TV series

Mr. Khan’s Review on Hum Kahan Ke Sachay Thay – Episode V (2021)

A review on Pakistani drama TV series, Hum Kahan Ke Sachay Thay Episode 5 (2021). The new TV series is written by Umera Ahmed and directed by Farooq Rind. Hum Kahan Ke Sachay Thay is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Farooq Rind
  • Written by Umer Ahmed
  • Produced by Nina Kashif & Momina Duraid Productions

+ Note

Hum Kahan Ke Sachay Thay marks 5 years since Mahira Khan appeared in a TV drama and as was the case before, this drama was also originally a novel by Umera Ahmed where the childhood and upbringing play an important part in the main plot of the show. The show deals with dark topics such as drug addiction and its impact on a child’s upbringing. 

The show also focuses once again on a love triangle between three cousins who shared a childhood together; Mehreen, Mashal and Aswad. Hum Kahan Ke Sachay Thay is essentially a case study of internal flaws and unspoken guilts that makes us human and how we learn to cope up in a less than ideal society.

 + Main Cast

  1. Mahira Khan as Mehreen Mansoor
  2. Kubra Khan as Mashal Tahir
  3. Usman Mukhtar as Aswad Ayub
  4. Omair Rana as Mansoor
  5. Zainab Qayyum as Shagufta
  6. Haroon Shahid
  7. Laila Wasti
  8. Huma Nawab as Saliha
  9. Kaif Ghaznavi
  10. Shamim Hilali as Aswad’s Grandmother
  11. Khalid Malik

+ Plot

Hum Kahan Ke Sachay Thay is a story of three cousins; Mehreen, Mashal and Aswad. Their lives have coincided with each other since childhood. While Mashal and Aswad grew up in a stable, loving household, Mehreen had to live through the mistakes of her father for being a drug addict and financially unstable. As they grow older, it is obvious that they all share an unbroken bond between each other that will only culminate with certain unforeseeable events.

+ High Points

i – One of the aspects that Hum Kahan Ke Sachay Thay does better than the rest has to be the dialogue. The written conversations between friends in the show is one of the stronger suits of the writer Umera Ahmed. It seems very natural as if the two characters have known each other for some time. The casual banter between the friends lures the viewer in to become a part of it. And exactly what good writing should do.

ii – Its a neat idea to show Mehreen writing her daily dairy as to how the current situation is unfolding and it would be great if the show could have more such scenes added to the narrative.

+ Low Points

i –  Hum Kahan Ke Sachay Thay has the potential to be original and different from the rest of the shows out there but that’s unfortunately not the direction the show wants to go for. The cousin love triangle, the tired old tropes of misunderstandings and jealousy, we have seen such themes time and time again and this show is no different. It’s such a pity because the writer Umera Ahmed has proven to be (as a writer) much more talented than this. 

ii – Apart from Mahira Khan, the other two leads Kubra Khan and Usman Mukhtar seem like their performances are not up to the task. The subtlety that the role requires is absent from both of these performances. And as I have previously mentioned before, Usman Mukhtar lacks the screen presence that the character of Aswad requires. The lead does not have to be cocky but there has to be an abundance of charisma which attracts both of his female leads towards him. And this always begs the question; why are the two girls in love with him? So far, the show has given no explanation for this. Just cause the script demands it I suppose …

iii  – Since the premiere episode of the show, I have been complaining about the production quality of the show, namely the habit of “overlit” scenes and the picture below is a prime example of it. This scene takes place in a car at night but the interior of the car has been lit as if they are being interrogated by the cops! The scene needed some softer light and shadows to give the illusion of the actors sitting inside a car at night. Momina Duraid’s projects usually have great production work but Hum Kahan Ke Sachay Thay is one of their worst looking shows to date.

iv  – I believe the show will benefit more if there are more scenes outside the bungalow. Scenes taking place in the University, office or just outdoors will bring a much needed authenticity to the story. It is becoming very tiresome that 90% of the scenes are just characters sitting on a sofa and having a conversation about the current situation. This is why Hum Kahan Ke Sachay Thay as a show lacks energy or even a sense of urgency to its plot. Show the characters going through their daily routine, mixing work with personal life. So far, Mehreen is the ONLY character that we know who has a life outside her situation with Aswad. And at its current state, the show is lethargic and downright boring.

+ Overall

Episode 5 was proven to be inconsequential to the rest of the plot. Hum Kahan Ke Sachay Thay continues to suffer from tired old Pak drama tropes and lack of originality really hurts the overall product at the end.

 Rate: out of 5 stars

TV series

Mr. Khan’s Review on Laapata – Episode VII & VIII (2021)

A review on Pakistani drama TV series, Laapata Episode 7 & 8 (2021). The new TV series is written and directed by Khizer Idrees. Laapata is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Khizer Idrees
  • Written by Khizer Idrees
  • Produced by Momina Duraid Productions

+ Note

Laapata is a comedy/ drama which focuses on young love who aspire to fulfill all their wishes in Life. The drama also highlights modern obsessions with social media such as Tik Tok and its impact on the Pakistani youth of today. 

The writer/ director of the show, Khizer Idrees is most well renowned in the TV industry for his work as a Cinematographer for films such as Manto (2015) and Verna (2017). 

