Feature Length Films

Mr. Khan’s Review on The Fantastic Four: First Steps (2025)

A review on Hollywood feature length film, The Fantastic Four: First Steps (2025). The feature length is directed by Matt Shakman. The film stars Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach and Joseph Quinn. The Fantastic Four: First Steps (2025) is the third reboot of the characters of Fantastic Four on the silver screen and the first time they have been integrated into the Marvel Cinematic Universe.

+ Crew

  • Directed by Matt Shakman
  • Screenplay by Josh Friedman, Eric Pearson, Jeff Kaplan and Ian Springer
  • Cinematography by Jess Hall
  • Edited by Nona Khodai and Tim Roche
  • Music by Michael Giacchino
  • Produced by Kevin Feige
  • Distributed by Walt Disney Studios Motion Pictures

+ Note

After the conclusion of the ‘Third Phase’ of Marvel Cinematic Universe, Marvel Studios has struggled to maintain its box office dominance that it once had. With the introduction of the new streaming service ‘Disney +’, the output of Marvel content dramatically increased which directly led to decrease in quality of the content. On the other hand, Fantastic Four had been a movie property of 20th Century Fox and the studio has tried twice to make the brand a viable movie franchise. In order to regain the rights of their Marvel characters, Disney ended up purchasing 20th Century Fox altogether (which included the X-Men and Fantastic Four properties), ready to be used and integrated in their cinematic universe. And thus, we have this year’s The Fantastic Four: First Steps. 

After many mediocre attempts, Marvel Studios is desperate to regain the trust of its core and casual audience by placing a lot of care and attention to the first modern Superhero family of comics. 

 + Main Cast

  1. Pedro Pascal as Reed Richards / Mister Fantastic
  2. Vanessa Kirby as Sue Storm / Invisible Woman
  3. Ebon Moss-Bachrach as Ben Grimm / The Thing
  4. Joseph Quinn as Johnny Storm / Human Torch
  5. Julia Garner as Shalla-Bal / Silver Surfer

+ Plot

In Earth 828, the Fantastic Four protect the Earth and its inhabitants. They are already an established force with the support of the US government and its people. But when an alien lifeform visits New York City and warns them of the inevitable destruction of their entire planet at the hands of a cosmic entity named Galactus, the Fantastic Four must do everything to ensure that they are capable of protecting the earth and its people. 

+ High Points

i – Fantastic Four, on the silver screen, has always spelled disaster. Whether its the non-released Roger Corman’s The Fantastic Four (1994), the clunky, comedic 2005 film or the disastrous, ultra dark 2015 film by Josh Trank. It was proven time and time again that Fantastic Four cannot be adapted to the big screen. Until now…

Yes. The Fantastic Four: First Steps accomplishes what others failed to do so. Kevin Feige (the producer) and Marvel Studios took their time and attention to adapt the charm, goofiness and the adventurous nature of Fantastic Four to their cinematic universe. As a long time fan of Fantastic Four from the comics (especially the Lee/ Kirby era), I was relieved to see the characters faithfully portrayed without overstepping their boundaries.

ii – As mentioned above in the Plot section, the film takes place on Earth 828. I believe this was a smart move as this led the writers to not carry the “baggage” of previous 15 or so MCU films. No questions can come up like “Why doesn’t Iron man or Avengers come and help?” or “Where were they when Thanos was whipping half of the earth’s population?”. It’s a self contained universe with Fantastic Four being the only Superheroes. The film obviously gives a very “1960s vibe” but doesn’t specifically state it out loud. Most likely a “Fantastic Four meet the Jetsons” look. The superhero team has an established headquarters, has the faith of the US government and its people and fights monsters and super villains on a regular basis. Which is why I’m glad that they kept the Fantastic Four universe separate from the rest…. At least for now. Eventually, we all want them to interact with the other superheroes but for now, they need to have their own separate adventure.

iii – I found the plot and the pacing of the film quite different from any other Marvel film I have seen before. The film takes its time to introduce the brand new world to the audiences, no constant quips or jokes that undercut a dramatic scene, the three act structure itself plays very “low key” and forgoes the importance of forced universe building over focusing on the central plot of this film alone. It clearly shows that Marvel did finally listen to its criticisms and tiredness of the “Marvel formula” being forced into each and every one of their films and acted upon it.

iv – The characterizations of all four protagonists was well executed. Whether it’s the brilliant but complex thoughts of Reed Richards, the down to earth approach of Sue Storm, the cocky yet heroic Johnny Storm or the loveable yet tragic figure of Ben Grimm; none of their character traits were ever forced or overstayed their welcome. They all played their parts well and had a reason to be there. The character that the audiences were most skeptical about was Pedro Pascal as Reed Richards and honestly, I think he did a much better job than I would’ve hoped for. Ultimately yes, it does seem like Pascal is holding a lot of his “charm” but that was not required for this role. Reed Richards as a character is an anomaly of this world. His brilliant mind alienates him from the rest of his family but at the same time, Reed knows that he cannot live without them.

