TV series

Mr. Khan’s Review on Hum Kahan Ke Sachay Thay – Episode XVIII (2021)

A review on Pakistani drama TV series, Hum Kahan Ke Sachay Thay Episode 18 (2021). The new TV series is written by Umera Ahmed and directed by Farooq Rind. Hum Kahan Ke Sachay Thay is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Farooq Rind
  • Written by Umer Ahmed
  • Produced by Nina Kashif & Momina Duraid Productions

+ Note

Hum Kahan Ke Sachay Thay marks 5 years since Mahira Khan appeared in a TV drama and as was the case before, this drama was also originally a novel by Umera Ahmed where the childhood and upbringing play an important part in the main plot of the show. The show deals with dark topics such as drug addiction and its impact on a child’s upbringing. 

The show also focuses once again on a love triangle between three cousins who shared a childhood together; Mehreen, Mashal and Aswad. Hum Kahan Ke Sachay Thay is essentially a case study of internal flaws and unspoken guilts that makes us human and how we learn to cope up in a less than ideal society.

 + Main Cast

  1. Mahira Khan as Mehreen Mansoor
  2. Kubra Khan as Mashal Tahir
  3. Usman Mukhtar as Aswad Ayub
  4. Omair Rana as Mansoor
  5. Zainab Qayyum as Shagufta
  6. Haroon Shahid
  7. Laila Wasti
  8. Huma Nawab as Saliha
  9. Kaif Ghaznavi
  10. Shamim Hilali as Aswad’s Grandmother
  11. Khalid Malik

+ Plot

Hum Kahan Ke Sachay Thay is a story of three cousins; Mehreen, Mashal and Aswad. Their lives have coincided with each other since childhood. While Mashal and Aswad grew up in a stable, loving household, Mehreen had to live through the mistakes of her father for being a drug addict and financially unstable. As they grow older, it is obvious that they all share an unbroken bond between each other that will only culminate with certain unforeseeable events.

+ High Points

i – The opening scene of Episode 18, leading up to the climax of Mehreen’s vision of her late father was well executed. The longing of Mehreen for her father has always been one of key elements of the show and thematically, it made perfect sense why he might be the sole reason that could encourage Mehreen to go on living. The set piece was also performed excellently by the actors and is always a constant reminder that with a good script, these actors can potentially knock it out of the park. 

+ Low Points

i –  Finally, Episode 18 had some significant plot revelations. Revelations that made absolutely no sense. (Sigh) Where do we even begin? The unnecessary dumping of the food segment, the tea which was made twice in one night, the fact that the police had no clue that Mashal had the keys to Mehreen’s room and worst of all, Mashal blatantly commanding Shabo to dump unhealthy amount of sleeping pills in Mehreen’s cup and thus, making her an accomplice to a murder for no apparent reason! The plot is unnecessarily convoluted and is dragging the whole show to one of the most unsatisfying conclusions to a show in recent history.

ii – Oh my dear Aswad, the man who planned this whole time that he will psychologically torutre Mehreen for the alleged murder of Mashal and now that Mehreen ends up with a nervous breakdown, he truly realizes how horrible of a person he has been. But wait, there’s more! He now also found out that Mashal had lied to him about Mehreen this entire time like… how she secretly smokes (gasp!), how she has a boyfriend (oh my!) but fret no more, cause all of this and more were just lies, all lies. Which means Mehreen has always been the non-smoking, God’s perfect maiden that Aswad envisioned in head. So are we supposed to feel sorry for this misogynist? Since the beginning of this show, Aswad had been by far one of the worst characteristics that one could have for a male protagonist of a TV show. For him, Mehreen is only worthy of him if she was a non-smoker and is strictly only madly in love with him. Are we sure if he’s actually not the antagonist of the show? Cause that’s a twist which would make perfect sense.

iii – Just this whole depiction of mental torture and suicide from the show leaves a bad taste at the end. I do not believe in condemning such themes in TV shows but they should be done responsibly, not sensationalized and dramatized to a point that it just feels exploitative. It is not enjoyable (nor educational for that matter) to see our female protagonist getting man handled, psychological tortured to the brink of suicide. Why is this being used for prime time TV entertainment purposes? The writing tackling such serious issues is not up to the standards that it should be. Depression and suicide are unfortunately very prevalent in our Pakistani society and should be addressed in the most mature way possible. To say that Hum Kahan Ke Sachay Thay does not do these themes justice is an understatement.

iv – Apparently Hum Kahan Ke Sachay Thay is now reaching its conclusion and yet, the viewers are still left scratching their heads with what it all means. Why did this show have filler episodes which added absolutely nothing to the overall plot. Since the death of Mashal around ep 8-10 till ep 18, there was next to zero plot development. The producers might have prolonged this show’s life to 20 episodes but in the process, left it completely lifeless with viewers each week complaining about the negative thematic elements of the show.

+ Overall

Hum Kahan Ke Sachay Thay is finally reaching its conclusion and unfortunately, the only satisfaction we, the viewers will get is when the final curtain will drop.