 + Main Cast

  1. Ali Rehman Khan as Shams
  2. Ayeza Khan as Geeti
  3. Gohar Rasheed as Daniyal
  4. Sarah Khan as Falak

+ Plot

Shams (Ali Rehman Khan) loves Falak (Sarah Khan) and they predict something big for their future. On the other hand, Geeti (Ayeza Khan), the big Tik Tok star, is always looking for a new toy to play with. After being faced to decide upon her secure future, Geeti might have her eyes now set on someone… and that someone could perhaps be Shams? 

+ High Points

i – In comparison to other female protagonists on Pak television, Falak is still relatively better written. She is not easily manipulated or oppressed by the men in her life. She has a solo career as a sportswoman and also possesses her own unique character.

ii – The plot flows along nicely with each passing episode. The pacing between the quieter and dramatic moments is commendable. And even though the new romance plotline between Falak and Daniyal serves yet again as just another drama cliche, it has been well introduced and executed. It’s genuinely admirable that the show is gradually developing the romance between the two and giving it the attention that it deserves.

Spoiler Alert!! (If you would like to avoid it, please skip to the Low Points section):

iii – The dream sequence perfectly describes the longing and desperation of Shams. The music is never overbearing, it lets just the visuals of the scene describe and the pain and anguish Shams is feeling at the moment. It’ll be interesting to see how he will react when he eventually returns to his past life.

+ Low Points

i –  Laapata is in the middle of crossroads when it comes to genres. The main plotline has taken a dark turn but the show is afraid to fully commit to it and therefore, has inconsequential flashback scenes to provide some levity to the show. And there lies the problem. What is it that Laapata wants from its viewers? Are we supposed to take it seriously or not? The drama and comedy scenes in this show mix as good as oil and water.

ii – Geeti is undoubtedly a horrible person as she now targets the fiance of her closest friend to be her next lover. It’s perplexing to me how the show plays all of this off as “comedy”. Should we be rooting for such an amoral character? Will Geeti learn her lesson not to be a narcissist and annoying by the end of the series? We shall find out.

iii  – The subplot of Falak’s sister proves to be completely unnecessary. Up till now, it has proven to be uninteresting and insignificant to the overall plot of the show.

iv  – The “two years” later episodes have not proven to be as colourful or compelling as the previous ones. Where are the corrupt police officers or the greedy mulla? It was at least fun to watch them on screen. Now it’s just dull, generic characters like Geeti’s new lover or the kind hearted boss of Falak. Nowhere near as interesting.

+ Overall

Laapata has recovered a tad bit from its sudden shift in tone but the drama and comedy aspect of the show still needs to be better balanced in order for the show to have an identity of its own.

 Rate: out of 5 stars

TV series

Mr. Khan’s Review on Ishq Hai – Episode XXV to XXVIII (2021)

A review on Pakistani drama TV series, Ishq Hai – Episode 25 to 28 (2021). The new TV series is directed by Aabis Raza and written by Rehana Aftab. Ishq Hai is an ARY Digital Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Aabis Raza
  • Written by Rehana Aftab
  • DOP by Waqas Ali
  • OST composed by Rahat Fateh Ali Khan
  • Editing by Zeeshan Ali Jokhio
  • Produced by Fahad Mustafa & Dr. Ali Kazmi

+ Note

Ishq Hai is a tale of two lovers, a Shakespearean tragedy set in South Asia where the conflict between tradition and individual freedom comes into play. An age long question within our Pakistani culture; should the tradition of arranged marriage be questioned? How important is the right to choose your own life partner? The drama has a star studded cast of young and veteran actors and is an exclusive ARY Digital Production.

 + Main Cast

  1. Minal Khan as Isra
  2. Danish Taimoor as Shahzaib
  3. Hammad Farooqi as Hammad
  4. Babar Ali as Isra’s father
  5. Hammad Shoaib as Haris
  6. Saba Faisal as Nafisa
  7. Mahi Baloch as Sameera
  8. Sajjad Paul as Raza
  9. Mahenur Haider as Nimra

+ Plot

Isra and Shahzaib are the young lovers in conflict with their respective families. Their parents have already found a spouse for them. Arranged marriage has been a family tradition but against all odds, Isra and Shahzaib want to fight for their love. Will their pure love be able to conquer all?   

+ High Points

i – Some of the scenes were well lit and visually executed. The creative team behind the camera plays well with shadows at certain dramatic moments of the show. No matter how horrendous the product is, at least the visuals are somewhat impressive.

+ Low Points

i – Ishq Hai is going nowhere. The plots are already being recycled and reframed for the audience. The two themes; ‘Misunderstanding and Jealousy’ are beyond repetitive at this point. The show lacks any substance or even a shred of creativity in its writing and execution. Episode 25 to 28 are fully devoted to Nafisa’s dastardly evil plan of creating misunderstanding between Shahzaib and Isra, hoping that they would end up with a divorce and in turn, fall into the hands of Nimra and Haris respectively. The plan is obviously ludicrous and devoid of any logic but that is apparently a running theme in the show.

ii – The newly introduced side plot of Hammad and his wife is absolutely nonsensical and irrelevant to the show. Just like the show itself, it’s a massive waste of time, prolonging the lifespan of the show when it’s obvious that Ishq Hai was dead on arrival.

iii – (One character passes a cup of Tea) Slow Motion! “YE ISHQ HAI!” (dramatic music!!). It’s utterly hilarious how inept the creative team is in bringing drama through editing! The concept of slow motion and dramatic music is abused to such an extent that no scene seems epic anymore. Not to mention the lack of proper editing as the music glitches or stops in between a scene.  