I also thought that Vanessa Kirby as Sue Storm was incredible who went beyond the stereotype of “the only girl of the team” by having no real motive in the plot of the film. She actually had some of the biggest setpieces of the film centered around her which was great. Joseph Quinn as Johnny Storm was of course, cocky and head on but never overplayed his role. His quips and comedic antics were lowkey and fit perfectly to the tone of the film.

v – As mentioned above, the futuristic 1960s aesthetic of the film is very charming and pleasant to watch. The addition of H.E.R.B.I.E. the robot from the cartoon show was a great move which cemented the “Jetsons’ vibe “ even further.

vi – One aspect that is almost always mediocre in superhero films (especially Marvel films) is the score of the film. Every dramatic set piece of the film was accompanied by Michael Giacchino’s outstanding music that elevated the scene even further. It’s perhaps comical to even mention this but while watching the film, I actually noticed the music being played in the background! Hallelujah! 

vii – Speaking of setpieces, the second act of the film when the Fantastic Four visit outer space was amazing and truly, one of the best scenes of the entire Marvel Cinematic Universe. It captured the essence of the source material so perfectly. 

+ Low Points

i – Because of the film’s unusual pacing, some viewers might find the film “dull” and I can understand it to some extent. The tone of the film is deliberately sombre and lowkey. The emotions do not flare up and the superhero team discusses its matters in a more calm and collective way (at least for the most part). So if you’re a fan of previous MCU films, watch this film with an open frame of mind. It is a stand alone film and refrains from any previous MCU events.

ii – Even though I liked that they mostly skipped the “origin story” aspect and replaced it with newsreels explaining the characters and their backstories, I felt like it was a bit too short for my liking. A little more explanation of these characters and their superpowers would’ve been welcomed. The first half of the film is at times, rushing through the plot points and would have preferred if the film stopped and took a deep breath before moving forward.

iii – Ebon Moss-Bachrach as Ben Grimm was not as much explored as I would have liked. In the earlier comics, the fact that Ben was the only one in the group who got turned into a hideous monster tears him emotionally apart. He is the only member of the group dissatisfied with his new found powers and questions his own mortality. In the film, we get to witness that very briefly before moving on with the storyline. Maybe a lot of such character building scenes ended up on the cutting room floor but they could have kept some of it as the film is less than 2 hours (including credits!).

iv – I’m not sure if having Galactus as the antagonist in the very first film was the right choice. Having a cosmic entity leaves very little room to “humanize” the villain so there’s almost nothing that the Fantastic Four can bounce off of when it comes to interacting with the enemy (so to speak). Its well known fact that the MCU is saving Dr. Doom for the upcoming Avengers films so they couldn’t work with him either I suppose.

v – Julia Garner as Silver Surfer also felt “underexplored”. I realise that Silver Surfer was transformed into a woman for the film so that Johnny could have someone outside to interact with but we never really get to understand her backstory until this brief scene near the end of the film which also felt rushed and unsatisfying. 

+ Overall

This film is exactly what it says in the tagline: First Steps’. And these steps are essential in making Fantastic Four a doorway to Marvel’s greatness in superhero films once again. 

Feature Length Films

Deadpool & Wolverine (2024)

A review on Hollywood feature length film, Deadpool & Wolverine (2024). The feature length is directed by Shawn Levy. The film stars Ryan Reynolds, Hugh Jackman, Emma Corrin and Matthew Macfadyen. The film continues Wade Wilson aka Deadpool’s journey to find his sense of purpose in Life. Deadpool & Wolverine is part of the Marvel Cinematic Universe.