 Rate: out of 5 stars

TV series

Mr. Khan’s Review on Parizaad – Episode XX (2021)

A review on Pakistani drama TV series, Parizaad Episode 20 (2021). The new TV series is directed by Shehzad Kashmiri and written by Hashim Nadeem. Parizaad is a Momina Duraid Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Shehzad Kashmiri
  • Written by Hashim Nadeem
  • Produced by Momina Duraid Productions

+ Note

Parizaad is based on a novel by Hashim Nadeem and is a case study of a protagonist who cannot seem to find his place in a world where illicit behaviour and exploitation is rewarded over truth and kindness. The show explores the lower middle class societal problems of Pakistan and how a wallflower like Parizaad is never appreciated by our society. 

The director of the show Shehzad Kashmiri is a well respected cinematographer who then moved towards directing TV shows. He also directed a feature length film Bin Roye in 2015 which earned him a nomination for Best Film Director at 15th Lux Style Awards.

 + Main Cast

  1. Noman Ejaz
  2. Ahmed Ali Akbar
  3. Syed Muhammad Ahmed
  4. Urwa Hussain
  5. Ushna Shah
  6. Yumna Zaidi
  7. Saboor Ali
  8. Mashal Khan
  9. Tipu Shah
  10. Kiran Tabeer

+ Plot

Born in a world of neglect and hurt, Parizaad is an innocent soul that differs from everyone. He is kind, thoughtful and a gentle soul who due to his nature and appearance, does not fit the societal norms of Pakistani culture. Will the devious modern society engulf Parizaad into its darkness or will he remain a beacon of hope and all that is good in Life?

+ High Points

i – When it comes to setting up new characters and their individual storylines, Episode 20 certainly delivered. From the return of Majid (his neighborhood ‘friend’) to the Radio girl who is in love with Parizaad’s poetry, the level of detail in its writing makes it certain that they feel as real and authentic as possible. As Parizaad gets used to his recent success, he indulges heavily into his past life and tries to help those in need. What has also always been consistent with the show’s quality is the level of detailed characteristic that our protagonist has. For example, Parizaad could have had a straightforward reunion with his ex-mechanic boss but by playing along with the accusation of fraud workmanship, he got his friend all fired up only to be pleasantly surprised in return. A minor detail but such level of attention does work well in the long run, making Parizaad’s world more vibrant and colorful in character.

Whether the show will be able to maintain its audience’s attention span still remains to be seen but for now, Parizaad’s plot still seamlessly flows as it has in the past. 

ii – The return of Majid (who was barely explored in the earlier episodes) has managed to create an interesting dynamic to the story. As predicted, his selfish intentions have not changed since he was first introduced and envy is on his mind when it comes to Parizaad’s sudden path of success. The performance of Ahmed Taha Ghani as Majid also elevates this storyline and brings out the tension and jealousy seeped deep beneath his psyche. Will Parizaad’s unconditional act of kindness towards Majid be ultimately his downfall? 

iii – It’s good to see that Episode 20 finally also sheds light towards the ‘business’ side of affairs. The conflict of interest between the two ‘bosses’ and their territories is a common affair that could easily end in warfare between the two factions. Its intriguing to see how this will play out in the coming weeks.

iv – The cliffhanger to Episode 20 is a rather interesting one. Once again, this could be yet another repercussion to Parizaad’s unbridled honesty and faith in humanity. When someone pleads for ‘help’, Parizaad has a hard time refusing. And in this case, it will most certainly end up against him in the end. Its a certain disaster in the making.

+ Low Points

i – While the writing has brought in new scenarios and storylines to the show, ‘Business entrepreneur’ Parizaad is admittedly not as interesting as ‘down on his luck’ Parizaad. Historically, the journey has always been more interesting than the destination and the show runners are doing a good job in maintaining the level of interest as before. But the show needs a story that can shake the very foundations of Parizaad’s venture as an entrepreneur. A reality check that could land him in serious trouble, a reminder that regardless of social class, empathy is considered a weakness in our society. And judging from this week’s episode, this is perhaps the path that the show will end up taking. 

ii – The introduction of the ‘Radio girl’ seems rather unnecessary to the main plot of the show. Her fangirl moments towards Parizaad does not develop much into an essential side plot and can’t see how this could add to the overall experience of the show. Parizaad has already had three/ four women in his life, adding another one does not seem ‘essential’ and feels rather arbitrary to the show.

+ Overall

Parizaad continues to hold steady with its quality writing and promises new conflicts in the upcoming weeks of television.

 Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Hum Kahan Ke Sachay Thay – Episode XVII (2021)

A review on Pakistani drama TV series, Hum Kahan Ke Sachay Thay Episode 17 (2021). The new TV series is written by Umera Ahmed and directed by Farooq Rind. Hum Kahan Ke Sachay Thay is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Farooq Rind
  • Written by Umer Ahmed
  • Produced by Nina Kashif & Momina Duraid Productions

+ Note

Hum Kahan Ke Sachay Thay marks 5 years since Mahira Khan appeared in a TV drama and as was the case before, this drama was also originally a novel by Umera Ahmed where the childhood and upbringing play an important part in the main plot of the show. The show deals with dark topics such as drug addiction and its impact on a child’s upbringing. 

The show also focuses once again on a love triangle between three cousins who shared a childhood together; Mehreen, Mashal and Aswad. Hum Kahan Ke Sachay Thay is essentially a case study of internal flaws and unspoken guilts that makes us human and how we learn to cope up in a less than ideal society.

