TV series

Mr. Khan’s Review on Fraud – Episode XVII (2022)

A review on Pakistani drama TV series, Fraud Episode 17 (2022). The new TV series is directed by Saqib Khan and written by Zanjabeel Asim. Fraud is a story of love, innocence and treachery as our protagonist is manipulated into marrying a forged personality. Fraud is an iDream Entertainment and ARY Digital Production.

+ Crew

  • Directed by Saqib Khan
  • Written by Zanjabeel Asim
  • Produced by Abdullah Seja 
  • Production by iDream Entertainment

+ Note

Fraud is a case study of Pakistani families who always strive for betterment of their children. Obsession with wealth and power almost always ends up leading to unfavorable consequences. The director Saqib Khan is known for his numerous television projects and his upcoming cinematic film Ghabrana Nahi Hai (2022).

 + Main Cast

  1. Saba Qamar as Maya
  2. Ahsan Khan as Tabriaz
  3. Mikaal Zulfiqar as Shaan
  4. Rabia Kulsoom as Maila
  5. Adnan Samad Khan as Nael
  6. Mehmood Aslam as Nisar

+ Plot

Fraud is a story of Maya whose father wants her to marry into the richest family that he could find. But wealth does not equal character as she ends up marrying a wealthy man named Tabriaz who, through his trickery, makes life for Maya full of deceit and fraud.

+ High Points

i – Episode 17 was a mixed bag but mostly entertaining. It’s high time that the show has finally connected all the three parallel plots together, bringing a much needed sense of cohesion to the main narrative of the show. Although there were no real surprises in the episode, it did (nonetheless) move all the three plots forward. I am somewhat intrigued where this is all heading.

ii – The redemption arc of Nisar sahib’s sister was genuinely a fantastic scene. The melodrama was well timed and executed, not to mention the great performances from Mehmood Aslam as Nisar. Its a real shame that the character of Nael has been almost non-existent ever since he left Maya at the altar because he has personality in spades compared to the other two male leads of the show.

iii – Tabriaz and his recent “project” will surely spell the end of him and his money making schemes. I find the narrative connection of Tabriaz and Shaan’s sister well written and makes perfect sense (considering the sister’s character and why she could only fall for guys who could lie their way to put a ring around her finger. In the past, I have criticized Fraud for a lot of terrible writing but this is a case where the writing truly excels in the whole narrative scheme of things.   

+ Low Points

i – I’m not sure if the show wants the audience to feel empathetic and sorry for Shaan’s ill fate in love or make fun of him (clearly, I have opted for the latter). Instead of sympathetic and loving, Shaan comes off as a whiny, overgrown manchild who can’t handle his personal life. It is an unfortunate conglomerate of bad screenwriting, direction and performance that truly makes Shaan the worst character on the show.

ii – The only reason the Nisar family was forced to move to Lahore is so that their narrative can finally connect with the Shaan family. And… this seems somewhat lazy writing. I really liked how the show connected Tabriaz with Shaan’s family as it felt more genuine and made perfect sense for the show. I guess we all have to wait for the inevitable confrontation of Maya and Tabriaz and hopefully, it will be as epic and melodramatic as it sounds!

+ Overall

Now that the “filler” episodes are in the past, Fraud seems somewhat interesting and fun to watch again. 

Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Fraud – Episode XVI (2022)

A review on Pakistani drama TV series, Fraud Episode 16 (2022). The new TV series is directed by Saqib Khan and written by Zanjabeel Asim. Fraud is a story of love, innocence and treachery as our protagonist is manipulated into marrying a forged personality. Fraud is an iDream Entertainment and ARY Digital Production.

+ Crew

  • Directed by Saqib Khan
  • Written by Zanjabeel Asim
  • Produced by Abdullah Seja 
  • Production by iDream Entertainment

+ Note

Fraud is a case study of Pakistani families who always strive for betterment of their children. Obsession with wealth and power almost always ends up leading to unfavorable consequences. The director Saqib Khan is known for his numerous television projects and his upcoming cinematic film Ghabrana Nahi Hai (2022).

 + Main Cast

  1. Saba Qamar as Maya
  2. Ahsan Khan as Tabriaz
  3. Mikaal Zulfiqar as Shaan
  4. Rabia Kulsoom as Maila
  5. Adnan Samad Khan as Nael
  6. Mehmood Aslam as Nisar

+ Plot

Fraud is a story of Maya whose father wants her to marry into the richest family that he could find. But wealth does not equal character as she ends up marrying a wealthy man named Tabriaz who, through his trickery, makes life for Maya full of deceit and fraud.