+ Crew

  • Directed by Shawn Levy
  • Written by Ryan Reynolds, Rhett Reese, Paul Wernick, Zeb Wells and Shawn Levy
  • Cinematography by George Richmond
  • Edited by Shane Reid and Dean Zimmerman
  • Music by Rob Simonsen
  • Produced by Kevin Feige, Lauren Shuler Donner, Ryan Reynolds and Shawn Levy

+ Note

Deadpool & Wolverine is a swansong for the 21st Century Fox era of superhero films. The film brings major elements of the X-men franchise back into play to the current Deadpool mythos and functions as a buddy cop story of two characters with opposite personalities. Even after the purchase of 21st Century Fox by Disney, Ryan Reynolds was insistent that Deadpool always remained ‘R-rated’ to which Disney head Bob obliged. Another aspect that Reynolds was insistent upon was the return of Hugh Jackman in the film. Although Jackman was at first reluctant to revive his character Wolverine back from the dead, he was quickly convinced due to working alongside Reynolds.

Before its release, the film was heavily marketed with Ryan Reynolds and Hugh Jackman appearing as themselves in multiple advertisements including the Euro 2024. Since Avengers: Endgame (2019), the Marvel Cinematic Universe has been on a downward spiral of mediocre films and TV shows. Could Deadpool & Wolverine finally be the breakthrough that Disney is hoping for?

 + Main Cast

  1. Ryan Reynolds as Wade Wilson / Deadpool
  2. Hugh Jackman as Logan / Wolverine
  3. Emma Corrin as Cassandra Nova
  4. Morena Baccarin as Vanessa Carlysle
  5. Rob Delaney as Peter Wisdom
  6. Leslie Uggams as Blind Al
  7. Aaron Stanford as John Allerdyce / Pyro
  8. Matthew Macfadyen as Mr. Paradox

+ Plot

In an alternative Universe, Deadpool has it all; loving girlfriend, trustworthy friends and all round comfortable life. Enter: Time Variance Authority. After informing Deadpool that his timeline is on the brink of annihilation, Deadpool needs to team up with his ‘anchor being’ Wolverine in order to defeat Paradox and save his universe in the process.

+ High Points

i – As expected, Deadpool & Wolverine is filled with provocative humor. Some of it works, others do not. But the ones that do are laugh out loud moments of the film. The self-deprecating humor has now officially entered the MCU and through Deadpool, Marvel can easily poke fun at their failures for the past 3-4 months.  

ii – In the comics, Deadpool is famously identified as ‘Merc with a mouth’. And when it comes to the big screen, Deadpool’s bag of gags can become easily tiresome. But with the straight man of Wolverine, Deadpool has someone to play his jokes off from. And that is indeed an important aspect to the film. Reynolds and Jackman have natural chemistry with one another. The film heavily depended on the two protagonists and they did not disappoint.

iii – The Marvel Cinematic Universe is not known for its memorable villains. Apart from Thanos, Loki and a few others, most Marvel villains are under-developed at best. While Emma Corrin as Cassandra Nova may not be a high tier villain in the MCU, she works perfectly as the ever powerful antagonist for Deadpool & Wolverine. Her mind blending, fingers through the skull effect is one of the most visually unique powers that has ever been put on the silver screen. It looks extremely uncomfortable and bizarre. Perfect and memorable for the villainess. Also Corrin does a fantastic job in bringing the character to the big screen.

 iv – The opening credits scene was fun and full of dark humor. It is clearly obvious that Ryan Reynolds has been very passionate about the character of Deadpool since its debut in X-Men Origins: Wolverine (2009) and will always go the extra mile in his performance.  

v – The Honda Odyssey fight scene! It was absurd, gory, unapologetic and masterful. While the MCU is not known for its creativity, this fight scene was glorious and brilliantly executed. 

 

vi – In most of my reviews, you would almost never find me praising the use of licensed music in films but Deadpool & Wolverine did an amazing job in integrating the music into the tone of the film. None of it felt out of place nor forced. From Nsync to Madonna, the pop songs played a key role in fleshing out each and every scene of the film.

vii – The cameos served a role in the story and never felt out of place. Were they mostly fan service? Yes, I am a fan and I was indeed served. And at the same time, the cameos never took me out of the narrative of the film.