 

Two cups of Chai!? He’s definitely cheating on me with her!

iv – I guess I haven’t mentioned in weeks how terrible the performances are of the main cast of the show. I would not be at all surprised if the actors just showed up on the day of the shoot and recited their lines on set without rehearsing the scene, without even getting into the psyche of the character or the situation of that particular scene. And the fault solely lies on the shoulders of the director Aabis Raza who allows his actors to display such performances on screen.

v – The “Pillow/ Dupatta” scene from Episode 26/ 27. Its scenes like these that make me lose faith in modern Pakistani dramas. Appalling state of writing in this show!

+ Overall

Ishq Hai just devolves further and further away from what is considered “standard quality” of writing for Pak Television. It’s Trash TV at its finest!

 Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Parizaad – Episode VI (2021)

A review on Pakistani drama TV series, Parizaad Episode 6 (2021). The new TV series is directed by Shehzad Kashmiri and written by Hashim Nadeem. Parizaad is a Momina Duraid Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Shehzad Kashmiri
  • Written by Hashim Nadeem
  • Produced by Momina Duraid Productions

+ Note

Parizaad is based on a novel by Hashim Nadeem and is a case study of a protagonist who cannot seem to find his place in a world where illicit behaviour and exploitation is rewarded over truth and kindness. The show explores the lower middle class societal problems of Pakistan and how a wallflower like Parizaad is never appreciated by our society. 

The director of the show Shehzad Kashmiri is a well respected cinematographer who then moved towards directing TV shows. He also directed a feature length film Bin Roye in 2015 which earned him a nomination for Best Film Director at 15th Lux Style Awards.

 + Main Cast

  1. Noman Ejaz
  2. Ahmed Ali Akbar
  3. Syed Muhammad Ahmed
  4. Urwa Hussain
  5. Ushna Shah
  6. Yumna Zaidi
  7. Saboor Ali
  8. Mashal Khan
  9. Tipu Shah
  10. Kiran Tabeer

+ Plot

Born in a world of neglect and hurt, Parizaad is an innocent soul that differs from everyone. He is kind, thoughtful and a gentle soul who due to his nature and appearance, does not fit the societal norms of Pakistani culture. Will the devious modern society engulf Parizaad into its darkness or will he remain a beacon of hope and all that is good in Life?

+ High Points

i – Episode 6 showed quite an improvement from the previous two episodes. The story felt urgent and did not waste time with injecting comedy in subplots of the show. Even though the problems presented are regarding the side characters of the show, the focus was on Parizaad and his intellect in dealing with them. 

ii – The awkward “romance” moment between Bubbly and Parizaad was comical and true to their characters. It never pushed its boundaries nor did it overstayed its welcome. It was just a cute, fun moment between the two characters who have a genuine, mutual liking for one another.

iii – Once again, the scenes between Parizaad and Nasaaz were brilliantly acted and presented on screen. They are two talented actors who know how to chew up the scenery and make their emotions feel real and effective to the show’s storyline.

+ Low Points

i – The “Piano” scene. While I understand the writer had the right intentions in bringing some more characterization into our main protagonist, it unfortunately made no sense. Since when was Parizaad into music? Why was this fact never mentioned (or even hinted at) in the previous episodes? All of a sudden, Parizaad always wanted to buy a Piano. Such aspirations should have been somehow depicted in previous episodes so that it is well established in the eyes of the audience that Parizaad has a passion for Music. This scene just felt out of nowhere and the terrible “angrazi” accent by the shopkeeper did not help the matters further. He even goes on to mention: “One thing I do know is that one day, you will buy a piano of your choice!”. Okay but you just talked to him five seconds ago and you already know his passions in Life? The scene needed some better writing in order for it to work but that was sadly missing.

ii – Even though Episode 6 is an improvement, it is still troublesome why the show diverted its attention from Parizaad to the people surrounding him. The story of Bubbly feels forced into the life of Parizaad and the In-Laws drama with Parizaad’s sister is uninteresting and inconsequential to the overall narrative of the show. Let’s hope that the coming episodes focus more on Parizaad’s journey of self-discovery and less on uninteresting subplots of the show.

+ Overall

Episode 6 did what was required of the show; bring the focus back onto Parizaad and less emphasis on mediocre subplots.

 Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Hum Kahan Ke Sachay Thay – Episode IV (2021)

A review on Pakistani drama TV series, Hum Kahan Ke Sachay Thay Episode 4 (2021). The new TV series is written by Umera Ahmed and directed by Farooq Rind. Hum Kahan Ke Sachay Thay is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Farooq Rind
  • Written by Umer Ahmed
  • Produced by Nina Kashif & Momina Duraid Productions

+ Note

Hum Kahan Ke Sachay Thay marks 5 years since Mahira Khan appeared in a TV drama and as was the case before, this drama was also originally a novel by Umera Ahmed where the childhood and upbringing play an important part in the main plot of the show. The show deals with dark topics such as drug addiction and its impact on a child’s upbringing. 

The show also focuses once again on a love triangle between three cousins who shared a childhood together; Mehreen, Mashal and Aswad. Hum Kahan Ke Sachay Thay is essentially a case study of internal flaws and unspoken guilts that makes us human and how we learn to cope up in a less than ideal society.