+ High Points

i – This week’s episode was undoubtedly an improvement from the previous five episodes. The narrative flowed flawlessly, never stagnated nor dragged on unnecessarily. There were some major developments in two of the three ongoing episodes and even though it was unintentionally comical at times, it was nonetheless very entertaining. The show has finally managed to bring in some life back into the plot and we finally are now going to witness a crossover between the two parallel stories.

ii – Speaking of intertwining the two stories, I genuinely like how they have managed to bring the two narratives together. Now, will they be able to make an engaging premise out of this? That still remains to be seen but push comes to shove, Ahsan Khan manages to carry the scenes almost single handedly. Granted, the script and dialogues were cheesy as hell but I can’t deny the entertainment factor that came along with it. 

iii –  I am glad that the show finally reveals the fact that the character of Shaan is nothing more than a grown up man child. Even though the show established earlier on to hate on his ex-wife, his character seems utterly clueless about what is happening around him. His mother, his sister and now his lover, they successfully mock him behind his back and he’s too naive to notice any of this. In short, Shaan has terrible judgment of character and this episode proves it.

+ Low Points

i – I may have enjoyed the episode but the dialogues were just too hard to digest. Especially during Tarbiaz (Sharjeel or whatever his name is) with his new pet project. And Naeema Butt’s stiff performance made the scenes even worse to watch.

ii – Unfortunately, I cannot care less about Maila and Talal’s relationship. The opening scene was not good and continued the trend of lackluster storyline. Luckily, the show picked up as soon as the storyline shifted towards Tabriaz and some rapid new developments in Shaan’s life. Maya and her father are not in the forefront of the plot anymore but rather relegated to the back burners of the plot. 

+ Overall

Finally, a welcome change in storyline for the show. 

Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Fraud – Episode XV (2022)

A review on Pakistani drama TV series, Fraud Episode 15 (2022). The new TV series is directed by Saqib Khan and written by Zanjabeel Asim. Fraud is a story of love, innocence and treachery as our protagonist is manipulated into marrying a forged personality. Fraud is an iDream Entertainment and ARY Digital Production.

+ Crew

  • Directed by Saqib Khan
  • Written by Zanjabeel Asim
  • Produced by Abdullah Seja 
  • Production by iDream Entertainment

+ Note

Fraud is a case study of Pakistani families who always strive for betterment of their children. Obsession with wealth and power almost always ends up leading to unfavorable consequences. The director Saqib Khan is known for his numerous television projects and his upcoming cinematic film Ghabrana Nahi Hai (2022).

 + Main Cast

  1. Saba Qamar as Maya
  2. Ahsan Khan as Tabriaz
  3. Mikaal Zulfiqar as Shaan
  4. Rabia Kulsoom as Maila
  5. Adnan Samad Khan as Nael
  6. Mehmood Aslam as Nisar

+ Plot

Fraud is a story of Maya whose father wants her to marry into the richest family that he could find. But wealth does not equal character as she ends up marrying a wealthy man named Tabriaz who, through his trickery, makes life for Maya full of deceit and fraud.

+ High Points

i – The best thing I can say about Episode 15 is that it wasn’t boring and was (admittedly) entertaining in a few places (whether intentional or not). And at least it’s nice to see the main cast still trying to give their best performances for the show.

+ Low Points

i – … they ruined the only good thing that was going for the show. The Tabriaz group of con artists have officially broken up (well, at least Tabriaz got kicked out) and I genuinely feel that this was way too early. The show should have let this play along for at least another con job as it is still a fresh and novel premise for Pak television. 

ii – This week’s source of drama in Maya’s life was that the mom wanted to keep her away from any wedding celebrations of her sister. Not only was this a ridiculous point of tension but seriously, who cares? The audience wants to see conflicts that have consequences to them. Thankfully this subplot was contained in a single episode and did not overstay its welcome. But that’s not all. Apparently Nisar is now forcefully retired from his job so… I guess that’s a problem now? Didn’t feel like it as the wedding went along as planned. Seems like this show is utterly desperate to make new conflicts and hurdles in order to keep the show interesting.

iii – This week continues Shaan and his new found love. Or in other words, the secretary is forcing her way into Shaan’s life by proclaiming that she will be the new step mother for his child (whether he likes it or not). And if that sounds ridiculous then you really need to hear the dialogues of the scenes mentioned above. The script is awful in every sense of the word (“A poor girl is always afraid of poverty”. What does that even mean??). I will be extremely surprised if this new secretary/ future wife doesn’t turn out to be a con artist herself as she will “fraud” her way into Shaan’s life and steal all of his monetary assets.

iv – In addition to the point mentioned above, the scene in the car was incredibly cringeworthy. But admittedly, I did laugh out loud.