+ Low Points

i – Deadpool & Wolverine has some flaws and they are evidently present throughout its runtime. Let’s start with the humor. I believe this one sentence could summarize the film’s comedic direction: “Hey, isn’t homosexual sex hilarious?”. Unfortunately the jokes that do not land might prove to be detrimental to the film for some viewers. 

ii – The villainess of the film Cassandra is extremely powerful. Yes, she is the twin sister of Charles Xavier aka Professor X but the film had almost no answers on how to neutralize her. Perhaps she needed more screen time to fully develop her character but nevertheless, characters are only interesting if weaknesses are also conveyed to the audience.

iii – I also believe that the film overstays its welcome. Clocking at around 129 minutes, it is 15 minutes too long. And there are plentiful scenes that could have ended up on the cutting room floor.

iv – I think we can all safely say that the concept of Multiverse has become tiresome in superhero movies now. It was unique and special when Spiderverse was introduced back in 2018 but by now, it is damaging the investment of the viewer for certain characters as they know that death has no consequences as their “variant” can easily be integrated into the sequel. 

+ Overall

Despite its obvious flaws, Deadpool & Wolverine promises a good time. The humor might not be for everyone but then again, Deadpool has always been a divisive character to begin with.

Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Loki (2021)

A review on American Television miniseries, Loki (2021). The mini-series is created by Michael Waldron and directed by Kate Herron. The show stars Tom Hiddleston as Loki, Owen Wilson and Sophia Di Martino. The show is a continuation of the saga from the Marvel Cinematic Universe and is a Disney Plus Original series.

+ Crew

  • Directed by Kate Herron
  • Cinematography by Autumn Durald Arkapaw
  • Music by Natalie Holt
  • Edited by Paul Zucker, Calum Ross and Emma McCleave
  • Created by Michael Waldron
  • Production by Marvel Studios
  • Distributed by Disney Platform Distribution 

+ Note

The concept of Loki TV series was first introduced as a core part of the Phase Four MCU content. Since the success of Loki as a character in The Avengers (2012) and other MCU films, it was clear that Tom Hiddleston might reprise his iconic role and will be explored much more as a stand alone character. The series explores the concept of branching timelines which were first introduced in Avengers: Endgame (2019) where upon “disruption of the pre-planned events”, the past does not change but rather a whole new timeline is introduced. After the disruption of the main timeline by Loki in Avengers: Endgame (2019), the series plays as a redemption arc for the character as he follows through different versions of his own self due to the possibility of different timeline “variants’ “.

After WandaVision and The Falcon and the Winter Soldier, Loki is the third in the Marvel/ Disney Plus series which brought worldwide praise from critics, especially for Tom Hiddleston’s effortless performance as the famous Norse Mythology trickster. 

+ Main Cast

  1. Tom Hiddleston as Loki
  2. Gugu Mbatha-Raw as Ravonna Renslayer
  3. Wunmi Mosaku as Hunter B-15
  4. Eugene Cordero as Casey
  5. Tara Strong voices Miss Minutes
  6. Owen Wilson as Mobius M. Mobius

+ Plot

After Loki’s (Tom Hiddleston) devious escape with the Tesseract in Avengers: Endgame (2019), he ends up getting arrested by an organization called  Time Variance Authority (TVA). Their sole mission to avoid disruption of the timeline and capture ‘Variants’ who were responsible for the timeline split from the main continuity. At the TVA, Loki meets agent Mobius (Owen Wilson) who believes that Loki could be used for a mission that has been plaguing the TVA for a long duration of time now; to capture a renegade Variant who is hiding in the different timelines of the Marvel Universe.

As the story progresses, Loki and Mobius soon realize that something does not seem right about the TVA and combine strengths in order to search for the truth.

+ High Points

i – After watching the last episode, I can sincerely concur that Loki is the best Marvel/ Disney Plus show to date. Tom Hiddleston is once again fantastic as the charming yet devious Loki and the rest of the cast contributes wonderfully to the convoluted story of Timelines in the Marvel Cinematic Universe. While such thematic elements can get tricky at times, Marvel has done a brilliant job in maintaining a balanced view and moved the story along each of the six episodes. 

ii – Speaking of great performances, Tom Hiddleston and Owen Wilson work seamlessly as a buddy cop movie duo where the banter is fun and never gets overbearing like in some of the lesser MCU films. At this point, I feel Tom Hiddleston can play Loki with his eyes shut whereas Owen Wilson is a welcome addition to the MCU family with his dry dialogue delivery and wry humor. 

iii – Another vital character that is introduced in Loki is Sophia Di Martino as Sylvie. I cannot talk much about her character as it would prove to be a major spoiler for the show but suffice to say, she is very charismatic whenever she is alongside Loki onscreen. 