 + Main Cast

  1. Mahira Khan as Mehreen Mansoor
  2. Kubra Khan as Mashal Tahir
  3. Usman Mukhtar as Aswad Ayub
  4. Omair Rana as Mansoor
  5. Zainab Qayyum as Shagufta
  6. Haroon Shahid
  7. Laila Wasti
  8. Huma Nawab as Saliha
  9. Kaif Ghaznavi
  10. Shamim Hilali as Aswad’s Grandmother
  11. Khalid Malik

+ Plot

Hum Kahan Ke Sachay Thay is a story of three cousins; Mehreen, Mashal and Aswad. Their lives have coincided with each other since childhood. While Mashal and Aswad grew up in a stable, loving household, Mehreen had to live through the mistakes of her father for being a drug addict and financially unstable. As they grow older, it is obvious that they all share an unbroken bond between each other that will only culminate with certain unforeseeable events.

+ High Points

i – Its clearly obvious that the main cast of Hum Kahan Ke Sachay Thay are trying their level best to make this show an exciting watch. Even though the script is devoid of any creativity and the plot refuses to move on, I have to give the cast all the credit they deserve for reading out those repetitive, awful dialogue for every single episode with little to no reward.

+ Low Points

i –  The episode starts off with Aswad shouting at Mehreen, demanding her to explain how much she hated Mashal. Oh boy… this show does not understand the meaning of the word ‘tiresome’. Seventeen episodes in and Hum Kahan Ke Sachay Thay feels creatively bankrupt since the past five weeks. The plot is stagnated between Aswad’s non-existent revenge, Mehreen’s visions of Mashal and for some reason, Saffan who has nothing better to do but be involved in this complete mess. As I watch an episode each and every week, I truly ask myself what this show is trying to accomplish. As a diligent viewer, who am I supposed to root for? This whole facade of a tragedy is now becoming a parody of itself. Episode 17 was once again nothing more than crude characterizations, shouting contests and endless self-pity sequences. And frankly put, I don’t believe any brilliant conclusion could justify the torture that the show is making us sit through.

ii – So we finally got our answer. Why was Mehreen reluctant to sign those divorce papers even though Aswad has been nothing short of a terrible spouse. Its because she loves him! Yes, the same Aswad who is convinced that his wife poisoned her cousin, the same man who has been manhandling and humiliating his wife publicly without any repercussions. What a great representation of an on screen relationship, a perfect composite of the word “Stockholm Syndrome”. This is just so forced and ridiculous that its unfathomable to even comprehend all of this with an open mind. Sadly, Hum Kahan Ke Sachay Thay finally proves itself to be yet another poster child for glorifying abusive relationships. Not even from the story standpoint, does this make any sense. It’s a reason that a writer comes up with when they have no other intelligent storytelling to fall back to. The Mashal murder mystery has become so convoluted at this point that the show refuses progress even an inch out of its place. Its the lamest and most illogical reasoning to this whole fiasco.

iii – Speaking of abusive relationships, the whole physical and mental torturing of the maid Shabo was an incredibly distasteful scene, almost made me shut off my television set. It’s not a complaint of being ‘unrealistic’, far from it. Its all that the show promotes; abusive relationships, mental and physical torturing the people close to you and worst of all, none of these actions have had any repercussions to them. Its 40 minutes of non-stop debasement of characters on screen each and every week. And if that is what some enjoy in their TV dramas then they really need to seek help.

iv – The restaurant scene was just hilariously bad! Coincidentally, all main cast members of the show dine in the same restaurant. Aswad and his “friend”, Mehreen and her mother in law and Saffan and his newly wedded wife (or fiance, not sure). Of all the millions of people that live in Pakistan, they all ended up in a random place together! Talk about lazy writing by Umera Ahmed. And Aswad gets frustrated because… Mehreen is having lunch in a restaurant and she bumped into Saffan and his fiance/ wife? Is the show trying to find random reasons for the story to have conflict? Which leads me to my next point argument…

v – What is Aswad’s problem? Is he just jealous of Saffan because Mehreen (apparently) likes him? But now that he is getting married to someone else, that still does not satisfy our dear Aswad. He is too busy acting like a manchild in every single episode to realise what his actual motivations in the show are. He hates Mehreen because allegedly, she killed Mashal and seeks revenge. And thus, Aswad ended up marrying Mehreen so he could torture her day and night and also keep her away from the clutches of Saffen. But at the same time, he demands Mehreen as to why she doesn’t sign the divorce papers? But if she does, he thinks that she will end up in the arms of Saffan which is why he refuses to sign the divorce papers..? What kind of nonsense characterization is that? Aswad is, by far, one of the worst main cast characters I’ve ever come across on Pakistani TV. And why does Mehreen still “love” him? This is a mystery perhaps best remains unsolved.

+ Overall

Hum Kahan Ke Sachay Thay failed to improve even a single aspect of its plot structure and arguably, episode 17 has only made it worse. Not worth a watch, folks!

 Rate: out of 5 stars

TV series

Mr. Khan’s Review on Parizaad – Episode XIX (2021)

A review on Pakistani drama TV series, Parizaad Episode 19 (2021). The new TV series is directed by Shehzad Kashmiri and written by Hashim Nadeem. Parizaad is a Momina Duraid Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Shehzad Kashmiri
  • Written by Hashim Nadeem
  • Produced by Momina Duraid Productions

+ Note

Parizaad is based on a novel by Hashim Nadeem and is a case study of a protagonist who cannot seem to find his place in a world where illicit behaviour and exploitation is rewarded over truth and kindness. The show explores the lower middle class societal problems of Pakistan and how a wallflower like Parizaad is never appreciated by our society. 