+ Overall

Every week, it is becoming increasingly difficult to watch the show due to its massive decline in writing quality (ever since the big Fraud revelation to be precise). Seems like Fraud is proving itself to be a one trick pony.

Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Fraud – Episode XIV (2022)

A review on Pakistani drama TV series, Fraud Episode 14 (2022). The new TV series is directed by Saqib Khan and written by Zanjabeel Asim. Fraud is a story of love, innocence and treachery as our protagonist is manipulated into marrying a forged personality. Fraud is an iDream Entertainment and ARY Digital Production.

+ Crew

  • Directed by Saqib Khan
  • Written by Zanjabeel Asim
  • Produced by Abdullah Seja 
  • Production by iDream Entertainment

+ Note

Fraud is a case study of Pakistani families who always strive for betterment of their children. Obsession with wealth and power almost always ends up leading to unfavorable consequences. The director Saqib Khan is known for his numerous television projects and his upcoming cinematic film Ghabrana Nahi Hai (2022).

 + Main Cast

  1. Saba Qamar as Maya
  2. Ahsan Khan as Tabriaz
  3. Mikaal Zulfiqar as Shaan
  4. Rabia Kulsoom as Maila
  5. Adnan Samad Khan as Nael
  6. Mehmood Aslam as Nisar

+ Plot

Fraud is a story of Maya whose father wants her to marry into the richest family that he could find. But wealth does not equal character as she ends up marrying a wealthy man named Tabriaz who, through his trickery, makes life for Maya full of deceit and fraud.

+ High Points

i – The only interesting storyline going on at the moment is the follow up con job of Tabriaz as the son of a wealthy landowner. But this time around, the audiences know fully well how they are manipulating the naive family of the bride into handing over all of their belongings. And honestly, that is entertaining to watch. Even the performances are mostly very believable and the production has done a great job in setting up the locations and costumes for this particular storyline. I’m curious to see how far Tabriaz and company will take this con job or will they finally be caught red handed.

ii – The “divorce” revelation scene was simple but actually brilliant writing as on one hand, the bride’s family now views the Tabriaz family as “open minded, pure hearted” people whereas her being a divorcee makes a lick of a difference to their ultimate plan of grab whatever you can and disappear.

+ Low Points

i – Unfortunately I cannot sing praises for the rest of the show as it has quickly become so mediocre and stale. The progression of the plot seems purposefully lethargic (in order to prolong the lifespan of the show) and the scenes have no urgency or depth to them. Maya is a supporting character in her own show who has absolutely nothing meaningful to do except to serve as a narrative prop for the characters around her (for example, being a vehicle for her sister to get married). The characters that did make a significant impact in the past like Nael are absent since past five weeks and Nisar seems to have outlived his usefulness to the plot of the show.

ii – A few reviews ago, I mentioned that Talal could be an interesting character if the show plays its cards right. Well, I was wrong. He is as generic and bland as any other “good guy” from any numerous Pak TV shows out there. If someone were to ask me what are the character traits of Talal, I will surely be dumbfounded. A plain piece of Cardboard has more character depth than him.

iii – Shaan is now setting his eyes on his new secretary. Sigh.. whatever. This subplot never (at any point) grew interesting, nor does this subplot fit into the world of Fraud. I don’t mind if a show has parallel storylines going on that only converge philosophically (films like Amores Perros (2000) is a perfect example) but they need to converge on some level. The acting, the backdrop, the writing; everything seems so out of place for this show. And quite frankly, Mikaal Zulfiqar is not talented enough to take the lead role of this storyline.

iv – And yes, the secretary interview scene was cringeworthy. After hearing her praises of her qualifications, she replies to her future boss with “Tell me something I don’t know”. Awful, pathetic writing.

+ Overall

The only thing that makes Fraud currently watchable is Tabriaz’s storyline. The rest of the show is utterly mediocre and forgettable.

Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Fraud – Episode XIII (2022)

A review on Pakistani drama TV series, Fraud Episode 13 (2022). The new TV series is directed by Saqib Khan and written by Zanjabeel Asim. Fraud is a story of love, innocence and treachery as our protagonist is manipulated into marrying a forged personality. Fraud is an iDream Entertainment and ARY Digital Production.

+ Crew

  • Directed by Saqib Khan
  • Written by Zanjabeel Asim
  • Produced by Abdullah Seja 
  • Production by iDream Entertainment

+ Note

Fraud is a case study of Pakistani families who always strive for betterment of their children. Obsession with wealth and power almost always ends up leading to unfavorable consequences. The director Saqib Khan is known for his numerous television projects and his upcoming cinematic film Ghabrana Nahi Hai (2022).