iv – I think what should be most widely applauded about Loki is the writing. Michael Waldron and team have done a really special job in bringing a whole new concept of TVA into the MCU without disrupting anything around the already established storylines from the previous Three phases of the MCU. The episodes move at a brisk pace, provide vital details along the way and most importantly, have a keen eye on character progression for each individual throughout the series. With such a convoluted plot involving timelines, the writing team has done a stupendous job throughout the 6 episodes. Well done!

v – Some of the cinematography by Autumn Durald Arkapaw is truly inventive and much more creative than the previous two Marvel/ Disney Plus series. The frame travels alongside our main cast, explores the TVA’s corridors in the earlier episodes but pulls back in the later episodes, revealing odd and ominous landscapes (a galore of Marvel easter eggs!).

vi – The Music by Natalie Holt is haunting and memorable. The preference of introument’s lower bass range proves ideal for the series as it meticulously mixes vintage Sci-Fi elements with slow melancholy. 

vii – The Costume Designs, Special Effects and Set Design are all praiseworthy. What could truly be admired about Disney Plus is that they have undeniable trust in their Marvel content and are willing to financially back it up all the way. When they don’t, you can see the mediocre CGI in films like Black Panther (2018).

viii – Where both the previous Marvel/ Disney Plus shows (WandaVision and The Falcon and the Winter Soldier) staggered for me were the final episode. It was a barrage of unnecessary epic battles with virtually no real organic progression towards it. Thankfully Loki avoids all that and concludes the story according to the previous events leading up to it. A new character is revealed in the last episode which systematically changes much of the Phase Four and could prove to be a worthy foe for the next generation of the Avengers. I cannot reveal much but the actor who plays the role is just simply outstanding in this. Whenever he was on screen, he clearly hijacked it and the mesmerizing performance was just an icing on the Loki cake.

+ Low Points

i – With all that is great and praiseworthy about Loki, there are problems that could’ve been ironed out during the writing process, mainly the over reliance of exposition. During the first two episodes, there were just way too many scenes with 10 minute long explanations about what the TVA is, how it works and what it accomplishes. To soften the blow, the 1920s style animated character ‘Miss Minutes’ was introduced and while that does work to a certain extent, the exposition still continues on in the next few episodes which slightly bogs down the pacing of the show. A tighter, more fluid progression of scenes were needed and while it is never detrimental, it would have surely been improved upon.

SPOILER ALERT!: (From here on out, there will be spoilers for the show. If you still haven’t seen the show and would like to see it, you can skip directly to Overall section):

ii – The romance between the two Loki variants was not organically earned by the show. Although it’s an interesting concept, the romance did feel a bit rushed and perhaps, some might feel it to be unnecessary to the overarching story. 

iii –  The show looks really dark… and I don’t mean the tone. It is literally low on brightness at times. Whether it was to compensate on the greenscreen/ CGI backgrounds is anyone’s guess but a bit of vibrance would have made the moving images more appealing to look at.

+ Overall

Loki is a blast from start to finish! It respects and understands its cast of characters brilliantly while does not shy away from pushing the complex boundaries of the Marvel Cinematic Universe.

Rate : 4.25 out of 5 stars

TV series

Mr. Khan’s Review on WandaVision (Ep 1-3) (2021)

A review on American Television miniseries, WandaVision (2021). The miniseries is directed by Matt Shakman and stars Elizabeth Olsen as Wanda/ Scarlet Witch and Paul Bettany as Vision. The show is a continuance of the saga from the Marvel Cinematic Universe and is a Disney Plus Original series.

+ Crew

  • Directed by Matt Shakman
  • Cinematography by Jess Hall
  • Music by Christophe Beck
  • Produced by Chuck Hayward
  • Created by Jac Schaeffer
  • Production by Marvel Studios
  • Distributed by Disney Platform Distribution 

+ Note

WandaVision is continuation of the Marvel Cinematic Universe (Phase 4) where we get to explore more the relationship between the two popular Marvel characters; Scarlet Witch and Vision. The series is cleverly disguised as an American vintage comedy sitcom with multi camera setup and canned laughter from the audience in a (supposedly) TV Studio. WandaVision is clearly inspired from 50s-60s sitcoms like ‘I Love Lucy’, ‘Bewitched’ and later in color, ‘The Brady Bunch’, where situational comedy plays a key role to the show’s premise. Since Disney Plus has only released three episodes up till now, it is still unclear where they are heading with this but one can safely assume, WandaVision is unlike anything MCU has produced up till now.