The director of the show Shehzad Kashmiri is a well respected cinematographer who then moved towards directing TV shows. He also directed a feature length film Bin Roye in 2015 which earned him a nomination for Best Film Director at 15th Lux Style Awards.

 + Main Cast

  1. Noman Ejaz
  2. Ahmed Ali Akbar
  3. Syed Muhammad Ahmed
  4. Urwa Hussain
  5. Ushna Shah
  6. Yumna Zaidi
  7. Saboor Ali
  8. Mashal Khan
  9. Tipu Shah
  10. Kiran Tabeer

+ Plot

Born in a world of neglect and hurt, Parizaad is an innocent soul that differs from everyone. He is kind, thoughtful and a gentle soul who due to his nature and appearance, does not fit the societal norms of Pakistani culture. Will the devious modern society engulf Parizaad into its darkness or will he remain a beacon of hope and all that is good in Life?

+ High Points

i – Episode 19 was indeed a filler episode. And I don’t mean it in a negative way at all. There were some heartfelt, character building moments accompanied by calm reminiscence of the past. This week was Parizaad’s journey into his past life, the life and experiences that made him who he is today. And after the breakneck speed of the dramatic events of Behroze Karim’s story, an episode where the audience just gets to spend some time with the main cast on screen is sufficient enough.

ii – The relationship between Parizaad and his sister has consistently been one of the best parts of the show. It is extremely rare in Pakistan TV to see a well written on screen relationship which is not a romantic one. Ahmed Ali Akbar and Kiran Tabeer have such fantastic chemistry together which works even through mere physical gestures and dialogueless scenes. It would certainly not be an exaggeration that Parizaad’s ambition to succeed in Life has solely been his elder sister’s encouragement to never compromise your sense of morality for the society but rather make the society change around his good deeds.

iii – On a minor note, I did enjoy Parizaad’s revisit to the Antique store. And with all the wealth in his pockets, Parizaad could still not attain the antique piano that he so much desired. Perhaps some things in life are better left unattainable. One could even claim that the writer Hashim Nadeem is unmistakably influenced by the writings of Paulo Coelho.

+ Low Points

i – While it was nice to see Parizaad revisit his past events, it did become mid way through the episode a bit tiresome. Did he have to visit and financially help out each and every person that he ever came across? At those moments, it did feel as if the writer was spreading the “good will” of Parizaad a little too thick on the canvas. I’m hoping that the next episode will finally move on to Parizaad’s next chapter in Life.

+ Overall

Not much to say as this week’s episode was all about Parizaad’s journey into his past events but was still nonetheless satisfying to watch.

 Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Hum Kahan Ke Sachay Thay – Episode XVI (2021)

A review on Pakistani drama TV series, Hum Kahan Ke Sachay Thay Episode 16 (2021). The new TV series is written by Umera Ahmed and directed by Farooq Rind. Hum Kahan Ke Sachay Thay is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Farooq Rind
  • Written by Umer Ahmed
  • Produced by Nina Kashif & Momina Duraid Productions

+ Note

Hum Kahan Ke Sachay Thay marks 5 years since Mahira Khan appeared in a TV drama and as was the case before, this drama was also originally a novel by Umera Ahmed where the childhood and upbringing play an important part in the main plot of the show. The show deals with dark topics such as drug addiction and its impact on a child’s upbringing. 

The show also focuses once again on a love triangle between three cousins who shared a childhood together; Mehreen, Mashal and Aswad. Hum Kahan Ke Sachay Thay is essentially a case study of internal flaws and unspoken guilts that makes us human and how we learn to cope up in a less than ideal society.

 + Main Cast

  1. Mahira Khan as Mehreen Mansoor
  2. Kubra Khan as Mashal Tahir
  3. Usman Mukhtar as Aswad Ayub
  4. Omair Rana as Mansoor
  5. Zainab Qayyum as Shagufta
  6. Haroon Shahid
  7. Laila Wasti
  8. Huma Nawab as Saliha
  9. Kaif Ghaznavi
  10. Shamim Hilali as Aswad’s Grandmother
  11. Khalid Malik

+ Plot

Hum Kahan Ke Sachay Thay is a story of three cousins; Mehreen, Mashal and Aswad. Their lives have coincided with each other since childhood. While Mashal and Aswad grew up in a stable, loving household, Mehreen had to live through the mistakes of her father for being a drug addict and financially unstable. As they grow older, it is obvious that they all share an unbroken bond between each other that will only culminate with certain unforeseeable events.

+ High Points

i – With all the chaos that surrounds Hum Kahan Ke Sachay Thay, the performances of the leading cast is the only salvageable factor left of the show. Even with its massive flaws, the actors still manage to make the fictional scenario believable with their acting chops.

+ Low Points

i –  I have to be honest, it is becoming increasingly difficult to sit through each and every week for this show. Hum Kahan Ke Sachay Thay has lost all its curiosity factor and has almost nothing to offer to its viewers. Every week, each episode now revolves around Mehreen’s visions of Mashal (which have become tiresome by this point), the continuing saga of whether Aswad will divorce Mehreen or not and the anguish of Mashal’s death on her parents. I really don’t mind if the show is opting for a darker path in conveying the storyline but at least follow a clear path of storyline. 