 + Main Cast

  1. Saba Qamar as Maya
  2. Ahsan Khan as Tabriaz
  3. Mikaal Zulfiqar as Shaan
  4. Rabia Kulsoom as Maila
  5. Adnan Samad Khan as Nael
  6. Mehmood Aslam as Nisar

+ Plot

Fraud is a story of Maya whose father wants her to marry into the richest family that he could find. But wealth does not equal character as she ends up marrying a wealthy man named Tabriaz who, through his trickery, makes life for Maya full of deceit and fraud.

+ High Points

i – The show (at the moment) is blessed with a colorful cast with various storylines heading parallel to one another. Currently the show gives you the option to dive into whichever subplot that grabs your attention whether it’s the Maya chronicles, the Tabriaz con artist, Shaan’s single parent storyline or the Maila/ Talal romance. Now, are they all quality storylines? Of course not but the show at least gives you an option to make itself appealing to the viewer (with whichever storyline it may be).

ii – Due to the three main plots taking place in different parts of Pakistan, it is refreshing to see the visual difference between all these storylines. From the countryside to the middle-class urban bungalows to the fancy upper class mahals, we get to see each and every facet of the Pakistani landscape.

+ Low Points

i – The show seems mostly lost. Ever since the debacle of a wedding between Nael and Maya, Fraud is struggling to stay relevant in the eyes of its viewers. Currently the show is revolving around three to four separate plots in order to sustain the viewer’s attention. While it does sound good on paper, one must ask if it actually ties into one another. The Shaan storyline seems so distant and up till now, irrelevant to the main plot of the show… which seems to be currently hijacked by the Maila/ Talal romance. And speaking of romance…

ii – The romance between Maila and Talal is too far-fetched and ridiculous. Do we really have to see this shameful trope yet again where the girl says no to the guy straight upfront but then the guy has to persist/ harass her till she accepts him? Even if we ignore the precedent this sets for our society, it is completely absurd and lacks any sort of character development.

iii – Episode 13 just was lackluster in every sense of the word. It had no originality and was just completely devoted to the Maila/ Talal love story so we can get that out of the way as soon as possible. Where is the sense of excitement, powerful performances and setpieces that we were promised by the first five to eight episodes? Sadly, the fall for Fraud has been swift and deep into the depths of mediocrity. 

iv – Once again, Maya has become a common supporting character yet again in her own show. Fraud has nothing interesting for her to do. She’s either too busy being the crying shoulder for her father or pushing her sister into her own marriage. 

+ Overall

With each passing week, Fraud is becoming more and more mediocre and the three parallel storylines are not going to change that.

Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Fraud – Episode XI & XII (2022)

A review on Pakistani drama TV series, Fraud Episode 11 & 12 (2022). The new TV series is directed by Saqib Khan and written by Zanjabeel Asim. Fraud is a story of love, innocence and treachery as our protagonist is manipulated into marrying a forged personality. Fraud is an iDream Entertainment and ARY Digital Production.

+ Crew

  • Directed by Saqib Khan
  • Written by Zanjabeel Asim
  • Produced by Abdullah Seja 
  • Production by iDream Entertainment

+ Note

Fraud is a case study of Pakistani families who always strive for betterment of their children. Obsession with wealth and power almost always ends up leading to unfavorable consequences. The director Saqib Khan is known for his numerous television projects and his upcoming cinematic film Ghabrana Nahi Hai (2022).

 + Main Cast

  1. Saba Qamar as Maya
  2. Ahsan Khan as Tabriaz
  3. Mikaal Zulfiqar as Shaan
  4. Rabia Kulsoom as Maila
  5. Adnan Samad Khan as Nael
  6. Mehmood Aslam as Nisar

+ Plot

Fraud is a story of Maya whose father wants her to marry into the richest family that he could find. But wealth does not equal character as she ends up marrying a wealthy man named Tabriaz who, through his trickery, makes life for Maya full of deceit and fraud.

+ High Points

i – These past few episodes have brought Fraud into a new narrative direction and a whole new cast of characters. As Tabriaz and company gears up for their next victim, Maya and family struggle to get back to normality as the Policeman falls for Maila. While not as enticing as the first five episodes, Fraud is settling down on a narrative path and evidently down the line, the paths of Maya and Tabriaz will cross once again. It’s at least intriguing to see how the show plays this “double narrative” (or even triple) between Maya’s family, Tabriaz’s new con job and Shaan’s post separation woes.

ii – The newly introduced Police Officer Talal could potentially be an interesting character, a stark contrast to Nael and Tabriaz if the show plays their cards right. What the show does right for me at the moment is its vast cast of characters with their own personalities and problems that could contribute well into the show’s narrative.

iii – A well thought out decision by the show runners to move the next setting to the rural areas of Pakistan. It brings a much needed visual change for the audience as well as a fresh frame of mind for them.