 + Main Cast

  1. Mahira Khan as Mehreen Mansoor
  2. Kubra Khan as Mashal Tahir
  3. Usman Mukhtar as Aswad Ayub
  4. Omair Rana as Mansoor
  5. Zainab Qayyum as Shagufta
  6. Haroon Shahid
  7. Laila Wasti
  8. Huma Nawab as Saliha
  9. Kaif Ghaznavi
  10. Shamim Hilali as Aswad’s Grandmother
  11. Khalid Malik

+ Plot

Hum Kahan Ke Sachay Thay is a story of three cousins; Mehreen, Mashal and Aswad. Their lives have coincided with each other since childhood. While Mashal and Aswad grew up in a stable, loving household, Mehreen had to live through the mistakes of her father for being a drug addict and financially unstable. As they grow older, it is obvious that they all share an unbroken bond between each other that will only culminate with certain unforeseeable events.

+ High Points

i – What is commendable about Hum Kahan Ke Sachay Thay is the fact that the team behind the camera does not force emotions out of its audience through overly melodramatic music and excessive use of slow motion/ flashbacks. It tries to achieve all this through the performances of its actors because on some level, the director of the show has faith in their capability to do so.

ii – In these four episodes, Haroon Shahid has been briefly involved in the show’s storyline and hopefully we get to see much more of him since his performance and screen presence seems noticeably better than Usman Mukhtar as the lead actor of the show.

+ Low Points

i –  Hum Kahan Ke Sachay Thay is an unfortunate retreading of old drama cliches, presented in an unoriginal fashion. Characters play their good/evil parts without much reasoning behind it. Mashal does bad deeds against Mehreen just for the sake of plot progression, characters enter at the wrong place at the wrong time, creating misunderstandings between two characters who the audience would want them to be together (namely Mehreen and Aswad). Although this is not a flaw but a certain lack of originality from the creative team and thus, Hum Kahan Ke Sachay Thay feels already stale like the majority of the TV shows on Pak television. With Umera Ahmed as the writer, I had some high expectations for the show but unfortunately (so far), I have been proven wrong.

ii – Of all the cliches, Mashal seems to be the least developed main character of the show. Like Mehreen, she wants Aswad and is willing to do whatever it takes to attain him. Her goals are to create falsehood regarding Mehreen and create misunderstandings between her and Aswad. Even going as far as poisoning her pet bird?? I don’t understand what motivated her to do so as this drastic step felt completely out of place with the rest of the plot. And sadly, Kubra Khan’s performance is not convincing enough to play a strong main antagonist of the show.

iii  – “Why is the electricity bill so high!?” asked by one of the characters in Episode 4. 

This line of dialogue was hilarious yet so fittingly ironic for me because since its premiere episode, I have been complaining how the show is unnecessarily overlit, presenting a washed out, over produced look to the images. Just had to laugh at that moment. Seems like the show itself is subconsciously aware of this fact! 

iv  – There is apparently a “Comedy scene” where Shabo (the maid) breaks the fourth wall and addresses the viewers by staring directly into the camera. Breaking the fourth wall is usually done when it is well established right from the beginning that the character has that ability (for example, the character of Deadpool). This just came out of nowhere and felt completely out of place to the format of the show.

v  – The romance feels stale between the duo; Mehreen and Aswad. There seems to be virtually no chemistry between the leads of the show and the scenes that Mahira Khan and Usman Mukhtar share seem awkward and unnatural. This should not be the case since in the show, they are in fact close cousins who have shared their childhoods together. On the other hand, the romance between Mahria and Haroon Shahid seems much more natural and plausible (and this is where the plot is heading I suppose). Usman Mukhtar was a miscast in this show as his performance does not carry the charisma and presence that the role demands.

+ Overall

Four Episodes in and Hum Kahan Ke Sachay Thay already feels stale with retreading of tired old cliches of Pak TV dramas. With a writer like Umera Ahmed onboard, I would have expected much more original storytelling.

 Rate: out of 5 stars

Feature Length Films

Mr. Khan’s Review on The Suicide Squad (2021)

A review on American Superhero film, The Suicide Squad (2021). The film is considered a “soft reboot/ sequel” to the 2016 film Suicide Squad and is directed by James Gunn. The film includes a stacked cast of actors including Margot Robbie, Idris Elba, John Cena, Joel Kinnaman and Sylvester Stallone. The Suicide Squad is part of the DCEU and distributed by Warner Bros. Pictures.

+ Crew

  • Directed by James Gunn
  • Written by James Gunn
  • Cinematography by Henry Braham
  • Music by John Murphy
  • Edited by Fred Raskin and Christian Wagner
  • Production by DC Films, Atlas Entertainment and The Safran Company
  • Distributed by Warner Bros. Pictures

+ Note

After the surprise success of James Gunn’s film for MCU Guardians Of The Galaxy in 2014, Warner Bros. and DCEU introduced their own band of misfits known as the Suicide Squad and David Ayer was set to direct the film. Suicide Squad (2016) was unfortunately met with mostly negative reviews from the critics and fans as the film failed to encapsulate the fun and excitement of what made GOTG such a fun experience to watch. Many sources indicate that it was due Warner Bros.’ constant meddling, reshoots and re-edits of the film that sabotaged David Ayer’s original vision of the film. In order to rectify their mistake, Warner Bros. decided to approach the man himself, James Gunn to handle the “soft reboot/ sequel” to Suicide Squad, giving him virtually full creative control on the project. The director (this time around) optied for a hard R rating on the film with full of violence, gore and dark humor. Considering James Gunn’s previous cult classics like Slither (2006) and Super (2010) , he seemed very familiar with the genre.