Since the past five / six weeks, no story progression has occurred. The conflict of Aswad and Mehreen is farcical at this stage of the show and it is becoming increasingly clear that the writer Umera Ahmed has no real clue which direction her characters should follow. As of now, they are all stuck in Purgatory, continuing mental torture each and every week with no real storyline behind it.   

ii – What really grinds my gears is the unnecessary conflict in Pakistani dramas. This mental anguish could all be resolved if Mehreen just signs the divorce papers. Even if her husband does not accept it (which he did in this episode), Mehreen’s Mother in Law is on her side, so why is this point being unnecessarily dragged on through countless episodes? 

iii – And once again, I have to forcefully ask myself; why did Aswad want to marry Mehreen in the first place? What was his revenge plan? What did he accomplish? This is all so ridiculous and nonsensical to the main plot and was a massive waste of time for the audience to sit through.

iv – Since Episode 1, the visual presentation of the show has always been a contingent of criticism. The ‘over-lit look’ of each scene directly contradicts the tone of what the show is going for. The story conveys dark, gloom and melancholy but the visuals represent a commercial for a new sunflower cooking oil.

+ Overall

Each week, Hum Kahan Ke Sachay Thay seems to be falling apart. The storyline has dried up, the characters are now directionless in their private limbo and quite frankly, if not for the performances, the show has nothing interesting left to offer to its viewers.

 Rate: out of 5 stars

TV series

Mr. Khan’s Review on Parizaad – Episode XVIII (2021)

A review on Pakistani drama TV series, Parizaad Episode 18 (2021). The new TV series is directed by Shehzad Kashmiri and written by Hashim Nadeem. Parizaad is a Momina Duraid Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Shehzad Kashmiri
  • Written by Hashim Nadeem
  • Produced by Momina Duraid Productions

+ Note

Parizaad is based on a novel by Hashim Nadeem and is a case study of a protagonist who cannot seem to find his place in a world where illicit behaviour and exploitation is rewarded over truth and kindness. The show explores the lower middle class societal problems of Pakistan and how a wallflower like Parizaad is never appreciated by our society. 

The director of the show Shehzad Kashmiri is a well respected cinematographer who then moved towards directing TV shows. He also directed a feature length film Bin Roye in 2015 which earned him a nomination for Best Film Director at 15th Lux Style Awards.

 + Main Cast

  1. Noman Ejaz
  2. Ahmed Ali Akbar
  3. Syed Muhammad Ahmed
  4. Urwa Hussain
  5. Ushna Shah
  6. Yumna Zaidi
  7. Saboor Ali
  8. Mashal Khan
  9. Tipu Shah
  10. Kiran Tabeer

+ Plot

Born in a world of neglect and hurt, Parizaad is an innocent soul that differs from everyone. He is kind, thoughtful and a gentle soul who due to his nature and appearance, does not fit the societal norms of Pakistani culture. Will the devious modern society engulf Parizaad into its darkness or will he remain a beacon of hope and all that is good in Life?

+ High Points

i – There is not much to be said about the episode as there were no incredible revelations or major character development. This week’s Parizaad was arguably just an introspection towards all the previous events that have led up to Parizaad’s position of absolute power,  Episode 18 had a clear distinction between its first and second half of the episode. The first focused on Parizaad still filling in the big shoes that Behroze Karim left for him, a lifestyle perhaps he might never be suited for but the second half focused more on his homesickness; an opportunity to finally break away from all this “get money, get power” life and reunite briefly with his past life. The reunion with his family, his brothers and most importantly, his loving sister was undoubtedly the highlight of the episode. 

Spoilers Alert!! If you would like to avoid it, please skip to the Overall section:

ii – The return of Lubna was also an interesting throwback to Parizaad’s life when he was not in the position of power. Although I do admit it is fun to see the high society’s shock/ realization of Parizaad’s success, I do hope they do something more with Lubna and not just a brief cameo. 

iii – If the family reunion with the brothers and their respective wives could be summed up in a sentence; Money talks! The sudden embracement of his brothers and sister in laws was very predictable and a grim retrospective of the world we live in. The only family member who stood by Parizaad thick or thin was his sister and the final shot of the episode where Parizaad embraces his sister was emotional and heartfelt. 

+ Low Points

i – Admittedly, the “master don” part of Parizaad’s life doesn’t seem all that engaging. The barrage of important meetings, the rebuttal of Parizaad towards his opponents… It unfortunately felt uninteresting and didn’t create enough drama and tension as the rest of the show did throughout its 18 episodes. Perhaps the audience needs something more than just “Look at Parizaad, now he is the talk of the town!”. But let’s see in the coming weeks how the writer tackles this scenario further. 

+ Overall

No massive plot development this week but episode 18 still continues to show why Parizaad is one of the most relatable and down to earth shows on Television.

Rate: out of 5 stars

TV series

Mr. Khan’s Review on Hum Kahan Ke Sachay Thay – Episode XV (2021)

A review on Pakistani drama TV series, Hum Kahan Ke Sachay Thay Episode 15 (2021). The new TV series is written by Umera Ahmed and directed by Farooq Rind. Hum Kahan Ke Sachay Thay is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Farooq Rind
  • Written by Umer Ahmed
  • Produced by Nina Kashif & Momina Duraid Productions

+ Note

Hum Kahan Ke Sachay Thay marks 5 years since Mahira Khan appeared in a TV drama and as was the case before, this drama was also originally a novel by Umera Ahmed where the childhood and upbringing play an important part in the main plot of the show. The show deals with dark topics such as drug addiction and its impact on a child’s upbringing. 