+ Low Points

i – Unfortunately it is becoming increasingly clear that Fraud’s big hurrah was indeed the Revelation of the ‘Fraud’ job done by Tabriaz (and company) and the Betrayal of Nael. Since then, the show is not as engaging as it used to be. Sure, there are a few subplots pushing the main narrative forward but nothing seems fresh as it once was. How many times will we see the Nisar family being betrayed or Maya contemplating her fate when it comes to men. The only way the show can work now is that they make Maya the center of attention. She can’t constantly stay in the shadows and complain about her life. With repetitive misfortunes, it very quickly turns into a farce and in the end, comical. I also can’t understand how the Nisar family is again so eager to get their Maya married off when they just suffered such public humiliation… twice.

ii – Speaking of humiliation, the Rishta scene in Episode 12 just did not work. So apparently Talal and Maila studied together and spent most of their academic time together. Talal just had a brief chat with the older sister Maya in the hospital waiting room and for some reason, the Nisar family thought that he was interested in her and not the girl he spent most of his time with? This really just felt like forced drama/ misunderstanding to prolong the life of the show and felt unnecessary.

iii – With reference to the scene above, Rabya Kalsoom as Maila felt as if she was trying too hard to make the scene work. It has now become a trait of her character that she starts lecturing everyone who she comes across, regardless of Age, class or situation. Also Talal apparently just walked into her room without ever knocking or permission… Seriously, who does that?

iv – The Shaan subplot still lacks any motivation for me to comment upon. Moving on.

+ Overall

An entertaining watch but the show already seems like a shadow of its former self.

Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Fraud – Episode X (2022)

A review on Pakistani drama TV series, Fraud Episode 10 (2022). The new TV series is directed by Saqib Khan and written by Zanjabeel Asim. Fraud is a story of love, innocence and treachery as our protagonist is manipulated into marrying a forged personality. Fraud is an iDream Entertainment and ARY Digital Production.

+ Crew

  • Directed by Saqib Khan
  • Written by Zanjabeel Asim
  • Produced by Abdullah Seja 
  • Production by iDream Entertainment

+ Note

Fraud is a case study of Pakistani families who always strive for betterment of their children. Obsession with wealth and power almost always ends up leading to unfavorable consequences. The director Saqib Khan is known for his numerous television projects and his upcoming cinematic film Ghabrana Nahi Hai (2022).

 + Main Cast

  1. Saba Qamar as Maya
  2. Ahsan Khan as Tabriaz
  3. Mikaal Zulfiqar as Shaan
  4. Rabia Kulsoom as Maila
  5. Adnan Samad Khan as Nael
  6. Mehmood Aslam as Nisar

+ Plot

Fraud is a story of Maya whose father wants her to marry into the richest family that he could find. But wealth does not equal character as she ends up marrying a wealthy man named Tabriaz who, through his trickery, makes life for Maya full of deceit and fraud.

+ High Points

i – Episode 10 covered the aftermath of the previous week and while nothing spectacular, it was still an entertaining hour of television with great performances all around. I like the fact that we get to see repercussions of Nael’s selfish act from last week as he is forced to witness Nasir descend into sudden madness. Did Nael really loved Maya or was it all about his ego at the end? 

ii – Mehmood Aslam just dominates each scene that he is a part of. Bear in mind, this is not an easy character to pull off. Nisar is a genuinely  kind hearted person and wears his heart on his sleeve for the most part but greed for a better future for his daughter got the better of him. In episode 10, Mehmood Aslam got to flex more of his acting chops but never went into the silliness territory. Nisar is by far, the best and most interesting character Fraud has in its wide cast of characters.

iii – The hospital visit scene was wild in the best possible way. Nisar has probably descended into the point of no return and the production crew did a brilliant job in elevating that scene with great camera work and production design.

+ Low Points

i – Episode 10 was not without its flaws. The story of Shaan and his past married life feels so out of place with the rest of the show. The subplot with Shaan’s ex wife willingly leaving her daughter behind feels forced and unnecessary. Everything about this subplot since the first episode just doesn’t work. The acting is bad, the dialogues feel hokey and worst of all, it is clearly not on the level that the show’s main plot is. I also find it tad ridiculous that Shaan just allows his ex wife to dictate the terms of their child’s arrangement. 