Some actors (who already had a fan following) retained their roles from the first film, including Margot Robbie as the maniacal Harley Quinn and Viola Davis as Amanda Waller. But it also introduced strange, disposable D-List Superheroes/villains from DC Comics like Polka-Dot Man, Peacemaker and King Shark. The film was released in cinemas on July 30, 2021 and has met with praise from the critics and fans alike.

+ Main Cast

  1. Margot Robbie as Harley Quinn
  2. Idris Elba as Robert DuBois / Bloodsport
  3. John Cena as Christopher Smith / Peacemaker
  4. Joel Kinnaman as Colonel Rick Flag
  5. Sylvester Stallone as the voice of Nanaue / King Shark
  6. Viola Davis as Amanda Waller
  7. David Dastmalchian as Abner Krill / Polka-Dot Man
  8. Daniela Melchior as Cleo Cazo / Ratcatcher 2
  9. Michael Rooker as Brian Durlin / Savant
  10. Jai Courtney as George “Digger” Harkness / Captain Boomerang
  11. Peter Capaldi as Gaius Grieves / The Thinker
  12. Alice Braga as Sol Soria
  13. Pete Davidson as Richard “Dick” Hertz / Blackguard

+ Plot

The American government needs a team to counter their foreign enemies. A team of super powered individuals who are instantly disposable and never to be mentioned again. Enter: The Suicide Squad! Lead by Amanda Waller and includes loveable characters like the psychopath Harley Quinn, the redeemable Bloodsport, the patriot Peacemaker and many other losers. Can the team band together and fight an adversary which threatens humanity’s very existence on planet Earth?

+ High Points

i – James Gunn knows how to make a fun premise. Judging by his filmography, he is very familiar with dark humor and cartoonishly absurd gore and violence in his films. Unlike the disaster that was Suicide Squad (2016), THE Suicide Squad (2021) is hilarious, quince inducing and exciting from the start to finish. The characters are likable, the action is fast paced, the pacing is never stagnated, The Suicide Squad knows its absurd premise and runs away with it. It’s an acquired taste (most certainly) and will not be everyone’s cup of tea but then again, it never needs to be.

ii – The main cast of characters are all fun to watch. Harley Quinn (this time around) is much better handled, her psychotic character is better explored as compared to being an “eye candy” for the fan boys to slobber over. Also new characters such as Bloodsport (Idris Elba) is a much better fit to the film as compared to Will Smith, John Cena is great as Peacemaker and minor characters like Daniela Melchior as Ratcatcher 2, David Dastmalchian as Polka-Dot Man and Sylvester Stallone as King Shark also tend to grow on you throughout the film’s runtime. What made Guardians Of The Galaxy a likeable bunch was due to their offbeat characterizations and even though The Suicide Squad is way more darker, it still manages to find a place in your heart to root for at the end.

iii – Although the film is not as funny as James Gunn’s previous works (I’ll get to that later in the Low Points section), The Suicide Squad is still a blast to watch. Not all jokes land but the ones that do land will have you laugh out loud. Most of the gags poke fun at how absurd the whole concept of being a “superhero/ villain” is and how utterly disposable some of them are! You have absurd powers like throwing deadly Polka Dots at someone or having detachable arms or being an anthropomorphic Shark or a Weasel or… the list just goes on. It’s obvious that James Gunn just loves the absurdity of the D-List characters in Superhero comics and just wants to have a laugh at their expense!

iv – The R rating works perfectly for the film. The Suicide Squad would’ve never been half as enjoyable if not for its foul language, dark humor and brain exploding, blood splattering hardcore violence. The first film really suffered for not having a R rating and felt muted from the themes that the film could’ve explored. Even though I am an advocate that not all films need to be R rated, some films definitely need it to explore their true potential. And films like Deadpool (2016), Logan (2017) and The Suicide Squad thrive in entertainment because of that.

v – Some scenes like Harley Quinn’s escape sequence and the invasion of the Rebel Camp are incredibly well shot and directed. James Gunn and Henry Braham did an outstanding job in delivering those scenes with flair and excitement without overstaying their welcome. The camerawork was controlled but never stagnating, the timing of the humor was great and the film can become instantly memorable because of them. While Phase 4 Marvel films are becoming more and more stale and generic, The Suicide Squad injects some life onto the superhero films and how creative they can be.

vi – Even though the film’s pacing is not a complete smooth sail from start to finish, the Third Act could possibly be one of the most memorable fight scenes in recent memory. I will not spoil what it is but let’s just say it fully embraced the absurdity of the world of Superheroes.

+ Low Points

i – Not everything is perfect about the film, namely the humor. While some jokes landed well, others did feel a bit tiresome. The film does at times push the supposed “nudging” to the audience a bit too far. The Suicide Squad is not as funny as his previous Guardians Of The Galaxy films where I felt we genuinely loved each and every character in the group. Whereas with The Suicide Squad, (due to the character’s disposable nature) you can’t really fall in love with them because they are essentially murderers. While The Suicide Squad is a fun film to watch, there is a lack in emotional investment that the audience could potentially feel for our protagonists as compared to GOTG.

ii – Peter Capaldi as Gaius Grieves / The Thinker was unfortunately not a villain you could wholeheartedly hate upon. His character and motivations were not sufficiently built upon for us to despise him. And because of that, the rooting for the Suicide Squad to succeed seems a bit timid. The film needed a strong antagonist for our team to fight against and no matter how deplorable our “heroes” are, the film needed an even bigger baddy to counter against. There are other “villains” that are introduced later in the film but by that time, it was a tad bit too late.

iii –  As I mentioned earlier, there is a bit too much “winking” at the audience as if to say “Can you believe how crazy this all is??”. Some jokes perhaps should have been left on the cutting room floor but I suppose that is the risk a work of Art has when the creator is in (almost) full control of his project.