The show also focuses once again on a love triangle between three cousins who shared a childhood together; Mehreen, Mashal and Aswad. Hum Kahan Ke Sachay Thay is essentially a case study of internal flaws and unspoken guilts that makes us human and how we learn to cope up in a less than ideal society.

 + Main Cast

  1. Mahira Khan as Mehreen Mansoor
  2. Kubra Khan as Mashal Tahir
  3. Usman Mukhtar as Aswad Ayub
  4. Omair Rana as Mansoor
  5. Zainab Qayyum as Shagufta
  6. Haroon Shahid
  7. Laila Wasti
  8. Huma Nawab as Saliha
  9. Kaif Ghaznavi
  10. Shamim Hilali as Aswad’s Grandmother
  11. Khalid Malik

+ Plot

Hum Kahan Ke Sachay Thay is a story of three cousins; Mehreen, Mashal and Aswad. Their lives have coincided with each other since childhood. While Mashal and Aswad grew up in a stable, loving household, Mehreen had to live through the mistakes of her father for being a drug addict and financially unstable. As they grow older, it is obvious that they all share an unbroken bond between each other that will only culminate with certain unforeseeable events.

+ High Points

i – The best scenes of every episode are usually the continual dream sequences involving Mashal. They are atmospheric, haunting and fun to watch. It also gives a great insight into the psyche of Mehreen; is she overplaying her guilt or is she really feeling guilty of murdering Mashal?

ii – Even though the flashback childhood scenes are one too many each and every week, it is commendable how they tie in the actual scenario of the present. For example, Adult Aswad getting physically aggressive towards Mehreen leads to the flashback scene where the young Aswad claims that he would never hit a girl. It’s good foreshadowing of the negating acts towards his future self. A reminder of how bad things have become between them.

+ Low Points

i –  Aswad’s idea of “revenge” against Mehreen is completely baffling. So first, he faked his way into a marriage with Mehreen, then he threatened to keep her trapped and miserable in the house for all eternity, then (without any real reasoning to the plot of the show), he disappeared to the US without informing anyone. And now, he suddenly came back and wanted Mehreen to “apologize” to Mashal’s parents… for what exactly, I have no idea. This show makes no sense. Each episode is a loose thread of a plot that never seems to tie in together. Is Aswad playing “damage control” or does he really want to extract revenge from Mehreen? For some weeks, the plot of this show has not developed at all and makes it seem as if the writer Umera Ahmed is having trouble keeping this show relevant.

ii – The breakfast scene in Episode 15 was also silly and repetitive. And this always begs the question; why doesn’t Mehreen just divorce him? I’m sure there are laws that protect women in case an abusive husband refuses a divorce. At least give it a chance! As of now, the plot feels contrived and at times, outright ridiculous.

iii – As expected, the whole “apologize” routine turned out to be a total bust. Who in the right mind would have thought that would work? If Aswad really blames Mehreen for the murder of Mashal, why would he want play “damage control” in this situation? And even if this was all a rouse just to humiliate Mehreen further, it still feels contrived and doesn’t add much to the whole drama of the situation. As you can imagine, the plot is complete nonsense at this point, no new development has been made since the past weeks, none of this feels satisfying and is an obvious attempt to prolong the life of the show.

+ Overall

Hum Kahan Ke Sachay Thay seems like a show in search of a direction. The plot has now stagnated to a point where nothing matters anymore and needs some defilbiration shots to revive it back to life.

 Rate: out of 5 stars

TV series

Mr. Khan’s Review on Parizaad – Episode XVII (2021)

A review on Pakistani drama TV series, Parizaad Episode 17 (2021). The new TV series is directed by Shehzad Kashmiri and written by Hashim Nadeem. Parizaad is a Momina Duraid Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Shehzad Kashmiri
  • Written by Hashim Nadeem
  • Produced by Momina Duraid Productions

+ Note

Parizaad is based on a novel by Hashim Nadeem and is a case study of a protagonist who cannot seem to find his place in a world where illicit behaviour and exploitation is rewarded over truth and kindness. The show explores the lower middle class societal problems of Pakistan and how a wallflower like Parizaad is never appreciated by our society. 

The director of the show Shehzad Kashmiri is a well respected cinematographer who then moved towards directing TV shows. He also directed a feature length film Bin Roye in 2015 which earned him a nomination for Best Film Director at 15th Lux Style Awards.

 + Main Cast

  1. Noman Ejaz
  2. Ahmed Ali Akbar
  3. Syed Muhammad Ahmed
  4. Urwa Hussain
  5. Ushna Shah
  6. Yumna Zaidi
  7. Saboor Ali
  8. Mashal Khan
  9. Tipu Shah
  10. Kiran Tabeer

+ Plot

Born in a world of neglect and hurt, Parizaad is an innocent soul that differs from everyone. He is kind, thoughtful and a gentle soul who due to his nature and appearance, does not fit the societal norms of Pakistani culture. Will the devious modern society engulf Parizaad into its darkness or will he remain a beacon of hope and all that is good in Life?