So the ex wife is willingly leaving her daughter at Shaan’s place to improve the relationship with her new husband. But at the same time, she will call her daughter once a week and visit her once a year. And Shaan just accepts all of this? Why?? He can easily tell her off that once she is leaving her daughter, that is the end. You cannot just drop off the child and visit her whenever you like. If he agrees to all this then Shaan is an even bigger idiot than I thought he was. It’s ridiculous writing like this that makes this subplot so weak in comparison to the rest of the show.

ii – The episode also felt a bit too exposition heavy and could have really benefited from lesser dialogue heavy moments (particularly the Nael and his mother scene). I genuinely feel that the performances and the images are strong enough not to warrant heavy explanations of how our protagonists are feeling.

+ Overall

Episode 10 has nothing new to offer but strong performances all around makes it an entertaining hour watch.

Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Fraud – Episode VIII & IX (2022)

A review on Pakistani drama TV series, Fraud Episode 8 & 9 (2022). The new TV series is directed by Saqib Khan and written by Zanjabeel Asim. Fraud is a story of love, innocence and treachery as our protagonist is manipulated into marrying a forged personality. Fraud is an iDream Entertainment and ARY Digital Production.

+ Crew

  • Directed by Saqib Khan
  • Written by Zanjabeel Asim
  • Produced by Abdullah Seja 
  • Production by iDream Entertainment

+ Note

Fraud is a case study of Pakistani families who always strive for betterment of their children. Obsession with wealth and power almost always ends up leading to unfavorable consequences. The director Saqib Khan is known for his numerous television projects and his upcoming cinematic film Ghabrana Nahi Hai (2022).

 + Main Cast

  1. Saba Qamar as Maya
  2. Ahsan Khan as Tabriaz
  3. Mikaal Zulfiqar as Shaan
  4. Rabia Kulsoom as Maila
  5. Adnan Samad Khan as Nael
  6. Mehmood Aslam as Nisar

+ Plot

Fraud is a story of Maya whose father wants her to marry into the richest family that he could find. But wealth does not equal character as she ends up marrying a wealthy man named Tabriaz who, through his trickery, makes life for Maya full of deceit and fraud.

+ High Points

i – An intense, gut wrenching episode of Fraud! With each passing scene, the impending catastrophe loomed over the Nisar family. Even after repeated refusals from Nael over his marriage with Maya, the two families still went ahead with the proceedings. The hope that they will be finally united in ‘marriage in law’ made them blind towards the obvious truth. What I truly loved about episode 8 was its ‘ticking time bomb’ narrative. You just know it’s going to go off but still can do nothing to stop the inevitable. Brilliant writing, accompanied by fantastic performances made this one of the best episodes of Fraud yet.

ii – Speaking of performances, this episode had some spectacular ones from Adnan Samad Khan, Mehmood Aslam and also Nazli Nasr. They truly commanded every scene they were a part of. Nisar’s slow descent into lunacy was brilliantly contrasted with Nael’s vengeance. WIth the recent proposal of Maya’s marriage to Nael, the tables turned in his favor and the temptation to make Nisar suffer was greater than anything Nael could have truly wanted. 

iii – On the other hand, the side plot of “Tabriaz family” was also entertaining. It was undoubtedly less corny than the previous episode and this time, Annie Zaidi’s character felt more genuine as we got to witness how these con artists function under the belly of our society. They are sharp, cunning and most of all, they only look after themselves. The scene with the jewelry store owner brought a lot of authenticity to her character as she desperately needs inside contacts in order to make such a Fraud display work. Optimistically looking forward to what the show will follow up with.

iv – Picking up from my criticism of the last episode, Maya displayed a far better character this week as she tries her hardest to adjust to her hideous reality. Even when she is told about her engagement with Nael, Maya blurts out that he doesn’t deserve her (and with that, her father’s misguided arrogance). Even with the days coming closer to the Nikah, Maya keeps questioning if things will ultimately take the turn for the worst (and spoiler alert, they do).

+ Low Points

i – My only point of criticism for episode 8 could be Ahsan Khan’s performance. While not terrible, it’s also far from impressive. It’s painfully obvious that Ahsan does not possess the acting chops to pull off this role as successfully as his “mom & dad” counterparts in the show. Although Ahsan Khan’s performance improves with less seasoned actors around, it’s hard to take his performance seriously when he shares the screen with the likes of Annie Zaidi and Saife Hasan.

+ Overall

Brilliant episode! It’s worth all of its new, two hour format. Highly recommended!

Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Sang-e-Mah – Last Episode (2022)

A review on Pakistani drama TV series, Sang-e-Mah Last Episode (2022). The new TV series is directed by Saife Hassan and written by Mustafa Afridi. Sang-e-Mah is the spiritual continuation of the saga introduced in the Hum TV drama Sang-e-Mar Mar (2016). Sang-e-Mah is the acting debut of the famous Pakistani pop star Atif Aslam and the drama is a Momina Duraid Production.