+ Main Cast

  1. Elizabeth Olsen as Wanda Maximoff / Scarlet Witch
  2. Paul Bettany as Vision
  3. Debra Jo Rupp as Mrs. Hart
  4. Fred Melamed as Arthur Hart
  5. Kathryn Hahn as Agnes
  6. Teyonah Parris as Monica Rambeau
  7. Kat Dennings as Darcy Lewis
  8. Randall Park as Jimmy Woo

+ Plot

WandaVision starts off in 1950s suburban America. A husband and a loving wife have just moved in a house next door but unbeknownst to the neighbourhood, they are no ordinary couple. In fact, they are the famous Avengers; Scarlet Witch and Vision who hide their super powers in order to live a happy, wholesome life. But something doesn’t seem right about this scenario. It’s almost too… perfect? How did present day Avengers end up in decades old American TV sitcoms? Where or how did they enter this delightful comedy of errors? What is exactly wrong with WandaVision?

+ High Points

i – The “I Love Lucy” meets “Bewitched” 50s situational comedy is perfectly replicated to a tee. The dialogue, costume design, make up, Production design; it perfectly fits to the vision (no pun intended) of what Marvel Studios were going for.

ii – Since working together in the Marvel Cinematic Universe, Elizabeth Olsen and Paul Bettany have really grown accustomed to each other’s performances and are just picture perfect. For this show to work, their onscreen chemistry is undeniably vital and it’s always a treat to see them together onscreen.

iii – Ever since the trailer for the show came out, WandaVision felt unique and bold to what MCU fans were, for many years, accustomed to. After the end of the Thanos and the Infinity stones saga, MCU needed to move into a fresh new direction as the lack of innovative ideas made MCU films (for the most part) extremely predictable. And WandaVision does exactly that.

iv – The dialogues and humor of the show is witty, charming and at times, also very dark. The show does have a slight “David Lynch” surrealist vibe to it. One minute, you are witnessing a cute sing and dance number, the next you see someone on the dinner table, choking himself on a piece of meat. I loved it!

v – The multiple opening theme songs/ jingles are memorable and composed wonderfully by Kristen Anderson-Lopez, Robert Lopez and Christophe Beck.

vi – The “Hand drawn” animations in between live action set-pieces play wonderfully to the overall vibe and atmosphere of the show. Love these little but essential touches that they’ve given to it!

vii – The “advertisements” in between the show are the “Bees knees!”. ‘Nuff said!

viii – Although only 3 episodes are out at the moment, the show has me hooked! The story and pacing takes its time but is extremely rewarding in the grand scheme of things. Let’s see where it all leads us to.

+ Low Points

i – The length of each episode is inconsistent. Not a huge drawback by any stretch of the imagination but old vintage TV shows had very strict time limitations. So if the show is going for that, might as well stick to a consistent 3 Act structure and the time constraints that come with making a TV broadcast episode.

ii – Although it’s hinted that the show doesn’t actually take place in decades old American history (or does it?), the racial diversity in the show seems too modern for the 1950s sequences and takes you out of the show time and time again. Segregation was unfortunately very prevalent in the US in the 50s so to see the characters mention contempt for the “Bolsheviks/ Communists” but are fine and dandy with a colored person sitting next to them at the dinner table, it’s just odd and the show seems a bit confused as to what it really wants to be. Even in a ‘make believe’ reality, the horrors of history should never be ignored (the perfect example could be the highly underrated 1998 film Pleasantville).

iii – Even after 3 episodes, the mystery of “what reality they are living in” might be a tad bit obvious to loyal MCU fans. Perhaps we all might be rightfully swerved by the end of the season. 

iv – Among all the episodes available, episode 3 was the weakest due to its lack of focus to the overall narrative and the situational comedy slightly overstaying its welcome. But cliffhanger at the end did make up for it I suppose.

+ Overall

WandaVision is fun, eerie and exactly what MCU needed to kick start their ‘Phase 4’ list of films and TV shows. The performances are wonderful by the two main leads and the show proves that Superheroes are not all about “Good Guy vs Bad Guy”. Comics is a medium explored to such vast lengths of ideas and it’s tremendous to see a commercial, crowd pleasing Disney corporation try something very different. Of course, this could all change for better or worst in the review for the next episodes so stay tuned! 

Rate: 4 (subject to change) out of 5 stars