+ High Points

i – Episode 17 was yet another feather in the cap for Parizaad. It brought forward a very constructive and reasonable story progression. This week also hinted at perhaps a slight dark turn in the character of Parizaad? The next few weeks will surely answer that question but for now, Parizaad is one of the very few shows on TV right now which are consistently outstanding. 

Spoilers Alert!! If you would like to avoid it, please skip to the Overall section:

ii – It makes perfect sense that since the ex-crime lord had no real family, Behroze Karim left his empire to his most trusted companions. And since Ferozhe ended up on the noose, Parizaad became its sole successor. Now this brings a very fascinating twist to the tale of our Protagonist. For once in his life, Parizaad has the power to influence millions of lives around him. Will he continue doing the right thing and keep his sense of morality above everything else or will he succumb to the dark side like his master before him? Excellent story progression!

iii – It’s also commendable that after the demise of Behroze Karim, the show just did not automatically bring every character to their status quo. Although spared from Capital Punishment, Parizaad did nonetheless ended up spending six years in a jail cell and whether that experience made him humble or questioned his sense of morality, remains to be seen.

iv – The reunion of Shah Jahan and Parizaad was arguably one of the best scenes in the show.’s entirety Although the offer to stay in comfort of Parizaad’s new empire sounds enticing, it was evidently very reasonable for Shah Jahan to refuse the offer as his wife and child brought a new sense of responsibility in his life. When it comes to character development, the writer Hashim Nadeem has been so on point.

+ Low Points

i – The only gripe I could have with this week’s episode is the lack of attention towards the previous supporting cast ( aka the Parizaad family). Even though they did address them in the episode, it still feels as if they are being willingly ignored as if they can’t contribute anything else to the show. Perhaps some of this will be rectified in the next coming episodes.

+ Overall

For the most part, Parizaad has been excellent each and every week. The plot is unique, the characters are sympathetic and the story is engaging. A perfect recipe for a great TV show.

 Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Hum Kahan Ke Sachay Thay – Episode XIV (2021)

A review on Pakistani drama TV series, Hum Kahan Ke Sachay Thay Episode 14 (2021). The new TV series is written by Umera Ahmed and directed by Farooq Rind. Hum Kahan Ke Sachay Thay is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Farooq Rind
  • Written by Umer Ahmed
  • Produced by Nina Kashif & Momina Duraid Productions

+ Note

Hum Kahan Ke Sachay Thay marks 5 years since Mahira Khan appeared in a TV drama and as was the case before, this drama was also originally a novel by Umera Ahmed where the childhood and upbringing play an important part in the main plot of the show. The show deals with dark topics such as drug addiction and its impact on a child’s upbringing. 

The show also focuses once again on a love triangle between three cousins who shared a childhood together; Mehreen, Mashal and Aswad. Hum Kahan Ke Sachay Thay is essentially a case study of internal flaws and unspoken guilts that makes us human and how we learn to cope up in a less than ideal society.

 + Main Cast

  1. Mahira Khan as Mehreen Mansoor
  2. Kubra Khan as Mashal Tahir
  3. Usman Mukhtar as Aswad Ayub
  4. Omair Rana as Mansoor
  5. Zainab Qayyum as Shagufta
  6. Haroon Shahid
  7. Laila Wasti
  8. Huma Nawab as Saliha
  9. Kaif Ghaznavi
  10. Shamim Hilali as Aswad’s Grandmother
  11. Khalid Malik

+ Plot

Hum Kahan Ke Sachay Thay is a story of three cousins; Mehreen, Mashal and Aswad. Their lives have coincided with each other since childhood. While Mashal and Aswad grew up in a stable, loving household, Mehreen had to live through the mistakes of her father for being a drug addict and financially unstable. As they grow older, it is obvious that they all share an unbroken bond between each other that will only culminate with certain unforeseeable events.

+ High Points

i – Although Hum Kahan Ke Sachay Thay is devolving each week into obscurity, at least the performances are still with some level of quality and finesse. Mahira Khan, Kubra, Usman and all the supporting actors give it their all in making the show as authentic as possible.

ii – The dream sequences are well directed and presented on screen. Its a nice touch that brings us closer to Mehreen’s psyche of mental torture that Mashal accomplishes even beyond her grave.

+ Low Points

i –  I have no idea what this show is trying to accomplish with its ludicrous storyline and frankly, I’ve lost all interest within the last five episodes. Episode 14 was yet another monotonous spree of accusations, regret and illogical scenarios. Why has Aswad gone back to the US? Didn’t he threaten Mehreen that he will take revenge against her by keeping her caged in the house? What is it with this constant charade of revolving plot twists? Did Mehreen poison her or …. Did Shaboo make a mistake? This murder mystery is really becoming nonsensical now and the plotline just going in circles to no end. 

ii – And the worst part is that; 14 episodes in, and this show has already become stale. The character developments have come to a complete halt, its as if the writer Umera Ahmed has no real clue how to progress the story further. Even though there will be a dramatic end to all this, the journey itself also needs to be interesting in the process as well. Otherwise the show will see a dramatic audience drop off each and every week.

iii – Hum Kahan Ke Sachay Thay has quickly become devoid of all logic. If Mehreen is feeling threatened by Aswad, should she not just divorce him? Even her mother in law agrees to it so there is in fact no societal pressure on her. On the other hand, the whole case against Mehreen seems shaky at best. It’s been at least weeks (if not months) to Mashal’s death. Is there a case against Mehreen anymore? And once again, why is Aswad staying in the US during this crucial moment if he wants to take revenge against Mehreen? 

iv – I have mentioned this before and I will criticize this again; the police inspector feels like he belongs in a screwball comedy rather than a serious dramatic storyline. His goofy performance seems so out of place that it baffles me how the director even approved of this!