+ Overall

The Suicide Squad is a blast to watch from start to finish. And even though it will not serve as everyone’s cup of tea, it’s entertaining to see some life and creativity injected into the superhero genre once again.

Rate : out of 5 stars

TV series

Mr. Khan’s Review on Ishq Hai – Episode XXIII to XXIV (2021)

A review on Pakistani drama TV series, Ishq Hai – Episode 23 to 24 (2021). The new TV series is directed by Aabis Raza and written by Rehana Aftab. Ishq Hai is an ARY Digital Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Aabis Raza
  • Written by Rehana Aftab
  • DOP by Waqas Ali
  • OST composed by Rahat Fateh Ali Khan
  • Editing by Zeeshan Ali Jokhio
  • Produced by Fahad Mustafa & Dr. Ali Kazmi

+ Note

Ishq Hai is a tale of two lovers, a Shakespearean tragedy set in South Asia where the conflict between tradition and individual freedom comes into play. An age long question within our Pakistani culture; should the tradition of arranged marriage be questioned? How important is the right to choose your own life partner? The drama has a star studded cast of young and veteran actors and is an exclusive ARY Digital Production.

 + Main Cast

  1. Minal Khan as Isra
  2. Danish Taimoor as Shahzaib
  3. Hammad Farooqi as Hammad
  4. Babar Ali as Isra’s father
  5. Hammad Shoaib as Haris
  6. Saba Faisal as Nafisa
  7. Mahi Baloch as Sameera
  8. Sajjad Paul as Raza
  9. Mahenur Haider as Nimra

+ Plot

Isra and Shahzaib are the young lovers in conflict with their respective families. Their parents have already found a spouse for them. Arranged marriage has been a family tradition but against all odds, Isra and Shahzaib want to fight for their love. Will their pure love be able to conquer all?   

+ High Points

i – No high points today, folks! Episode 23 and 24 were the very worst of Ishq Hai!

+ Low Points

i – Episode 23 and 24 were essentially inconsequential to the overall narrative of the show. There was no character building or progression of the plot, just characters reacting to one another’s banter or threats.

ii – Alright, why has Isra gained a spine all of a sudden? Where was the moment where her breaking point was reached? One could say that it was the mother falling ill but she hasn’t been in the best of health ever since her husband died. Isra’s sudden shift in character is once again a prime example of how poor the writing of the show is. Things happen without reasoning. No build up or progression of Isra’s frustrations, just that the script demanded her this week to stand up on her own.

iii – Nimra still continues to be the worst character ever written in the history of Pakistan Television. Her whole personality is defined by her rage and jealousy towards Isra. She stares out of the window every now and then, contemplating why she is not with Shahzaib instead. Now she is engaging in physical cat fights with Isra. Nimra has no personality of her own other than that she is crazy about Shahzaib. What an utter embarrassment this show is for the women of Pakistan!

iv – But the second worst character of the show has to be Azekah Daniel as Naina. The biggest issue with the writing of the show is how every character in the show has absolutely no subtlety to them. And Naina is the prime example of such flat characterization. In every episode, she is ALWAYS whining and complaining how she is not the center of attention in the family. Her dialogues seem so far removed from reality that it’s difficult to even hate her as the minor antagonist of the show. Apparently every single character in the show is needy and desperate for attention!

v – Apart from Nimra and Naina, we have another needy and desperate character of the show; Hammad Shoaib as Haris who now stalks Isra and harasses her in a parked car! Sigh, what is up with these people? Do they not have their normal lives to be busy with?

+ Overall

The female representation in Ishq Hai is abhorrent and an embarrassment to the legacy of Pakistan television. It is a mockery of our culture, our values and our moral integrity.

 Rate: ZERO out of 5 stars 

TV series

Mr. Khan’s Review on Parizaad – Episode V (2021)

A review on Pakistani drama TV series, Parizaad Episode 5 (2021). The new TV series is directed by Shehzad Kashmiri and written by Hashim Nadeem. Parizaad is a Momina Duraid Production.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Shehzad Kashmiri
  • Written by Hashim Nadeem
  • Produced by Momina Duraid Productions

+ Note

Parizaad is based on a novel by Hashim Nadeem and is a case study of a protagonist who cannot seem to find his place in a world where illicit behaviour and exploitation is rewarded over truth and kindness. The show explores the lower middle class societal problems of Pakistan and how a wallflower like Parizaad is never appreciated by our society. 

The director of the show Shehzad Kashmiri is a well respected cinematographer who then moved towards directing TV shows. He also directed a feature length film Bin Roye in 2015 which earned him a nomination for Best Film Director at 15th Lux Style Awards.