+ Crew

  • Directed by Saife Hassan
  • Written by Mustafa Afridi
  • Produced by Momina Duraid Productions

+ Note

The drama Sang-e-Mah serves as a spiritual sequel to the show Sang-e-Mar Mar (2016) with Noman Ejaz, Sania Saeed and many others returning to the same cast and crew. The drama deals with life in the Pakhtoon region of Pakistan and explores such hard hitting topics like forced marriages and integral family relationships. According to the director, Sang-e-Mah serves under similar themes as its predecessor, in a three part trilogy, ending it with the next planned show, Sang-e-Siyah.

 + Main Cast

  1. Atif Aslam as Hilmand Khan
  2. Nauman Ijaz as Haji Marjaan Khan
  3. Kubra Khan as Sheherzaad
  4. Hania Amir as Gul Meena
  5. Zaviyar Nauman Ijaz as Hikmat Khan
  6. Sania Saeed as Zarghuna
  7. Samiya Mumtaz as Zarsanga
  8. Omair Rana as Mastaan Singh
  9. Najiba Faiz as Harshaali Kaur
  10. Hassan Noman as Badam Gul

+ Plot

Sang-e-Mah is a story of a dysfunctional Pakhtoon family in the tribal regions of Pakistan where pride and honour mostly triumphs over empathy and forgiveness. The show deals with issues such as young love and opposing families who are engaged in a tribal battle with one another.

MAJOR SPOILERS AHEAD!!! Please read with caution:

+ High Points

i – A credible, thought-provoking and at the end of the day, entertaining finale to the Khan family saga from Laspiran. The final episode certainly delivered, bringing this tale of love and revenge to a close. Was it a satisfying conclusion? It solely depends on what you wanted from the show. Even in my previous reviews, I always compared Sang-e-Mah to a Shakespearan tragedy and that is exactly how the curtains were closed at the end. Props to the writer of the show Mustafa Afridi who brought a creative twist ending to the tale. Although I was aware that Haji Marjaan Khan’s days were numbered, the ending did take me by surprise and left me pondering well after the last image of the episode left my tv screen. The show was far from being a masterpiece as it had its share of problems but I can safely say, the conclusion to the show was immensely satisfying.

ii – This was the final time we got to see Marjaan Khan and his wife Zarsanga together and without a doubt, their performances were just on another level throughout the show. Both veteran actors have such beautiful on screen chemistry that they can literally end each other’s sentences. The terrible secret that they shared made their love all the more stronger and perhaps passing away together was the only way they would have liked to depart from this sinful world.

iii – The climatic scene at the Jirga was brilliantly presented and directed by Saife Hassan. The dialogues were mostly pitch perfect, including the “little white lie” by Hilmand to drive Masha’allah Khan out of Laspiran once and for all. Even though it was not entirely realistic, I did immensely enjoy the proceedings and thankfully, the women’s revolt was played with a certain realistic restraint and never went overboard.  

iv – In a sea of “Saas/ Bahoo” dramas with poor, cliched writing and production, Sang-e-Mah had the guts to leave its viewers with a tragic ending that would leave anyone cold with a lingering, haunting image of the two aged lovers, found leaning on one another and waiting for their reunion in the afterlife. But was the tragic ending warranted? I can see arguments to both sides of the spectrum but regardless, I’m sure it took a lot of courage from the creative team to stick to their guns and go with the ending that I’m sure left half of their viewers dissatisfied (mostly because they wanted a happy end to the show).  

+ Low Points

i – There’s not much I can criticize about the finale, apart from the fact that the Jirga and the impending problem of Gak. The issue was certainly oversimplified and the solution came rather quickly with no real thought behind it. I wish the show would have put in a bit more effort into it, making it more realistic and believable. 

ii – Masa’allah Khan should have been used more in the show. He was barely in a couple of episodes and even then, he showed more grit and tenacity than any antagonist in Sang-e-Mah. This character was unfortunately introduced too late into the show and was immensely underutilized. 