+ Overall

With no real character development or engaging storyline, Hum Kahan Ke Sachay Thay feels stagnated, devoid of logic and just plain uninteresting.

 Rate: out of 5 stars

Tele-Films

Mr. Khan’s Review on Aik Hai Nigar (2021)

A review on Pakistani telefilm Drama, Aik Hai Nigar (2021). The ARY Digital telefilm is directed by Adnan Sarwar and starring Mahira Khan as the famous Lt General Nighar Johar. The telefilm also stars Bilal Ashraf, Khushal Khan and Sohail Samee. 

+ Crew

  • Directed by Adnan Sarwar
  • Written by Umera Ahmed
  • Edited by Rizwan AQ
  • DOP by Omar Daraz
  • Music Composed by Abbas Ali Khan
  • Produced by Nina Kashif & Mahira Khan

+ Note

Aik Hai Nigar is a biopic on Pakistan’s first and only female lieutenant general of the Pakistan Army. She has been a part of Pakistan Army Medical Corps and has been serving as a surgeon general. 

 + Main Cast

  1. Mahira Khan as Nigar
  2. Bilal Ashraf as Johar Ali Khan
  3. Khushhal Khan as Shahid
  4. Sohail Sameer
  5. Sara
  6. Iman Shahid

+ Plot

Nigar Johar is a girl who aspires to be big. She wants to become Pakistan Army’s first ever female lieutenant general. Even though she has to face hardships of misogyny and personal despair, Nigar is determined to achieve her goal in life. Along the journey, she meets her life partner Johar Ali Khan who encourages her to pursue her career goal and make history in the nation of Pakistan.

+ High Points

i – Mahira Khan and Bilal Ashraf have good on screen chemistry with one another. Even though there were one too many private life scenes in the telefilm, they complimented each other’s performances very well.

ii – It is also admirable that (judging from the personal photos at the end), the costume designer, make up artist and casting director tried to emulate Nigar’s real life family and friends to the best of their abilities. 

 + Low Points

i – Aik Hai Nigar has unfortunately nothing to offer. It is a dry, insipid take on the life of Nigar Johar; a woman who surely had many hardships to face throughout her career. Sadly none of it is depicted on screen. The telefilm rather focuses much more on her personal hardships which (quite frankly) never proved to be engaging television. It is a baffling decision from the writer Umera Ahmed to ignore the most exciting part of her professional career but rather focus on timid aspects of her personal life. The film failed to educated its audience on her on field accomplishments in a male dominated field of armed forces. What an unfortunate wasted opportunity this telefilm turned out to be!

ii – Speaking of writing, this is probably one of Umera Ahmed’s laziest attempts at penning down a script. Aik Hai Nigar is an incredibly superficial take on the life of Nigar Johar. From cliched, bland dialogues to lack of any flow to the narrative; Aik Hai Nigar is an astoundingly forgettable experience.

iii – Sadly, Mahira Khan does not possess the grittiness required to play the role of a female Lieutenant General. She clearly seemed like an actress playing the role in a movie rather than an actress completely embellished and morphed into Nigar Johar on screen. Whether it was lack of proper rehearsals or understanding her role, Mahira Khan is entirely unconvincing in her lead role.

iv – The makeup has to be one of the worst aspects of the telefilm. From the year 1987 till present day, Mahira Khan as Nigar Johar never grew older. Her skin complexion, her hair, every physical aspect remained of a young mid 30 year old. A personal note to the production team of the telefilm; suspension of disbelief will only take you so far, at least attempt at making her age through makeup! This is just not acceptable in such a star studded cast production!

v – After watching the telefilm, I honestly have no idea what I got out of this. For being a biopic of Pakistan Army’s first ever female lieutenant general, I learned nothing as to what hardships one had to do to accomplish such a massive feat. There were some throwaway one off scenes like “But sir, she’s a woman!” to which they replied “So what? She is very capable!”. And that is how misogyny in the Pakistani Army was resolved. Wish it was that easy.

vi – While watching the telefilm, it quickly became evident the film was not really that interested in portraying Nigar’s professional life but focused heavily on her personal life. Numerous scenes were solely devoted to her romance with her husband, the personal tragedy she had to face and a real attempt to mold Nigar’s life into a stereotypical Pakistani drama. And that seemed entirely unfair to the dedication and hardwork that Nigar had to put in order to achieve her goal. And even with her scenes with the husband, it seemed incredibly superficial and perfect, as if they never had an argument or even a disagreement over a decision. Johar Ali Khan is in fact the flawless husband. The perfect atmosphere just seemed detrimental to the authenticity of the story.

A good biopic always keeps a steady balance between the professional and personal aspects of the character’s life. Aik Hai Nigar unfortunately just straight out ignored to even attempt to understand her professional career.

+ Overall

Aik Hai Nigar is a lazy attempt to capture the life of Pakistan Army’s first female Lieutenant General on screen. It’s misguided, insipid and by the end of it, will seem like an entirely forgettable experience.

Rate: out of 5 stars