 + Main Cast

  1. Noman Ejaz
  2. Ahmed Ali Akbar
  3. Syed Muhammad Ahmed
  4. Urwa Hussain
  5. Ushna Shah
  6. Yumna Zaidi
  7. Saboor Ali
  8. Mashal Khan
  9. Tipu Shah
  10. Kiran Tabeer

+ Plot

Born in a world of neglect and hurt, Parizaad is an innocent soul that differs from everyone. He is kind, thoughtful and a gentle soul who due to his nature and appearance, does not fit the societal norms of Pakistani culture. Will the devious modern society engulf Parizaad into its darkness or will he remain a beacon of hope and all that is good in Life?

+ High Points

i – Its great to see that with each progressing episode, Parizaad is evolving from a shy timid character to someone who is learning how to take responsibility and charge head on into problems to find solutions for. With all the new side stories introduced to the show, its a bit of a relief that the writer still has not forgotten developing Parizaad’s character.

ii – The direction of the show has mostly been great. Shehzad Kashmiri is great at directing his actors through the canvas of the screen and brings a sense of “naturality” to the scene. For example, near the end of Episode 5, Nasaaz is seen doing his own laundry while having a discussion with Parizaad about his marital future. Although this scene could have been just shot with Nasaaz and Parizaad just sitting somewhere together, the act of doing laundry made the scene much more real and authentic for the viewers!

+ Low Points

i – It has been very disappointing that after Episode 3, the show Parizaad took a definite change in narrative direction. The first three episodes were solely focused on Parizaad and his interactions with the outside world. The drama was a character study of our protagonist and how society treats him for being different. But now, Parizaad has become a mere pawn to the overall narrative of the show. There’s the problem of “Bubbly’s” marriage, his brother-in-law being wrongfully accused, it’s as if Parizaad has suddenly become a side character in his own show! Although potential future events indicate that Parizaad will have new experiences, it’s still has been a very sudden change in direction for the show that I am not very fond of. What Parizaad started off as a unique, character study of a show (a bold narrative technique in the Pak TV landscape of today) is now being treated as “just another show” with useless gag scenes and evil motives between In-Laws.

ii – Saboor Ali as Bubbly just doesn’t work. Her performance is never convincing enough to get the viewers onboard with her plight to find her direction in Life. Although Saboor works better in dramatic moments, the comedy scenes just feel tacky with laziness from the writer to bring some levity to the show. And speaking of comedy….

iii – The last two episodes have also brought some forced “comedy” scenes into the show. Even though a bit of light hearted banter is always welcomed, most of the “Bubbly” story is played off as a writing tactic for her to “become a REAL woman” and for Parizaad to find the love of his life. The writer of the show Hashim Nadeem is very poignant when it comes to dramatic moments but comedy does not prove to be his forte. And thus, the quality of the overall show suffers from it.

+ Overall

The sudden shift in narrative for Parizaad has brought some unwarranted changes to the show. Parizaad has become a mere side character in his own show and thus, the quality of the show has deteriorated since its past two episodes. Hopefully, this trend wouldn’t last for long.

 Rate: out of 5 stars 

TV series

Mr. Khan’s Review on Hum Kahan Ke Sachay Thay – Episode III (2021)

A review on Pakistani drama TV series, Hum Kahan Ke Sachay Thay Episode 3 (2021). The new TV series is written by Umera Ahmed and directed by Farooq Rind. Hum Kahan Ke Sachay Thay is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Farooq Rind
  • Written by Umer Ahmed
  • Produced by Nina Kashif & Momina Duraid Productions

+ Note

Hum Kahan Ke Sachay Thay marks 5 years since Mahira Khan appeared in a TV drama and as was the case before, this drama was also originally a novel by Umera Ahmed where the childhood and upbringing play an important part in the main plot of the show. The show deals with dark topics such as drug addiction and its impact on a child’s upbringing. 

The show also focuses once again on a love triangle between three cousins who shared a childhood together; Mehreen, Mashal and Aswad. Hum Kahan Ke Sachay Thay is essentially a case study of internal flaws and unspoken guilts that makes us human and how we learn to cope up in a less than ideal society.

 + Main Cast

  1. Mahira Khan as Mehreen Mansoor
  2. Kubra Khan as Mashal Tahir
  3. Usman Mukhtar as Aswad Ayub
  4. Omair Rana as Mansoor
  5. Zainab Qayyum as Shagufta
  6. Haroon Shahid
  7. Laila Wasti
  8. Huma Nawab as Saliha
  9. Kaif Ghaznavi
  10. Shamim Hilali as Aswad’s Grandmother
  11. Khalid Malik

+ Plot

Hum Kahan Ke Sachay Thay is a story of three cousins; Mehreen, Mashal and Aswad. Their lives have coincided with each other since childhood. While Mashal and Aswad grew up in a stable, loving household, Mehreen had to live through the mistakes of her father for being a drug addict and financially unstable. As they grow older, it is obvious that they all share an unbroken bond between each other that will only culminate with certain unforeseeable events.

+ High Points

i – Mehreen can potentially be a character of interest as she suffers from childhood traumas and a wallflower in a society where the modest are never appreciated. The themes are all placed accordingly for the actress to execute it with emotion on screen (but unfortunately fails at it. A point I will get to more later in the review).

ii – I suppose it is also commendable that Hum Kahan Ke Sachay Thay does not over rely on cheap emotional tactics like music overpowering the scene rather than the actors playing it out through their strong performances.

