brother Junaid and are engaged to be married. 

Can relationships be bought and sold in the market of Life? Daam is the story of the price that Maleeha has to pay to her best friend in order to stop the marriage and retain the status quo of social norm of Life.

+ High Points

i – The success story of Daam has to be credited to the brilliant talented team behind it. Mehreen Jabaar’s impeccable direction throughout the series brought the hardships of Life out on the forefront. Jabbar is excellent when it comes to directing a large cast of actors and Daam was no exception. Her talents are best utilized when she is given free reign to make her actors emote tension, excitement and sorrow and inturn, create exciting Television for her viewers. Although Jabbar has also indulged in Cinema, her strength has always been in Television and Daam is a prime example.

ii – The TV show entails incredible, highly convincing performances from its lead actors; Sanam Baloch, Aamina Sheikh and Adeel Hussain. Whenever they were together onscreen, it was evident with every dialogue and physical interaction, they were in fact, not mere actors but actual characters that they were portraying on screen. After the premiere of the show, all three went on with their own career success stories and Daam could very well be the pinnacle of where it all began for them. 

iii – But it’s not just the lead actors, the supporting cast of Daam was also a major contributing factor to the show’s success. The parents of each character led out love, anger and empathy in such a convincing manner that one cannot help but compare them to someone we know in our own lives! The intercracy of marriages and family life in a Pakistani society is extremely vital and Daam’s depiction was of incredible depth and delicacy that the story so richly deserved.

iv – Some say that behind each great performance, it is the writing that holds it all together and for Daam, it could very well be the case. Umera Ahmed’s brilliant writing was probably a major contributing factor for the TV show’s success. The elegance in her writing dialogues and set pieces makes you as a viewer utterly convinced by the sheer urgency and warmth behind each character and the emotions behind the facade. Regardless of male or female character, Umera’s writing is frightently convincing and sometimes, the simplicity and naturalness of her dialogue makes you forget that you are in fact watching a scripted TV show.

v– The pacing of the show from beginning to the end was superb. Each episode was crafted with such precision by Umera Ahmed that every single one of them can be seen solely on its own personal merit and still, the narrative of the show was simplistic to follow through.

vi– The set design, locations and costumes play such a key role in presenting the reality of societal hardships and Daam seamlessly shifted back and forth between the divide of rich and poor communities of Karachi. 

vii– The soundtrack ‘Daam tha’ by Zeb & Haniya for the show is fantastic with its slight Jazz influences and melodramatic traditional music that leaves you humming each time you are through with an episode!

viii– A lot of TV shows start off great but by the end, fizzle out and become a mere relic of how great they once were. Not this show. Daam was carefully planned, right from the getgo and the plot seamlessly flowed from the first episode till the last. The show ends on such a high note that will leave a lingering thought in your mind for weeks to come. And that for me, is a sign that Mehreen Jabbar and ARY Digital really made something special.

 + Low Points

i – While Daam is flawless in almost every way when it comes to narrative, plot development and characters, it does unfortunately lack in its technical execution; namely the sound mixing. Numerous times, it was evident that the collar mics got muffled in between characters hugging each other or the audio levels were extremely off; some scenes too loud, echoing can clearly be heard in some locations. Such a great show but tad bit disappointing that the audio team behind the show did not do a decent job that the show deserved.

ii – But the problem is sadly not only limited to Audio; the editing of the show was incredibly amateurish. The editing and pacing at times was out of sync with the flow of each particular set piece. For example, Telephone calls were edited one dialogue from each character at a time which makes the scene incredibly monotonous and boring to observe/ listen to. With each scene, the editor needs to decide where the emphasis of the scene should lie and cut accordingly. One to one editing has the tendency to make scenes much more tedious than they should be. Since Mehreen Jabbar credits herself to be the sole editor of the show, it can be safely concluded that while Jabbar is excellent in directing her actors, she is also unfortunately in love with every image she shoots with her Director of Photography. Perhaps the show would’ve benefited much more if an external Editor was hired to edit the show for a more polished look.

iii – There were numerous repetitions of the ‘city of Karachi’ scenes in between scenes. Within a single episode, the exact same main road scene was seen twice within a 15 min span. That’s unfortunately just lazy editing and momentarily takes the viewer out of the show.

iv – There were perhaps too many flashback scenes at times in the later episodes. It is obvious that the show wants to keep their new viewers up to date as to what is happening but the show would’ve benefited if they kept some flashback scenes out, especially when you saw that scene just in the last episode!

+ Overall

With excellent performances, superb direction and writing, Daam is one of the best modern dramas Pakistani television has ever produced. Even with its obvious technical flaws, the show speaks to its audience like no other. Daam is one for the ages.

 Rate: 4.25 out of 5 stars