+ Overall and Final thoughts on Sang-e-Mah

Sang-e-Mah was engaging and at times, thought provoking but with such a stellar cast of actors like Nauman Ijaz, Sania Saeed, Atif Aslam, Kubra Khan; it never reached the level of quality that it had every right to be. And most of the blame lies solely on the writing. First of all, Sang-e-Mah should never have been 26 episodes long as some felt an incredibly forced hour of content with no real substance. Even though characters like Marjaan Khan, Zarguna, Zarsanga, Mastaan Singh were great to witness on screen, main characters like Hilmand and Sherherzad felt underdeveloped and under performed (including their forced romance). Unfortunately, this show did no favors to the amateur actor Atif Aslam who is too much of a novice to pull off such a complex character of Hilmand. The never ending pseudo philosophy and constant sulking in each scene left an undesirable taste in my mouth. Sherherzad on the other hand, had a back story that no one asked for. Instead of exploring her “fish out of water” character (a city reporter who was forced to deal with the male chauvinist society of Pakhtoon), we got a tired, recycled childhood abuse story that only made the show feel tacky and unrealistic.

The production of the show was yet another home run for Momina Duraid productions as they prove time and time again that you do not need constant overbearing music in the background to provoke emotions out of your audience. Great framing, excellent cinematography made Sang-e-Mah such a pleasant viewing. 

In conclusion, Sang-e-Mah was a show that had the potential to be a modern classic but sadly, settled to being just better than most current Pakistani shows. Lesser episodes, more sharper writing could have done wonders but that is not the show that we got to witness. What worked for the show, worked to its highest potential; what did not, left a permanent stain on its legacy.

Rate: out of 5 stars 

Overall Series Rating: out of 5 stars

TV series

Mr. Khan’s Review on Sang-e-Mah – Episode XXV (2022)

A review on Pakistani drama TV series, Sang-e-Mah Episode 25 (2022). The new TV series is directed by Saife Hassan and written by Mustafa Afridi. Sang-e-Mah is the spiritual continuation of the saga introduced in the Hum TV drama Sang-e-Mar Mar (2016). Sang-e-Mah is the acting debut of the famous Pakistani pop star Atif Aslam and the drama is a Momina Duraid Production.

+ Crew

  • Directed by Saife Hassan
  • Written by Mustafa Afridi
  • Produced by Momina Duraid Productions

+ Note

The drama Sang-e-Mah serves as a spiritual sequel to the show Sang-e-Mar Mar (2016) with Noman Ejaz, Sania Saeed and many others returning to the same cast and crew. The drama deals with life in the Pakhtoon region of Pakistan and explores such hard hitting topics like forced marriages and integral family relationships. According to the director, Sang-e-Mah serves under similar themes as its predecessor, in a three part trilogy, ending it with the next planned show, Sang-e-Siyah.

 + Main Cast

  1. Atif Aslam as Hilmand Khan
  2. Nauman Ijaz as Haji Marjaan Khan
  3. Kubra Khan as Sheherzaad
  4. Hania Amir as Gul Meena
  5. Zaviyar Nauman Ijaz as Hikmat Khan
  6. Sania Saeed as Zarghuna
  7. Samiya Mumtaz as Zarsanga
  8. Omair Rana as Mastaan Singh
  9. Najiba Faiz as Harshaali Kaur
  10. Hassan Noman as Badam Gul

+ Plot

Sang-e-Mah is a story of a dysfunctional Pakhtoon family in the tribal regions of Pakistan where pride and honour mostly triumphs over empathy and forgiveness. The show deals with issues such as young love and opposing families who are engaged in a tribal battle with one another.

+ High Points

i – This was apparently the second last episode of Sang-e-Mah and from the looks of it, this is probably the right time to end the show. While nothing spectacular, the episode did have some worthy highlights such as the passing of the torch from father to son, a heartfelt moment between the sisters of Laspiran and a great cliffhanger to end it. 

ii – This week’s episode showcased their female talent to the fullest and honestly, it was great. We got to see some final character building moments from every main cast member but as usual, Samiya Mumtaz was outstanding with her performance. We also had great interaction between mother and daughter as Jirga rages on upon their very existence. Regardless of its varying writing quality, character development has always been one of the key highlights of Sang-e-Mah

+ Low Points

i – It’s a shame that we did not get to see more of Masha’allah Khan as he is by far the best and most effective antagonist of the show. In this episode, he was completely sidelined till the last scene. Now I can understand why since there are only two episodes left and the show wants to solely focus on its main cast but whether that’s a criticism or a compliment, Masha’allah Khan seems to be much more vigilant and interesting than most of the characters that we got to witness since the beginning of the show.

ii – I don’t like Atif Aslam in this show. His performance is mono-tone, his obnoxious, pseudo philosophical dialogues are ridiculous and clearly, he lacks the talent to pull such a pivotal character off. And he was insufferable this week as well. When Sang-e-Mah concludes next week, I know what I won’t miss about this show…

+ Overall

Episode 25 did manage to do one pivotal thing right, it will make you excited for the next week’s show finale.

Rate: out of 5 stars