+ Low Points

i –  (Yawn) this show just lacks any sort of momentum or energy to it. Nothing significant happens during the third Episode. The characters themselves feel lethargic, just lounging on their couches in pretty much every scene. Whatever story progression we saw in the first episode has been missing since.

ii – Hum Kahan Ke Sachay Thay has the potential for sympathetic characters for the audience to get behind but so far, that has not been the case. The performances of the two lead actresses seem mediocre and overly simplistic to their personalities. Every interesting character should have layers of emotion or depth to them but up till now, the acting seems very flat. Although judging from past shows, Mahira Khan has the potential to be more diverse than this show has you believe.

iii  – The production of the show seems visually off color to the dark, dramatic narrative of it. Every image is overlit without any play of shadows  and in return, the show looks cheap and tacky. 

iv  – Episode 3 has a scene where Shabo the maid accidentally trips and slips tea over a character. This comedic scene fell apart completely on arrival because we, as an audience, never got to see the result! It’s as if Charlie Chaplin slipped over a banana peel but instead of showing the pratfall, only the laughter of the crowd is depicted on screen. Slapstick comedy is all about visuals and timing and the director Farooq Rind seems to be lacking in both.

v  – Three episodes in, and Umera Ahmed’s writing has been surprisingly very disappointing. It all seems like a rethread of regular cliches of Pakistani dramas, namely cousin love triangle, lifeless exposition scenes and (with exception to Mehreen) flat two dimensional characterization. I really hope that the show picks up pace and depth soon as Umera Ahmed as a writer is definitely capable of it.

+ Overall

Hum Kahan Ke Sachay Thay is unenergetic, filled with long drawn out scenes of dialogues that lead to nowhere. That trend should change soon if the show runners want to keep their viewers tuning in every week.

 Rate: out of 5 stars

TV series

Mr. Khan’s Review on Laapata – Episode V & VI (2021)

A review on Pakistani drama TV series, Laapata Episode 5 & 6 (2021). The new TV series is written and directed by Khizer Idrees. Laapata is a Momina Duraid Production and currently airs on HUM TV.

(Note: If you’ve already read the review of the previous episode, you can skip directly ahead to the High points section).

+ Crew

  • Directed by Khizer Idrees
  • Written by Khizer Idrees
  • Produced by Momina Duraid Productions

+ Note

Laapata is a comedy/ drama which focuses on young love who aspire to fulfill all their wishes in Life. The drama also highlights modern obsessions with social media such as Tik Tok and its impact on the Pakistani youth of today. 

The writer/ director of the show, Khizer Idrees is most well renowned in the TV industry for his work as a Cinematographer for films such as Manto (2015) and Verna (2017). 

 + Main Cast

  1. Ali Rehman Khan as Shams
  2. Ayeza Khan as Geeti
  3. Gohar Rasheed as Daniyal
  4. Sarah Khan as Falak

+ Plot

Shams (Ali Rehman Khan) loves Falak (Sarah Khan) and they predict something big for their future. On the other hand, Geeti (Ayeza Khan), the big Tik Tok star, is always looking for a new toy to play with. After being faced to decide upon her secure future, Geeti might have her eyes now set on someone… and that someone could perhaps be Shams? 

+ High Points

i – Episodes 5 and 6 have taken a more serious and logical approach towards the concept of “Laapata” and families who have lost their loved ones in such fashion. While its not an outstanding case study of “lost” family members, at least it has been given some level of seriousness that it deserves.

ii – It’s admirable from the show runners to depict Falak as a Badminton athlete. Most shows on Pak TV either depict their young women as flaunting 24/7 over their partners. Falak (on the other hand) has her own character defining trait outside her relationship. And this is what makes her character stand out from the rest of the shows.

iii – The corruption within the law enforcement section is quite truthfully depicted in the show. The telephone dialogues scene between the two Police Inspectors was very poignantly written and loved the “switcheroo” of the dialogue “ And please consider my promotion” from one Police Officer (in Ep 5) to the next (in Ep 6).

iv  – Seems like Saife Hasan is having a lot of fun playing the dastardly evil Police Inspector. You have to admire when an actor fully embraces a performance and runs wild with it.

+ Low Points

i –  Laapata has no idea what it wants to be. The show started off as a romantic, quirky love story which quite rapidly devolved into a tragic drama. The progression between the two genres is nowhere near seamless as it should have been. The viewers who probably tuned in for the comedic aspects of the show will be put off by the seriousness of the situation.

ii – Ayeza Khan as Geeti still does not fit the tone of the show. Her screwball performance is at complete odds with the storytelling of Laapata. Her character’s quirkiness is off putting and she definitely needs to tone down her performance to make herself more relatable to the viewers.

iii  – An awful lot of blurring in a single shot! How such images get approved for Broadcast quality in Pakistan is beyond my comprehension!

iv  – The two new “love interests” seem very generic and just something for our female leads to do since our main protagonist is “Laapata”. Perhaps it’s okay if our female lead doesn’t have a love interest for a few episodes. 

Spoiler Alert!! If you would like to avoid it, please skip to the Overall section:

v  – Hakim’s change of heart in Episode 5 came out of nowhere. They tried to explain that the corrupt Police Inspector would have hounded their trial till they found him but murdering a police inspector by poisoning him in front of countless number of witnesses is probably an even worse idea! This move made no sense.

+ Overall

The sudden shift in tone will drive away viewers of Laapata. Although the cast is entertaining enough, the show seems confused as to what it wants to be; a rom-com or a serious drama?

 Rate: out of 5 stars